Three important American artists and their museums

by Jamie Rhein on

Tom’s post about the exhibit in Paris of Andy Warhol’s work reminded me of the wonderful Warhol experience I had this past fall at the Wexner Center and my interest in going to the Warhol Museum on Pittsburgh. Museums dedicated primarily to the work of one artist is a way to really see what made a particular artist tick and why his or her work is important to the art scene and culture.

If you want to dive into the world of Warhol, Pittsburgh is a place to start. There are two other American artists who have had an impact on American sensibilities and American contributions to the art scene. Both also have museums dedicated to them. The museums are also places to see works of others who have shared similar muses.

There are other important American artists, but these are the ones I know have museums dedicated to them. If you know of others, please do tell. The museum in the photo is not Warhol’s. Any guesses whose it is and where it is? Read on to find out.

The Andy Warhol Museum

Where? Pittsburgh, Pennsylvania Why there? This is the city where Warhol was born and grew up.

What’s at the museum? 12,000 of Warhol’s pieces that include paintings, photographs, prints and video interviews. This sweeping retrospective encompases Warhol’s artistic endeavors from the 1940s to the 1980s.

Why is Warhol important? Warhol whose scope and amount of work can make a person dizzy, is partly responsible for the fusion of art, popular culture and celebrity. The thing about Warhol that I find so interesting is how he turned himself into a celebrity in the process of helping other’s find their spot in the limelight, however fleeting. Warhol is the one who coined the phrase “In the future, everyone will be famous for 15 minutes.”

Famous works: The portraits of Marilyn Monroe and Chairman Mao, plus Cambells soup cans, Brillo Pads and Warhol’s self-portraits among others.

What else is there? The Warhol Museum is dedicated to promoting the work of other contemporary artists. This weekend is the last chance to see the exhibits: The Vader Project: 100 Pop Surrealistic artists’ versions of Darth Vader’s helmet and The End: a collection of works by artists in response to the economic woes in the United States. These end on May 3, so hurry.

The Georgia O’Keefe Museum

Where? Santa Fe, New Mexico. Why there? O’Keefe drew inspiration from New Mexico’s desert and made the state her home.

What’s at the museum? In the collection are 1,149 of O’Keeffe paintings, drawings and sculptures created between 1901 and 1984. This is the largest collection of O’Keefe’s work in the world. Through September 2009, the painting Jimsom Weed that hung in the White House dining room for 8 years will be on display. This is the flower pictured here.

Why is O’Keefe important? O’Keefe has held her own in a world dominated by men as an avant garde artist who helped form American Modernism. One trademark is her depictions of the natural world in a way that is lush, alluring, and sensual in a manner that is instantly recognizable as her own. Part of O’Keefe’s aim was to show “the wideness and wonder of the world as I live in it” as she put it.

Famous works: Flowers, cow skulls, New Mexico mountains and architecture.

What else is there? The museum also shows works of other contemporary American artists that typically highlight O’Keefe’s influence.

C. M. Russell Museum

Where? Great Falls, Montana Why there? Charlie Russell moved to Montana from in 1880 ate age 16. He lived in Great Falls until his death in 1926.

What’s at the museum? On exhibit in the permanent collection are 2,000 pieces of Russell’s artwork that show his development as an artist and a storyteller of Western life. Also included are items that were his that highlight his life.

Why is Russell important? With dreams of being a cowboy, Russell switched to being a full-time artist after years of combining the two professions. His love of American Indians and western life helped him create paintings and sculptures that tell the story of the West by someone who knew it well. One of Russells quotes that has a resonance, I think with travelers. “Lonesome makes shy friends of strangers.”

Famous works: American Indians, scenery, cowboys. Two paintings of note. The Jerkline and The Fireboat. The Jerkline is pictured here.

What else is there? Contemporary American western art and photography of other western-themed artists. Here’s a place to learn more about western life through the years. Contemporary artists’ work are also on exhibit, as well as Russell era artists. One current special exhibit that caught my attention is Photographing Montana 1894-1928: The World of Evelyn Cameron. Cameron was a female photographer who captured thousands of images of life and scenery of the West.

More Maine travel: Backstage Pass: Rock & Roll Photography

by Jamie Rhein on

Maine has been on my radar lately. My husband has talked about heading there this summer. A friend who I don’t hear from often emailed me about skiing in Maine which prompted a post on skiing in Maine. The options for Maine skiing will take you right on into April.

Then while researching for a post on maple syrup festivals I found Maine is involved with the maple syrup action as well. Today while drinking my morning cup of coffee and reading the paper, I came across a travel brief on a photography exhibit at the Portland Museum of Art. “Backstage Pass: Rock & Roll Photography” has pulled in a record number of visitors. That info prompted a trip to the museum’s Website for more information.

The collection is a mix of 268 photographs that are privately owned. These are not standard, promotional type photographs, but intimate looks at the lives of the artists. Each give an indication of the relationship between the photographer and the subject whether it be Madonna, the Beatles, Johnny Cash, Jimmy Hendrix or Elvis Presley.

From the description of the exhibit, it seems to me that part of the appeal of this exhibit is that it triggers off the viewers own memories of different times of one’s life when certain musicians were important to one’s own development. There’s a certain wistfulness I’ve always felt from seeing photos of people that were taken in our pasts. Here’s a link to some of the images in the exhibit.

Although there’s no way I’ll make it to Maine before the last day this exhibit is open on March 22, it does give me the hankering to head to Cleveland to the Rock and Roll Hall of Fame.

Andy Warhol exhibit: Other Voices, Other Rooms

by Jamie Rhein on

Back in August, it seemed as if there would be oodles of time to revisit “Andy Warhol: Other Voices Other Rooms,” the exhibit at the Wexner Center for the Arts. Time, however, has a way of speeding by faster than I anticipated. After this Sunday, the fabulous exhibit of everything Warhol that has taken over the entire art museum at The Ohio State University in Columbus will be dismantled.

The exhibit is a retrospective of Warhol’s life and work– and like Warhol’s work, it is an eclectic assortment of art, graphics, newspaper articles, videos and an interactive performance space. Every inch of the museum’s galleries have been used to create a Warhol world of sorts.

The first time I saw the exhibit was at the opening in August. My first response was wondering when Warhol ever sat down or slept. Along with his famous prints of Marilyn Monroe, Campbell’s Soup and other cultural icons, there are many of the photographs he took, all the television episodes he created, and his interviews with people like John F. Kennedy Jr. and David Bowie. Each room offers a retrospective of certain aspects of Warhol’s creative interests, pursuits and perspectives. Woven throughout is his interaction with the world, himself and the arts. After he was shot and seriously wounded by Valerie Solanas, Warhol even turned that experience into art and commentary.

The room devoted to Warhol’s TV shows is one of my favorite sections of the exhibit, partly because of the effect of its execution. I noticed that while visitors sit on star-shaped stools watching whichever video screen captured their fancy, they became part of the exhibit in a way. Individual headphones allow for several people to sit at one time in front of their own individual screen while other people mill about taking in the entire scene of the room. This moving in and out between private and public experiences was one of the themes of Warhol’s life.

For anyone who has been influenced by popular culture and reality TV which, honestly, seems to be everyone I can think of, this exhibit is a look into Warhol’s vision of what was to become mainstream. Think of Joe the Plumber, Heather Mills McCartney, Harry Wittington, John Mark Karr, James Frey and who else? These are folks who represent Warhol’s phrase, “15 minutes of fame” referring to how celebrity status comes and goes quickly based on media attention. Although some people stick around longer than 15 minutes, the point is, the media helps create the celebrity. (The only person I could come up with off the top of my head was Joe the Plumber, so I found this article in Time magazine “15 people who had their 15 Minutes of Fame” to help me out. See? Fame is fleeting.)

If you do make it to the exhibit, take time to read about Warhol’s early life. You’ll find out how and why a person born in Pittsburgh to immigrants parents, one a coal miner, could grow up to be that eccentric, trendsetting fellow who wore wigs of platinum-blond hair.

To give people more time to see it, the Wexner Center has extended hours this coming weekend. Friday, February 13 (11 AM to midnight), Saturday, February 14 (10 AM to midnight), and Sunday, February 15 (10 AM to 8 PM). On Thursday from 4-8 pm, you can see the exhibit for free, otherwise there is a cost if you are over 12. Those 12 and under are free. Adults, $8; students, ages 13-17, and age 65 and older, $5.

Here’s a video tour of the exhibit, but the in person experience is this many times over. I’m planning on heading here again myself.

Art museum to close and all paintings sold: Another economic fallout

by Jamie Rhein on

The Rose Art Museum at Brandeis University in Waltham Massachusetts is in danger of being closed and all its paintings sold as a way to pump up its endowment. From reading the story in the New York Times, it seems this is another fallout to partially attribute to Bernard Madoff who ran the Ponzi scheme that snagged rich folks (and the rest of us) in its disastrous financial net. Because donors are hurting, they’re tightening their purse strings, thus they are not giving as much money–if at all.

Universities and colleges that rely on donors to keep their endowments bolstered are needing to find new ways to make ends meet. Brandeis has cast its eye on its vast collection of art that includes works by Robert Rauschenberg, Jasper Johns, Andy Warhol and Roy Lichtenstein. The collection, in a good economy, could fetch up to $400 million. In this economy, the total may not come close to that at all.

The university’s board is not happy with the plan–they weren’t consulted about the decision, and it’s not even clear if closing the museum and selling the artwork is legal. Either one depends on the agreements made when the museum opened and when donations were given. There is a fear that this museum’s closing may signal other universities to follow suit. What a shame.

Personally, I hope this doesn’t set off a trend. University art museums are some of the more interesting places to see art and they are often free–or if not free, very inexpensive. Also, what does this mean for people who are looking for places to donate art?

Interestingly, an exhibit that opened at the museum on January 15 is called “Saints and Sinners.” Kind of fitting for the times, I think. The painting in the photo is by Hans Hoffman, an American abstract painter. Several of his works, never seen before in the U.S., are also on exhibit until April 5.

Roanoke’s new art museum opens today and the collection is fabulous

by Jamie Rhein on

Today people in Roanoke, Virginia are having a fine time of festivities. To celebrate the completion of its brand new building and name change to the Taubman Museum of Art, the museum is putting on an all day shindig. There are: “circus performers, jazz bands, jugglers, puppets, ballet, rock ‘n’ roll, a blues guitar legend named Guitar Shorty, ” and oodles of kids’ activities, according to this blurb in the Roanoke Times.

Even though going to the opening isn’t probably going to happen for you–or me, unless you live close and your timing is so impeccable that you happen to be reading this and say, “Well, I’ll be, that’s just around the corner,” the museum looks as if it will be one more terrific reason to head to Roanoke.

As I browsed the museum’s former Web site, the breadth of the collection and exhibits popped out. Two in particular caught my attention because of their unusual quality. One, Earthly Delights: Judith Leiber Handbags showcases Leiber’s 50-year work as a handbag artist. Her handbags have been carried by First Ladies at presidential inaugurations which made me wonder if Michelle Obama will get one for Obama’s inauguration. The museum has 100 pieces of Leiber’s work.

The exhibit Pens and Needles: Drawings for Tattoos highlights the intricacies of tattoo art. We’ve written posts on the subject. The focus of this exhibit is tattoo artistry, though–not tattoo language snafus.

Rachael Dunlap at Intelligent Travel was in Roanoke a couple of months ago and was impressed with the museum’s architecture and offers an overview of what makes it special. She also gives its permanent collection kudos.