The Smithsonian Institution has received a unique donation – an intact slave cabin from a plantation in South Carolina. The cabin, which was on the grounds of the Point of Pines Plantation on Edisto Island, was donated by the current landowners.
While it will certainly make an interesting display and attract lots of attention, it’s a shame that it wasn’t left where it was. Historic homes and artifacts have a more immediate impact on the visitor when they’re left in the original location. The move has taken away the cabin’s context. It’s no longer in the area where the slaves worked, lived and died. Instead of experiencing the landscape – the heat, the insects, the thick undergrowth the slaves would have known – we’ll now see it in a modern museum thronging with tourists.
Perhaps it was impossible for the cabin to remain where it was. Perhaps the Smithsonian had to move it to save it, but we’ve still lost something.
The Martin Luther King Memorial in Washington, D.C., was unveiled on August 28, 2011. It has since proved hugely popular, with an estimated 1.5 to 2 million visitors in its first year. It has also proved controversial.
As Art Daily reports, several public figures complained about an inscription on the memorial that reads, “I was a drum major for justice, peace and righteousness.” The inscription is not in quotes because it’s actually a paraphrase of what King said. His actual words were, “If you want to say that I was a drum major, say that I was a drum major for justice. Say that I was a drum major for peace. I was a drum major for righteousness. And all of the other shallow things will not matter.”
Leading poet Maya Angelou told the Washington Post that the paraphrase makes King look like “an arrogant twit.” She went on to say that the civil rights leader was anything but arrogant and the paraphrase “minimizes the man.”
Now the full quote will be included. In September or October, after the summer tourist rush is over, two sculptors will change the quote.
The statue’s other inscription hasn’t caused any controversy. It reads, “Out of the mountain of despair, a stone of hope.”
Each week, Gadling is taking a look at our favorite festivals around the world. From music festivals to cultural showcases to the just plain bizarre, we hope to inspire you to do some festival exploring of your own. Come back each Wednesday for our picks or find them all HERE.
You think you know what punk is. But you haven’t seen anything until you’ve joined the thousands of head-bangers who make the pilgrimage once a year in June to Brooklyn’s Afro-Punk Festival.
This two-day celebration of music, skating, and film has become a Mecca for the burgeoning movement of Afro-Punk, a collection of African-American bands, fans, and misfits who are embracing hardcore rock culture and making it their own. Launched in the summer of 2005, the festival was the brainchild of record executive Matthew Morgan and filmmaker James Spooner, who wanted to give voice to the growing popularity of indie and punk rock in traditionally urban communities. It has ever since been a focal point of musical and cultural cross-pollination, fueled by an audience as diverse as the music itself.
Each day of the festival features bands ranging from eclectic rockers like Houston-based American Fangs to genre-bending artists like crooner Janelle Monae, that by turns, awe and electrify the crowd. Afro-Punk is the wild, weird alternate universe where anything is possible (I personally will never forget seeing bass guitarist Ahmed of Brooklyn’s Game Rebellion strut onstage sporting a fan of giant peacock feathers). Want to learn more about the Afro-Punk Festival? Keep reading below…
For first-timers, the Afro-Punk mashup of grunge guitar and streetwise swagger can be overwhelming. But have no fear: punk is a contact sport, and no one can stand still for long. Crowd surfing is encouraged, from the tiniest faux-hawked kindergartener to the heaviest thrasher, so dive away! And if you yearn for the days of good ole-fashioned moshing, you’ll have no trouble finding a scrum for a little full-body ping-pong.
Other thrill-seekers can get their kicks on the festival’s custom-built skate park. The dizzying array of jumps, ramps and rails is also the battleground for the annual URBANX skate and BMX competitions, where pro-skaters and bikers defy gravity and common sense for a coveted $5,000 prize.
Listen for the distinctive clink and hiss of spray cans and you’ll also find a one-of-a-kind outdoor art exhibit. At Afro-Punk, graffiti is king, and true to form, the artists work at lightning speed, to the delight of onlookers, tagging a rich tableaux of original pieces along a 30-foot wall of wooden panels.
On Sunday, the festival closes with a block party featuring live DJ’s, fashion, and food. But before you go, take a moment to enjoy the greatest spectacle on display: the crowd itself. Revel in being someplace where piercings outnumber iPhones two-to-one, and ‘business casual’ means keeping your shirt on. There are few places on Earth where dreadlocks and leather chokers so seamlessly co-exist. Afro-Punk is the center of a movement that defies definition. In the end, what could be more punk than that?
The 2010 Afro-Punk Festival hits New York June 26th and 27th, and will this year open in two new cities: Chicago and Atlanta. Check out afropunk.com for dates and updated details.
I love good news from the aviation world – it really does bring a smile to my face amongst all the doom and gloom stories out there.
A good example of something great comes from regional carrier Atlantic Southeast Airlines. For the first time in history, a domestic US flight was staffed by an all female African American flight crew.
The 4 – Captain Rachelle Jones, First Officer Stephanie Grant, and flight attendants Diana Galloway and Robin Rogers probably did not know that they were about to make history when they boarded their flight from Atlanta to Nashville.
When the crew realized the importance of their flight, they were naturally quite excited, and captain Jones said ” this could be a first, so let’s be on our P’s and Q’s”.
ASA President Brad Holt issued the following statement: “Not only are these women gifted in their professions, but they set examples for young people across the country that with hard work, passion and determination, the sky is the limit.”
This past weekend I had the opportunity to meet with up with Kirstin N. Fuller, the Founder and Editor-in-Chief of Reservations, a new travel magazine geared towards igniting the imagination of African-Americans on every financial level to get up and go some place. By providing practical tips and dreamy pieces on destinations far and wide that are not only luxurious, but more importantly affordable, Reservations calls itself the “Ultimate African-American Travel Guide.”
The premiere issue features Vivica A. Fox and inside you can learn more about her favorite spots to rest and relax when she is not on the silver-screen in the Talking Vacation section. With every issue a you’ll get to learn about more about your favorite celebrities travel picks as well as the best gadgets to stay wired and in touch while you’re away (if you really want to be in touch), how to keep up your hair care, or how to start saving for the perfect escape to fly solo or with your loved ones. Getting married anytime soon? Be sure you peep the Destination Wedding article. Although I’m no where near tying a knot I found this piece very informative so I guess when the time comes I’ll be well prepared. Any takers? (Wink)