Biblical bridge allows pedestrians to “walk through water” like Moses

Parting the sea is no longer a feat held just for saints and those with higher powers. Thanks to a new and innovative creation by RO & AD Architects, anyone can walk through water, just like Moses did when he parted the Red Sea.

The Moses Bridge is located in the Netherlands and gives people access to Fort de Roover, an old Dutch Fortress from the 17th century. What makes this bridge unique is the fact that the walkway that would usually go over the water is actually built under the water, making it appear as though individuals walking over it are actually “parting the sea”. Don’t worry, you’ll stay dry as the sides of the bridge extend high enough to keep the water off the footpath.

To make the project even better, the bridge is made of sustainable materials like Accoya wood, a highly durable wood that is treated with nontoxic anti-fungal coating.

On the RO & AD Architects website, the designers talk about the theory that goes into their visionary projects, stating, “We like to be aware of the consequences of our actions, which means we think about the long term effects. Also, we try to feed our practice from a theoretical background. Our theory ‘Evolution as a Strategy for Spatial Design’ is an attempt to set off a radical change in thinking about building and environmental planning, leading to a more sustainable kind of spatial development.”

To get a better idea of how the Moses Bridge works and what it looks like to cross it, check out this video:


Scottish National Portrait Gallery to reopen after major renovation

After more than two years and £17.6 million ($27.4 million), the Scottish National Portrait Gallery in Edinburgh will reopen on December 1.

The remodel opens up more of the Victorian building to public view, adds more than 60% to the public space, and introduces several themed galleries, including Blazing with Crimson–a collection of full-length portraits of men in kilts.

The gallery’s massive collection of portraits includes those of great statesmen, royalty, scientists, engineers, soldiers, and athletes. Special galleries look at the new face of Scotland, with one exhibit highlighting Scotland’s large Pakistani community.

Another bonus to the revamped gallery is that entrance is now free.

The gallery opened in 1889 as the first purpose-built portrait gallery. While it has always featured paintings of Scotland’s great names, it now also includes a large space devoted to photography.

This is the second major museum reopening in Edinburgh this year. The National Museum of Scotland reopened this summer after a £47.4 million ($74 million) renovation.

Photo of Robert Burns portrait courtesy Wikimedia Commons.

Pipilotti Rist’s innovative video installations give audiences an “Eyeball Massage”

Don’t worry, nobody will physically be touching your eyeballs. However, you will be taken on a unique sensory journey through dazzling color, perceptible images, and hypnotic music.

Until January 8, 2012, the work of Swiss Artist Pipilotti Rist will be featured at the Hayward Gallery in London in “Eyeball Massage“. Through this exhibit, viewers can see Rita’s work from the 1980’s to the present, including videos, sculptures, and installations. Spectators will see a lot of experimental video work that plays around with color, noise, and bleeds. With sculpture, Rist combines everyday objects with video and gives them life as well as a chance to tell their stories. Moreover, her art installations are not just splashes of color and pictures to look at but instead a parallel dimension that visitors will become immersed in. According to the event page, “Rist wants the exhibition to provoke feelings of energy, serenity and enlightenment, and hopes that her work makes visitors smile”.

For a preview of what you can expect check out this video. While there’s something a bit eerie and overwhelming to it, you can also appreciate the creativity behind it:


Could you be a Papantla Flyer in Mexico?

Do you think you could handle having one leg tied to the top of a shaky 30 meter pole while you hang limply from the top? How about then being quickly spun in circles as you slowly fall to the ground?

The feat is known as the Danza de los Voladores de Papantla, or Dance of the Flyers. The ritual, which is thought to have been used to call on the gods during times of drought, is best associated with the town of Papantla, Veracruz in Mexico, where it still takes place. There are five people who take part in the dance, including four flyers and one person who stands at the top of the tall pole dancing and playing a flute and drum.

We’ve seen the thrill seeking travelers of Fuel TV‘s “Strangers in Danger“, Mike “Rooftop” Escamilla and Zach “Catfish” Yankush eat live octopus in Korea, and tonight we’ll get to watch as they do the Dance of the Flyers, a feat which seems to scare them even more. Check out a clip of what you can expect here or watch the full episode tonight (and every Tuesday) at 10:30 E/P.

Is the Romulus and Remus statue a copy from the Middle Ages?


It’s one of the most famous symbols of ancient Rome–the legendary Romulus and Remus suckling from a she-wolf. Legend has it the brothers were born to a Vestal Virgin who had been abducted by the war god Mars. Abandoned, they were raised by a she-wolf. As adults they fought each other. Romulus killed Remus and went on to build Rome. The statue graces Rome’s Capitoline Museum and is photographed by tens of thousands of visitors every year.

But it may date from centuries after Rome fell.

In fact, it may date from the Middle Ages. The bronze wolf has long thought to be Etruscan, an ancient Italian culture that predated the Romans. Modern carbon dating shows it wasn’t made in the 5th century BC but rather the 13th century AD. The babies are known to have been added in the 15th century. The tests on the wolf were conducted five years ago and were shrugged off by the Capitoline Museum as inconclusive.

Now scholars are saying the museum was wrong to dismiss the results and have pointed out that the statue was cast as a single piece, something the Etruscans and Romans couldn’t do with a statue so large. Medieval artisans could. It’s possible the present statue was a copy produced from an earlier statue that was, indeed Etruscan. It’s impossible to say.

The museum is adding this “alternate theory” to its literature, although that doesn’t mean they’re giving up on the Etruscan theory just yet.

Photo courtesy Wikimedia Commons.