New Orleans Roadfood Festival rolls in March 24-25

by Laurel Miller on

That New Orleans is a food town is no secret. What I just discovered, however, is that it’s host to a food festival spawned by one of my favorite pastimes ever: road food (and no, I’m not referring to this kind). Way back in the day, when I was a wee college student, I discovered the late, great Gourmet magazine, and became obsessed with “Roadfood,” a column (now a website) written by the road-trippin’, big-eatin’ couple Jane and Michael Stern.

In every issue, the Sterns would choose a micro-region of the U.S. and a local specialty on which to focus their column. Each month, I read about chicken and dumplings in Indiana, pasties from Montana, green chile from El Rito, New Mexico, or barbecue from Owensboro, Kentucky. Then I’d wipe the drool off of the pages and stash each article away in a manila folder to be saved for future road trips, both real and imagined.

Apparently, nearly half a decade ago, while I was lost in some “best roadside diner biscuit” reverie, the Sterns helped create the New Orleans Roadfood Festival. The 4th annual food fiesta will be held March 24-25 in the city’s historic French Market. It will provide a showcase for over 30 restaurants across the country, which will serve the dishes that made them famous. Attendees will be able to street-feast upon Texas and Memphis barbecue, Tucson’s best tamales, custard from upstate New York, Cajun and Creole delicacies from across Louisiana, and many other regional culinary specialties. There will also be cooking demos, live music, a beignet-eating contest for the N.O. Fire Department, and a kickoff party featuring the Sterns, local chefs, and noted cookbook author Lynne Rossetto Kasper.

And get this: admission to the festival is free. You’ll still have to pay for those good eats, but a portion of the proceeds will benefit Cafe Reconcile, a non-profit restaurant that uses innovative strategies to provide life skills and job training to youth from at-risk communities in area. Just in case you need a guilt-free reason to indulge. Laissez les bons temps rouler!



[Photo credit: Flickr user Adam Melancon]

Renewed Mexico travel warning threatens spring break travel plans

by Chris Owen on

The U.S. State Department has issued a new Mexico travel warning, superseding last April’s warning. Apparently, cartel violence stemming from drug trafficking, specifically violent struggles among the criminal organizations for control of trafficking routes, has resulted in a rising number of carjackings, kidnappings and gun battles throughout Mexico.

“U.S. travelers should be aware that the Mexican government has been engaged in an extensive effort to counter TCOs (Transnational Criminal Organizations) which engage in narcotics trafficking and other unlawful activities throughout Mexico, says the State Department in the new warning posted on their website today.

Detailing the problem, the State Department says “The TCOs themselves are engaged in a violent struggle to control drug trafficking routes and other criminal activity. As a result, crime and violence are serious problems throughout the country and can occur anywhere. U.S. citizens have fallen victim to TCO activity, including homicide, gun battles, kidnapping, carjacking and highway robbery.”

Mexico government figures indicate that 47,515 people were killed in narcotics-related violence between December 1, 2006 and September 30, 2011, the warning states. Most of those killed were members of the criminal organizations.

The big problem: State Department numbers indicate that 120 U.S. citizens were murdered in Mexico in 2011, up from 35 in 2007, according to the warning.

Bad news for college students, the government says spring break destination Rocky Point is a key area in the international drug and human trafficking trades and can be extremely dangerous.

Arizona college student Juan Pantoja told KVOA.com, “I was there two or three months ago. I go down there often and go to Rocky Point. I have never thought twice about it. It’s always a good time.” University of Arizona student Chase Tsui added, “I would love to go visit my boyfriend’s family, but the problem is getting there. My mom still has this thing about going to Mexico, so she still doesn’t want me to go.”

The updated warning advises against nonessential travel to areas within 16 Mexican states, including Veracruz and the border areas of Aguacalientes and Zacatecas, and Colima and Michoacan says TravelWeekly but notes that no advisories are in effect for the state of Quintana Roo (Cancun, Cozumel, Playa del Carmen, Riviera Maya and Tulum), the Riviera Nayarit, Mexico City, Cabo San Lucas, Puerto Vallarta, Guadalajara and Guanajuato (San Miguel de Allende and Leon).

Travelers are advised to stay within the tourist areas of Acapulco, Ixtapa, Mazatlan, Monterrey and Zihuantanejo.


Flickr photo by scazon

Phoenix Art Museum opens exhibit on world religion

by Sean McLachlan on

The Phoenix Art Museum is one of the city’s best art spaces. With more than 18,000 objects in its permanent collection, it brings everything from Picasso to medieval Japanese silk to central Arizona. Their Asian collection is especially good.

Now the museum has started the new year with a major new exhibition. Sacred Word and Image: Five World Religions covers the written word and painted image as expressed in Buddhism, Hinduism, Islam, Judaism, and Christianity. By showing the art and writings of these different religions side by side, visitors can see how people each faith use them to express their beliefs.

The exhibit includes a wide variety of objects, including Christian icons, Muslim prayer mats, religious texts, sculptures, and much more. One interesting item is a 7th century Japanese printed prayer, one of the oldest printed texts in the world. When Japan converted to Buddhism in the 7th century, the emperor had one million small wooden pagodas built. Each included a printed prayer inside.

Sacred Word and Image: Five World Religions runs until March 25, 2012.

Photo courtesy Chanel Wheeler.

Musical instrument museum promotes global theme, locally

by Chris Owen on

The Musical Instrument Museum in Phoenix, Arizona offers a look at the history of musical instruments from over 200 countries around the world. The interactive collection of instruments tells a story of musicians, instrument makers, recording studios, and musical traditions significant to our shared past, present, and future.

In 2012, the museum has a special focus on American Music. Specifically: music tagged to Arizona. A new exhibit includes artifacts, photographs, and audiovisual content designed to bring the subjects to life and ignite interest in the global, binding nature of music.

Some noteworthy objects in the I Am AZ Music exhibition include the gold dress worn by singer Jordin Sparks during the American Idol finale, instruments played by the Gin Blossoms and a double-neck guitar played by Duane Eddy on Dick Clark’s “American Bandstand” in 1960.

Typical of the past/present/future focus of the exhibit is an exact replica of a stage suit worn by rocker Alice Cooper in the 1970s, then also worn during the filming of Dark Shadows, a film slated to be released this year.

Also part of I Am AZ Music is an exhibit on Canyon Records, founded more than 60 years ago by Phoenix media pioneers Ray and Mary Boley, that highlights the production and distribution of Native American music. Another exhibit is dedicated to Floyd Ramsey, whose music studio hosted sessions in the 1950s by Duane Eddy, Waylon Jennings, Wayne Newton, and Alice Cooper.”Country fans will enjoy our tributes to Buck Owens and Waylon Jennings, while jazz enthusiasts are sure to love the exhibit centered on Russell ‘Big Chief’ Moore, a member of the Gila River Indian Community who played trombone with Louis Armstrong” said MIM curator Cullen Strawn.

Musical instrument manufacturers of today that make Arizona their home are also featured, such as the Roberto-Venn School of Luthiery, Navajo-Ute flute maker Aaron White, Yaqui drum and rattle maker Alex Maldonado, White Mountain Banjo Works, Phoenix Guitar Company, classical guitar maker Brian Dunn, and Apache fiddle maker Anthony Belvado.

To make the exhibit interactive, visitors are given wireless headsets to wear throughout the museum. Approaching each display, they can hear the instruments being played, either solo or as an ensemble. Audio and video clips familiarize guests with the unique sounds of each musical culture, allowing them to “share a common experience”, very much the global theme of the Musical Instrument Museum, brought down to local, street level.

“Somewhere, out there, on the farthest rim of the earth, a sound wails into the night” begins this short video from the museum proposing that “from our first breath music is the instrument of the soul”.


The museum is also opening an African Piano exhibit in February that will examine the sanza and its musical tradition among Central and East African story tellers, historians and ceremonial or ritual experts.

Photos courtesy Musical Instrument Museum

Tucson’s beloved Grill restaurant closes

by Meg Nesterov on


Today marks my second Thanksgiving outside of the US (in Turkey, ironically) and as nostalgic as I am for Pepperidge Farm stuffing and canned cranberry sauce, this week I am missing another important piece of my past: the Grill restaurant in Tucson, Arizona. A landmark of downtown Tucson for decades, Grill (true regulars know to leave off the “the”) shut its doors this week, leaving many current and former Tucsonans distraught and de-caffeinated. Open 24 hours, serving breakfast “until tomorrow,” Grill’s menu offered the helpful tip: “when dining out, insist on food.” If you were to walk by it, you may be forgiven in thinking it was just a diner, but it was much more than that.

Grill was first opened in its current iteration in 1994 by James Graham, a classically-trained chef who made it an amalgamation of a traditional New York diner fare and more haute cuisine. In addition to burgers and fries, an impossible-to-finish short stack of pancakes, and steak and eggs, you’d find surprises on the menu. Toasted and fried “Spanish ravioli” (mysteriously called “depth bombs”). A salad with hearts of palm and fresh mozzarella. Even a big bowl of Cap’n Crunch. Some of those old favorites were left off the menu when James sold it in 1999 and moved to L.A., but his original rules remained in effect: tater tots only available late night and never with cheese. No ranch dressing. Always tip your waiter (that’s just polite).

Beyond the food and coffee, Grill was a haven for many people, with a constant rotation of Johnny Cash and Patsy Cline. Many of Tucson’s eccentrics, artists, and just plain weirdos called it home; it was a hipster hangout before hipsters existed. I spent much of my adolescence in one of the red booths, drinking coffee, smoking illicit cigarettes, doing crossword puzzles, crying over boyfriends, and occasionally studying. Even my father, a downtown-based criminal defense attorney, was a regular for lunch and we’d occasionally cross paths, each slightly embarrassed to see the other in such a sacred space. Bringing a new boyfriend to Grill was in important test: if you didn’t respect and appreciate Grill, it was a personal affront. When I moved to New York in 1998, I had a special named after me: the Meg Lamb Memorial “You’re Gonna Make it After All” Knish Dish.

Grill changed a bit over the nearly 15 years since I left Arizona. The adjoining Red Room was a lounge space in my day, with a much-used photo booth, an assortment of motley board games, and some antique couches where my high school poetry club used to meet monthly. For the past several years, Red Room was a bar and music space separate from Grill. In my last visit in 2007, it didn’t feel quite the same, but the spirit remained the same: an oasis in Tucson’s occasionally desolate downtown, “open later than you think.”

If you go to Tucson now, you can still find a few spots for late-coffee and eats. The perennial goth favorite, Cafe Quebec, is now the worker-owned cooperative Shot in the Dark Cafe. The bikers hanging out at Safehouse are friendlier than they appear. The Hotel Congress is home to the Cup Cafe, in addition to one of Tucson’s best nightlife scenes. Later this year, James Graham will open a new restaurant in Los Angeles: Ba Restaurant in Highland Park, serving French provincial classics, a major departure from diner fare. A growing Facebook group is trying to inspire a new Grill to rise from the ashes. One question remains: how does the next door Wig-O-Rama stay recession-proof?!

Thanks for the memories Grill!

Photo courtesy James Graham, circa 1994.