Medieval manuscripts in Los Angeles and London

by Sean McLachlan on

Two major exhibitions on opposite sides of the globe are focusing on the art of medieval manuscript illumination.

At the Getty Center in Los Angeles, a show has just opened highlighting the burst in creativity and education in what is popularly called the Gothic period. Gothic Grandeur: Manuscript Illumination, 1200–1350 features books from this important period, when educated Europe created a huge demand for illustrated manuscripts.

Looking at these works of art instantly dispels the popular notion that the Middle Ages were a low period in civilization. In fact, it was a time of great artistic creativity and innovation. Even though the Church tried to create an orthodox mode of thinking, science and basic questions of philosophy were able to advance, albeit slowly. Even existentialism had a place. Just read the opening chapter of St. Augustine’s Confessions if you don’t believe me.

The exhibition mainly draws on Getty’s impressive permanent collection, including recent prize acquisitions such as the Abbey Bible, one of the finest Gothic illuminated manuscripts ever made. Also of interest is the Northumberland Bestiary, a mid-13th century encyclopedia of animals.

In London, the British Library is running Royal Manuscripts: The Genius of Illumination. This collection of 150 manuscripts from the library’s collection date from the 8th to the 16th century and depict royalty through the ages. Some were even owned by kings and queens, such as a psalter with marginal notations by Henry VIII. The exhibition not only covers the royalty about and for whom the books were created, but also the artists who create them. Not all were monks as commonly believed. Many books were made by professional freelance artists who hustled for commissions from the rich and powerful. Not much has changed!

Gothic Grandeur: Manuscript Illumination, 1200–1350 has two installations, one running to 26 February 2012 and the next running from 28 February to 13 May 2012. Royal Manuscripts: The Genius of Illumination runs until 13 March 2012.

Photo courtesy British Library.

Early Christian art on display at the Onassis Cultural Center, NYC

by Sean McLachlan on


It’s often called the Dark Ages, a time when barbarian hordes overran Rome and that great civilization’s art, culture, and learning disappeared. A time when there were no great achievements.

It’s a misnomer.

Rome did not fall in the fifth century with the usurpation of the last emperor in Rome in 476. To the east, at the new capital of Constantinople, modern Istanbul, the Eastern Roman Empire was starting a new renaissance in art and administration that would become known as Byzantium.

An exhibition in New York City’s Onassis Cultural Center explores the place of early Christianity in these often misunderstood years. Transition to Christianity: Art of Late Antiquity, 3rd to 7th Century AD opened yesterday and runs until May 14, 2012.

The exhibition brings together more than 170 objects from collections in Greece, Cyprus, and the US. There are a wide range of objects including mosaics, paintings, sculptures, architectural elements, inscriptions, coins, liturgical objects, jewelry, and domestic items. The timeline spans the last years of paganism and the rise of Christianity as a tolerated and eventually the official religion.

Early Christian art took on many of the forms and styles of earlier Roman art, as you can see from this 7th century silver plate, shown here in a Wikimedia Commons image. This is one of the nine so-called David Plates, commissioned by the Emperor Heraklios (ruled 610-641), whose victory over the Persians was compared to David’s defeat of Goliath. In this plate David is being presented to Saul (1 Samuel 17:32–34). The figures are dressed like Roman aristocracy.

The exhibition looks at many facets of late Antiquity including the interaction of paganism and Christianity, daily life, the importance of cities, and funerary art.

Of course the “barbarians” had art of their own. While that’s beyond the scope of this exhibition, many museums have collections of the Germanic tribes’ unique styles of jewelry, glasswork, and carving. The British Museum has an especially good collection.

Popular blind French eatery in Europe debuts in New York this month

by Jessica Festa on

The popular French eatery where patrons are served by blind waiters in complete darkness has been a complete success in Europe. On December 9, 2011, the restaurant will try its luck in the United States, making a debut in New York.

Right now, Dans Le Noir has locations in Paris, London, Moscow, Barcelona, and St. Petersburg. While a bit bizarre, the concept is actually educational as well, as people get to have a unique dining experience while learning what it’s like to be visually impaired. Dining at Dans Le Noir is also, in essence, a live show, as guests are entertained by the staff and space.

So, how does it work? After being welcomed in the bar area and signing a waiver, guests choose a surprise dinner menu based on their dietary restrictions. For example, if you’re a vegetarian who doesn’t eat meat or fish you would choose the “Green” menu. This also means that you will not be choosing your wines but will be guided by the restaurant’s French wine expert, Christophe Garnier. Before being led into the pitch black dining area, lockers are available to put your possessions (you are not permitted to bring in anything that gives off light), and guests are advised to use the restrooms for safety reasons. From there, a guide will lead you into complete darkness, where you will spend the rest of the night eating, drinking, and talking without being able to see a thing.

Sound like fun? Click here for more information. Also, if you’d like to make a booking for the restaurant’s grand opening in New York, click here.

Photo of the day – Lego man hearts Tel Aviv

by Meg Nesterov on


They say all art is subjective, and no artform is more contentious than graffiti. Some might say even a detailed mural is defacing public property, while others might consider a bawdy limerick on a bathroom wall to be social commentary. In recent years, artists like Banksy have elevated graffiti to public art. This Lego fellow cleverly rendered in 3-D shows his love for the city of Tel Aviv, taken by Flickr user mjlacey, as a great example of fun and positive street art.

Submit your favorite street art to the Gadling Flickr pool and we may use it for a future Photo of the Day.

Artists make childhood dreams a reality with an interactive land submarine

by Jessica Festa on

While this submarine may not go underwater, it certainly has a lot of features. Five Ton Crane, a San Francisco Bay Area collective arts group, has created a life-sized vessel called The Nautilus in West Oakland, California, that not only has built-in iPad technology, a library, GPS navigation, hydraulic drive controls, a night vision periscope, and a full bar, but also the ability to defend against enemies with a Harpoon gun water cannon that shoots up to 13 gallons per minute.

The retro-futuristic art installation was built in line with the idea of steampunk, meaning that the submarine is a design of the past with the future in mind. Alan Rorie, one of the Five Ton Crane artists who also happens to have a Ph.D in Neuroscience from Stanford University, explains it perfectly by saying, “Let’s imagine that technology was a little bit more advanced in the Victorian and Edwardian time. What would that be like?”

While there is an emphasis on technology, the artists also make sure to focus on craftsmanship, creating a look that appears hand-built (because it is) instead of machine-made.

This isn’t the first big kid’s toy that Five Ton Crane has created. Other pieces include a gigantic tree house and the Raygun Gothic Rocketship, which is currently on display along San Francisco’s Embarcadero waterfront. If you dreamed about it as a child, chances are Five Ton Crane will make it a tangible reality.

For a better idea of the project, check out this video:

The Nautilus submarine from Oakland North on Vimeo.