Swinging new art exhibit comes to Vienna Museum

by Tom Johansmeyer on

If you want to see one of Gustav Klimt’s pieces, you’ll need to cross through a world that may make you uncomfortable … and you’ll probably need partner. Haven’t figured it out yet? The Secession, a contemporary art museum in downtown Vienna, has plopped a swingers club between the museum and the Klimt – part of a project by Christoph Buechel, an artist from Switzerland. During the day, you’ll find mattresses, a bar and a whirlpool, as well as photos to make you blush. At night, of course, it becomes Element6, and anything between two among as many partners as you can assemble goes.

The project, which runs until April 18, 2010, is intended to recall the controversial “Beethoven” Frieze by Klimt that was exhibited first in 1902. Though it’s now thought to be one of Klimt’s most important pieces, it was originally considered to be pornographic (I guess the Austrians didn’t “know it when they saw it” back then). This time around, the Austrians aren’t offended. The right-wingers aren’t crazy about it, but the general public doesn’t seem disturbed. Gerald Adler, of the Kent School of Architecture in Britain, tells The Associated Press, “He’s putting it in a place that’s an accepted venue for avant-garde art, so it loses its effect.”

Museum attendance surged in 2009

by Tom Johansmeyer on

What did you do instead of travel last year? Well, according to the American Association of Museums, you probably caught an art, science or historical exhibit. Museum attendance shot up last year, according to a survey of 481 of them, with more than 57 percent of them reporting gains in attendance. More than 40 percent sustained “significant increases” of 5 percent to more than 20 percent year-over-year. Science and technology museums were most likely to see the upside.

The reason cited for the change in visitorship shouldn’t surprise you: the recession. With wallets being squeezed mercilessly by the economic climate we’ve endured since the September 2008 financial crisis, fewer people have been going out on the road, even despite the deep discounts being offered by airlines and hotels. More people are staying home – and visiting museums. This is consistent with past recessions, when museum attendance grew.

Yet, not all museums benefitted: 23 were forced to close their doors.

Montreal Musts, to do: Sample the art galleries

by Tom Johansmeyer on

Montreal has an abundance of art galleries and museums, stretching from one side of the city to the other. But, if you’re looking for one spot where you can surround yourself with more galleries than you could conceivably enjoy in a day, head down to Old Montreal and explore la rue Saint-Paul Ouest. From la rue McGill to boulevard Saint-Laurent, it’s packed with galleries large and small, including some that are artist-owned and others that represent a broad spectrum of creative minds.

The first gallery that caught my eye was Galerie Elca London. Unique on St. Paul Ouest, Elca London focuses on art created by the Inuit. Sculpture and flat art are available and come to the gallery based on their availability. Unlike most, it buys the art rather than take it on consignment, and there are no entangling relationships that limit what it can carry. So, if it measures up to the standard, it lands on the shelves. Of course, the gallery’s theme is evident from the inventory – there are a lot of polar bears and native masks. You’re more likely to pick up a piece or two for your collection, I suspect, than make this the cornerstone of your home décor.

Atelier Art Bressan is a single-artist gallery, featuring the works of Pauline Bressan, though a few pieces by her daughter (also a talented artist) have found their way onto the walls. Bressan’s style is decidedly abstract, and her influences vary. One piece, for example, comes from the effect a Senegalese poem had on her. The artist has shown her work around the world – in France, the United States and many other countries – which supports the quality of her creations in terms of investment potential (something to keep in mind as the art market starts to work its way up from the floor).

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One of my favorite art spots in Montreal is still Les Passants du Sans Soucy Auberge. A boutique hotel, its lobby includes a small art gallery, mostly featuring the works of Jacques Clement. Clement’s work includes more landscapes than it did last year (my first visit to this lobby gallery), but he still has enough work on the human body (which has a Francis Bacon style to it) to keep me excited.

Further up Saint-Paul Ouest, you’ll find several art galleries that are similar to what you’d find in New York: multiple artists are featured, and the work is stylish, modern and exciting. Galerie Le Luxart tops the list for me in this group, with a labyrinthine gallery featuring a variety of contemporary techniques that will definitely force you to stop and look for a while. Galerie Saint Dizier and Galerie le Royer are of the same ilk.

Of course, if street art is more your style, you’ll find murals painted on buildings throughout the city. For the best concentration, head up to the trendy Plateau neighborhood, where you’ll find carefully crafted graffiti art in many of the alleys.

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Disclosure: Tourisme-Montreal picked up the tab for this trip, but my views are my own.

Madrid’s Reina Sofia museum is now free every day

by Katie Hammel on

Here’s some good news for budget travelers in Madrid. Following the lead of the Museo Nacional del Prado (which has been offering free hours each day it is open since 2007), the Reina Sofia will now offer a few hours of free admission every day as well.

Previously, the museum had charged €6 admission, except for Saturday afternoons and Sunday mornings, when the fee was waived. But now it will offer free admission for a portion of each day that it is open, which is every day except Tuesday. Free hours will be from 7pm to close (9pm) on Monday, Wednesday, Thursday and Friday, from 2:30pm to 9pm on Saturday, and from 10am until the 2:30pm closing time on Sunday. If you’re looking for just a small sampling of the modern and contemporary art housed at the Reina Sofia, swing by for a few free hours of browsing. If you’re a dedicated art-lover, spread your visit out over a several evenings to get your art fix without spending a single euro. Either way, you’ll get more art for less money, almost any day of the week.

Travel to Spain is down this year, except in Madrid, where it actually increased by about 6%. With cheaper opportunities for viewing art, Madrid’s tourism numbers may continue to increase, especially among travelers on a smaller budget.

Museum Junkie: Futurism at the Tate Modern

by Sean McLachlan on

“Today we are founding Futurism, because we want to free our country from the smelly gangrene of its professors, archaeologists, tour guides and antiquarians.”

On February 20, 1909, the front page of the Italian newspaper Le Figaro was taken up with the Manifesto of Futurism, a new movement of artists, poets, and performers who revolutionized modern art. They rejected all the past–traditional painting, museums, history, religion, marriage, and just about everything else they could think of while embracing modernity in all its forms. They loved movement, anarchy, technology. When World War One started in 1914, they hailed it as the first modern war and formed the Lombard Battalion of Volunteer Cyclists and Automobilists. Their Manifesto stated that war was “the world’s only hygiene.”

The energy of their work, shown here in Impressions in a Dance Hall (1914) by Belgian Futurist Jules Schmalziguag, soon captivated the art world.

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Futurism is a new exhibition at London’s Tate Modern that studies the development of this movement. The exhibition covers the movement’s origins in Italy and its rapid spread across Europe from England to Russia. What started with painting soon made its impact felt in sculpture, literature, architecture, even music. Part of Futurism’s success was the artists’ shameless self-promotion, with more than fifty manifestos coming out in the five years after the initial one in La Figaro. Some of these manifestos and Futurist literary magazines are also on display, along with paintings from the competing movement of Cubism, The Futurists were opposed to Cubism, of course, because it took attention away from them, and were in the habit of calling Picasso a “boor.” They called themselves boors too, so it’s hard to tell if they were really insulting him, or themselves, or neither, or both.

The Futurists would have loved seeing their work in the Tate Modern. The building is a converted power station with a soaring central space that was once taken up by a massive turbine. The museum is filled with modern art, installation pieces, and video displays. This ultramodern setting may have even made the Futurists forget that museums were nothing but “graveyards”.

“Museums, graveyards!” the original Manifesto fomented. “They’re the same thing, really, because of their grim profusion of corpses that no one remembers.”

Futurism started at the Tate Modern on June 12 and runs until September 20.