Stonehenge burial may be prehistoric tourist

by Sean McLachlan on

Archaeologists call him the “Boy with the Amber Necklace”, and ever since he was discovered in 2005 they’ve known he was special. Not only would his jewelry have been rare and expensive back when he was buried 3,550 years ago, but the choice of his grave site was significant too–just three miles from Stonehenge.

Now chemical analysis on his teeth has revealed something else special about him–he isn’t from England at all, but from the Mediterranean. Tooth enamel forms in early childhood and retains oxygen and strontium. Different isotopes of these elements are found in different ecozones and regions, and show where an individual grew up. When scientists analyzed the teeth of the Boy with the Amber Necklace, they found he’d grown up around the Mediterranean. The “boy” was actually about fourteen or fifteen years old, and it’s unclear exactly why he came to southern England and the sacred site of Stonehenge.

This isn’t the first time a burial near Stonehenge has turned out to be from somewhere else. The “Amesbury Archer”, a grown man buried with some of the oldest gold and copper artifacts ever found in the UK, grew up in the foothills of the German Alps some 4,300 years ago.

So were these prehistoric tourists? Well, more like prehistoric pilgrims, or perhaps immigrants coming to work at one of the most sacred and dynamic places in the prehistoric world. People often assume international travel is a new thing, starting in the age of luxury liners and really getting going when international flights became cheap, yet daring individuals and groups have been making long journeys for thousand of years. The Boy with the Amber Necklace and the Amesbury Archer could have taken boats along the coastline and rivers, and would have had to do a lot of walking too. They may have been helped along by a simple yet effective prehistoric navigation system. In the days when the waters teemed with fish and not plastic, and the forests were filled with wildlife and berries instead of discarded soda cans, the trip wouldn’t have been as hard as we think.

[Photo courtesy webmink via Gadling’s flickr pool]

Ancient cave art discovered in Somaliland

by Sean McLachlan on


Somaliland is little-known as an adventure travel destination. The breakaway region of northern Somalia isn’t even recognized as a nation, but traveling in Somaliland I found it to be a fascinating and friendly country. Its biggest draw for visitors is the well-preserved cave art at Laas Geel, shown above.

Now Somaliland has even more ancient attractions with the announcement that archaeologist Dr. Sada Mire has discovered rock art at almost a hundred more sites in Somaliland. The Somali-born archaeologist says the paintings date to various periods from two to five thousand years ago. Images include animals, the moon in various phases, and a remarkable four-thousand-year-old depiction of a mounted hunter.

Ten of the sites are so outstanding that they’ll be candidates for UNESCO’s World Heritage Sites list. Her findings will appear in the next issue of Current World Archaeology.

I met Dr. Mire last year in London, and while she was anxious to promote archaeological tourism to her country, she warned that a lack of funding and education meant ancient sites such as Laas Geel were under threat. Perhaps her spectacular finds will encourage UNESCO and other organizations to take an interest in Somaliland and help foster a sustainable tourism that will be protect and showcase the caves.

A pilgrim in Peru: Part Five, going to Racchi, Tipon, Pikillacta, and off the tourist trail

by Don George on

After croissants and café con leche in the elegant restaurant of Inkaterrra La Casona, looking onto the hotel-home’s green and graceful interior courtyard, I met Manuel in the sitting room. He had been infectiously smiling and enthusiastic every day, but today there was a special gleam in his eye. “Hola, Don! Que tal? Today we have a very wonderful journey planned: We are moving even further into the past, into the pre-Inca world. You will see places not many tourists see.”

We drove east from Cusco toward Lake Titicaca, and for me, this already induced the frisson of exploring virgin territory. Even though the road was a well-paved thoroughfare that clearly carried thousands of travelers, most tourists confine their Sacred Valley explorations to the region between Pisac and Ollantaytambo. Driving toward Lake Titicaca, we were moving beyond Pisac and away from the tourist trail.

Our destination was Racchi, about 70 miles southeast of Cusco. John drove us through more spectacular scenery: the blue-gray Vilcanota River ribboning through yellow-green grasslands patchworked with deep green crops, all framed by snowcapped mountains; mud-brick, terra cotta-roofed houses dotted the landscape and little boys in woven caps shooshed bushel-burdened donkeys along the side of the road.
Racchi itself was a revelation. This expansive 20-acre site includes the remains of agricultural terraces, storehouses, walls, baths, a jailhouse, a lake, and the impressive centerpiece, the Temple of Wiracocha, the Inca’s great creator-god. The temple is represented by nine towering rectangular columns, each more than 20 feet high and four feet wide. Built of polished stone on the bottom and mud brick atop the stone, the columns have a distinct earthen color and a shape unlike any other Inca monuments. These attributes imbued the place with a feeling of singular age and significance, and as I walked around the stark ruins, I felt immersed in their desolation and purity, as if I were stepping further and further into the ancient heart of Peru.



That feeling continued at the two other ruins we visited that day. Tipon was a vast grass-and-water complex of broad green terraces and burbling canals and aqueducts. Like Moray, Manuel said, this site – irrigated by water brought from a distant spring by an ingenious network of canals — had been used as an experimental laboratory for the cultivation of different crops. It may also have been, Manuel added, a place to worship the water gods. Wiracocha, water gods. I was beginning to get a sense that the Incas had been surrounded by sanctity – in the fields they worked, the water they drank, the sun that warmed them, the mountains they moved through.

We wandered alone through the terraced past and I had the impression that I was walking over a time-bridge, to a place rocky and green and smelling of fresh mountain water. Then a family appeared in rough woven clothes; they were calling and laughing to each other, the children hopping merrily on the ancient walls. A mirage?

Manuel whistled and said in a gentle voice that they should respect the walls and not play on them. The patriarch, splendid in a gray and green poncho, nodded gravely and they moved on.

Our journey climaxed at Pikillacta, a site built by the Wari empire, an advanced civilization that had been the dominant power in the central and northern highlands of Peru from about 500 to 1000 AD. Along with the contemporaneous and equally powerful Tiwanaku tribe, Manuel said, the Wari laid the cultural foundations for the Inca empire.

These ruins were the rawest yet and very much a work in progress. “Maybe only 5 percent of this site has been cleared and cleaned,” Manuel said; “there is still so much to discover. But this is good,” he continued, nodding at a distant knot of workers with a small smile. “I have been coming here for 16 years and this is the first time I’ve seen government workers here. More archaeologists are becoming interested not just in the Incas but in other cultures that lived here too. And more foreign universities and countries are helping with the excavations; this is what we need, and this will lead to our own government getting involved as well.”

Evidence of the excavations was everywhere. Near the entrance to the site a sign read, “Zona de Trabajo. Prohibido el Ingreso.” We could see workers with towels covering their heads and necks digging on a distant hill, and nearer, modern archaeological tools scattered in the shade of a wall, wood scaffolding bordering a paved pathway, and wooden props that had been set to keep a long, intricately pieced rock wall upright.

In one hut-like chamber we could clearly see the remains of an elegant rock floor and ragged swatches of white plaster on what had once been a gypsum-covered adobe wall. Suddenly I felt a sliver of what Hiram Bingham must have felt when he stumbled on Machu Picchu, and I could begin to understand what drives explorers and archaeologists to hack and stumble through swamp and jungle, to sift and sluice under a relentless sun – this sense of connection with a distant culture. I had no idea what feet had slipped across that white rock floor, what hands had brushed that age-worn wall, what joys and tears, despairs and dreams had taken seed and blossomed here. But still I felt a mortal, human, bond – that rock and clay called to me, pulled at something deep within. Part of me wanted to stay and sit under that thatch; part of me sits there still.

But life must be lived in the present, and we moved from the 7th century ruins to a 21st century home-cum-restaurant specializing in cuy, or guinea pig. This local delicacy was baked in a backyard oven to a crisp and served with its little paws splayed, its snout snouting and sharp teeth gritting, accompanied by noodles, potatoes, and beer. Lots of beer. The World Cup semifinals were being played, with Uruguay upholding the honor of South America, and the restaurant owner genially agreed to accommodate his guests by hauling his prized set out of his living room and laboriously connecting it to an Incan trail-like network of wires and cables, so that we could enact another semi-religious rite while eating our cuy: watching futbol on a grainy TV.


After our guinea pig gourmandizing, we set off toward Cusco and my final afternoon in the Sacred Valley. On the way we passed a roadside roof tile-making facility we’d seen earlier in the day, and Manuel said something quickly to John, who smiled and made a swift U-turn. Suddenly we were veering off the paved road onto a dusty driveway. We bumped and bounced past a mud-brick home and a wary grandmother perched on a porch and rolled to a stop at the edge of the tile-maker’s lot.

Typical of the hospitality we had received throughout the trip, rather than being alarmed or perturbed by the site of a gringo and his guide striding across his work site, the tile-maker welcomed us with a broad smile. When Manuel explained that I had been admiring the roof tiles throughout the Sacred Valley and wanted to understand firsthand how they were made, he beckoned me over to his workplace. There, surrounded by a growing gaggle of kids, he proceeded to demonstrate how he mixed, dried, wet and then fashioned the mud that became the terra cotta tiles, and how he smoothed them into just the right shape, making sure there were no bubbles that could crack later, and then carefully placed the semi-rounded tile in the sun to dry. Soon he was draping an apron over my neck and inviting me to plunge my hands into the muddy mound; with his help and the giggling encouragements of the kids, I shaped and smoothed a tile, gingerly separated it from the mold and placed it in the line of tiles that would eventually end up crowning some happy family’s home.


There were more treasures and grace notes to come. The next morning’s itinerary called for “free time in Cusco” before my mid-day departure for Lima, but Manuel rearranged his schedule and conscripted his benevolent, beaming father, who had recently retired from a career as a tour driver, to take us on an impromptu excursion to some of the city’s grand cathedrals and museums, the astonishing stones of the temple-fortress of Saqsaywaman just outside the city, and a heartening wildlife sanctuary called the Santuario Animal de Ccochahuasi, whose passionate founder proudly showed us a magnificent condor that was being nursed back to health there.

But when I recall this pilgrimage, Manuel — himself one of the principal treasures of the trip — guides me back to that afternoon among the ruins and the roof tiles, when I felt a first sliver of the explorer’s heart-quickening connection, that shiver of spanning time in the touch of cool white stone and the brush of gypsum line, and when a family of roof tile-makers opened their heart and art to me for a timeless half hour of their lives.

On that afternoon, this pilgrim found his way. Roof tiles are made from clay and in many ancient cultures it is said that men are made from clay too. I believe this is so, for I know I left a piece of me in the Sacred Valley of Peru.

Previously:
A pilgrim in Peru: Part One, Arriving in Peru
A pilgrim in Peru: Part Two, visiting Moray, Pisaq and Ollantaytambo
A pilgrim in Peru: Part Three, arriving in Machu Picchu
A pilgrim in Peru: Part Four, visiting Machu Picchu at sunrise
Related: How to hike the Inca Trail

This trip was hosted by both LAN and Geographic Expeditions, but the opinions, joy, and amazement concerning the people and sunrise in Peru are purely my own. LAN Airlines recently celebrated the inauguration of its four-days-a-week nonstop service between San Francisco and Lima. LAN’s non-stop service to Lima with next morning connection to Cusco can help maximize your time in the Sacred Valley. Geographic Expeditions, a San Francisco-based adventure travel company offers overland tours, treks, walks, and expeditionary voyages around the world. GeoEx’s web site provides a wealth of information on its varied Peru tours.

Where I stayed:
In Urubamba: Sol & Luna
In Aguas Calientes: Inkaterra Machu Picchu Pueblo Hotel
In Cusco: Inkaterra La Casona

The catacombs of Rome

by Sean McLachlan on


“There were 500,000 people buried here,” my guide whispers.

She leads me down a dimly lit, narrow passage that seems to go on forever. To either side the rough walls are lined with small niches.

“These are where the bodies were kept. There are twenty kilometers of tunnels, and while most of the tombs are now empty, some are still unopened.”

We are in the Catacombs of Domitilla, one of the largest of a half dozen underground burial places dug out by Christians during the second and third centuries AD, when most of the Roman Empire was still pagan. My guide, a knowledgeable young Polish woman, is leading me through a warren of passageways, rooms, even subterranean churches. Incredible facts drop from her mouth every minute.

“This is the oldest of the catacombs with some of the earliest Christian paintings anywhere. There’s even a painting of the Last Supper that’s 1,800 years old.”

The frescoes are tucked away in little vaults built by wealthy families, or on the domes of small mausoleums. They show simple Christian scenes–the Good Shepard, baptism, the saints, painted in a capable but not overly talented hand.

“Since most people were pagan, the early Christians had trouble getting good artists. You can see it with the inscriptions too. They’re not done in orderly lines and clear letters like you see on monuments above ground.”

Somehow that makes me like them more, that these paintings were done by common people, not famous artists. The ones showing prayer are the most evocative because they seem to portray real individuals as they looked in life. They all take the same pose–with arms flexed outwards, palms up.

“This is how everyone prayed back then, both pagans and Christians,” my guide explains.

“Shi’ite Muslims still start their prayers in that pose,” I say.

She gives me a narrow look before leading me down another hallway. We pass a vertical shaft where we can still see small footholds cut into the side for the original builders to climb to the levels above and below us. The walls and ceiling of the tunnels are rough, with traces of the last cuts of the pick clearly visible. The stone is volcanic tufa, a rock so soft that it can be scraped with a fingernail, yet compact enough that it can support an immense amount of weight.

My guide stops in the middle of the hall and points to the wall.

“Look, this one is still buried here.”

One of the niches is sealed up with a rectangular slab. I know I’m not supposed to touch but I do anyway, pressing my hand against the cool, damp stone. Inches beyond my warm flesh lie the cold bones of one of the earliest followers of the world’s biggest religion. What I’d give to talk to him or her for just five minutes. My guide notices what I’m doing and smiles.

“Most of the bones were removed in the Middle Ages to protect them from relic hunters, but a few hundred tombs still remain unopened,” she explains.

%Gallery-102540%Sadly this slab is blank. Some have the person’s name carved on them. In some sections of the tunnel fragments of these tomb facings have been plastered onto the wall by later hands. The earliest inscriptions are in Greek, the language of the New Testament. Later ones, dating to the fourth century when Christianity became the religion of the Roman Empire, are in Latin.

Pagan Romans cremated their dead, but Christians believed in resurrection and practiced burial so the body could rise up on Judgment Day. The Roman Empire was generally tolerant of other religions, incorporating new gods into the existing pantheon, but it looked upon monotheistic Christianity and Judaism with mistrust. While followers of Jupiter or Mithras or Ra acknowledged the existence of other gods, the monotheists dismissed all other gods as impostors or demons. Even worse, they refused to sacrifice to the deified emperors. Several emperors persecuted them, although the extent and violence of these persecutions have been exaggerated by early Christian chroniclers. The image of thousands of Christians being thrown to the lions is myth. People were sometimes killed, but more often their churches would be destroyed and property confiscated. The main victims were church leaders like bishops and early popes, some of whom are buried here; regular Christians were generally left alone. Many of the biggest catacombs were built right under the Appian Way, the main road leading into the city and lined with the tombs of wealthy pagans. While everyone knew where they were, most pagans were content to leave the Christians to their strange rituals as long as they kept out of sight and didn’t cause trouble.

Two other networks of catacombs along the Appian Way are popular with visitors. The Catacombs of San Callisto are as impressive as those of Domitilla and have several good frescoes. The Catacombs of San Sebastiano, under the church of the same name, are smaller and less well preserved, yet there’s an interesting room used for funeral banquets where early Christians carved their names or the names of their departed loved ones along with prayers. All three catacombs can be seen in a single day.

The catacombs stay at a constant 15°C (59°F), so it’s best to bring a long-sleeved shirt or light sweater. Photography is not allowed. I won’t ask how GerardM at Wikimedia Commons got the above image, or how the photographers who took the pictures of the frescoes in the attached gallery got theirs. I’ll assume they went through the red tape to get permission from Papal Commission of Archaeology. I’ve heard that if I do the same I can get a papal archaeologist to guide me through parts of the catacombs closed to regular visitors. My guide warns me I need a valid reason and lots of patience with bureaucracy. Perhaps next year I’ll be back.

“We’re nearing the end of the tour,” my guide says, “but I have one last thing to show you.”

We come to a large, empty tomb that has been converted into a display case for artifacts found by the archaeologists. Through the metal grille I see oil lamps the Christians used to find their way through the dark, shells that were pressed into the wall near a tomb to help identify the occupant, and bits of cheap glass jewelry.

In one corner are a collection of little ceramic animals, dolls, and rattles, simple toys put in front of the graves of children.

Don’t miss the rest of my Vacation with the Dead: Exploring Rome’s Sinister Side.

Coming up next: The Death of Paganism!

Great deals on attractions during Scottish Archaeology Month

by Sean McLachlan on


September is Scottish Archaeology Month, and the land of kilts and haggis is gearing up for four weeks of free talks, tours, and events highlighting the region’s rich heritage. The special month is part of Visit Scotland’s new push for archaeological tourism.

In Glasgow, for example, there will be a behind-the-scenes tour of the city’s museum and free talks on the Second World War and a historic local church. “Archaeology” Month includes recent history too!

The Orkney Islands to the north of Scotland are rich in historic treasures, as this photo of a Neolithic village by user localsurfer from Gadling’s flickr pool shows. Another of his Orkney photos recently featured as our Photo of the Day. Intrepid travelers who make it to the windy and rainy islands will be treated to in-depth tours of ongoing excavations at some of the Orkney’s top archaeological sites. Just don’t expect to share localsurfer’s luck with the weather.

Having just finished hiking in Scotland, I can say that the towns and countryside are filled with fascinating remnants of the past, from local lore to haunted castles. Special events are being held all over, so if you’re headed north this coming month, be sure to check it out.