Fountain Art Fair: This Is the Future of the Creative Mind

by Tom Johansmeyer on


It isn’t unusual to see emerging artists speak angrily and earnestly about the evils of capitalism. They are hungry, struggling to be heard and eager to attain some degree of notoriety and success. Their voices, expressed on various forms of media, seek an understanding audience in a world increasingly programmed to reject the abstract and difficult in favor of that which can be digested comfortably and without risk of intellectual choking. So, it’s ironic to see such messages come with price tags that can reach into the thousands of dollars.

This is what occurred to me as I stepped off the in Manhattan, returning to terra firma from the dangerous, insightful and sometimes shocking Fountain Art Fair.

Fountain was among the Armory week satellite art fairs in Manhattan this weekend, though it won’t be confused with the rest of them. I was eager to visit Fountain. Rather than stumble through the same big names you see at the Armory, I prefer to spend my time with the artists who are fighting to become known. At Fountain, the pieces on display showed a violent desperation to be heard, with strong cultural and political messages that were impossible to be missed.

I left Fountain excited about emerging art again.


Some pieces, doubtless, were a bit heavy handed, and I do wonder how long the original messages can endure. One artist, for example, created a triptych lamenting the importance the art community places on an artist’s resume, bio and statement. Ironically, his rep was speaking from all three, at least implicitly, when explaining the work. And, if some possibility of commercial success emerges, I also wonder how long it would take the artist to polish up these documents for a major gallery or museum to review.

Another, in the “American Gangster” space, crowded the walls with as much work as possible, as if he wouldn’t have another chance to reach an audience of this magnitude – an assumption that, in itself seems tragic. While works such as “Snow White and the Seven Crackheads,” which actually included two (seemingly used) crack pipes, were a bit too blatant for my tastes, works such as an American flag devoid of color inscribed with “MADE IN CHINA” did a better job of hitting the mark.

Aside from these minor missteps, Fountain was full of work that would make you reconsider the world around you, with stunning photographs from depressed communities, street art that stretches the practical application of spray paint and performances that leave you paralyzed, unwilling to take another step before seeing what comes next.

So, will anything I saw really hit investment grade? I regret to say that I doubt it … but that’s not the point of it. Hell, it shouldn’t be the point of an art purchase anyway. After all, you purchase art to enjoy it, to derive pleasure or inspiration or understanding. If you’re looking for the sort of appreciation that comes in monetary form, you’re missing the point.

5 things to do in Barcelona, Spain: from Sagrada Familia to Barceloneta Beach

by Dana Murph on

It may not be the capital of Spain, but Barcelona is most certainly the capital of Catalonia, and it’s one of the more bustling, thriving and varied cities that Europe has to offer. You might say it’s equipped with the perfect mix of old and new, and given its proximity to the Mediterranean Sea, it also boasts something that most other major cities do not: a beach! Of course, figuring out things to do in this town isn’t quite as easy as deciding to come here, so we’re here to help. Read on for five incredible things to see and do while in Barcy, be it for business or pleasure.
%Gallery-117263%A visit to Sagrada Familia, Barcelona’s most famous church

Köln has The Dom, Paris has the Notre Dame Cathedral, and Barcelona has Sagrada Familia. Architected by the famed Antoni Gaudí, this massive Catholic place of worship doubles as a massive place of crowd gathering. It’s one of the more popular tourist stops in the city, and it’s well-positioned for finding other things to do within walking distance. Ground was broke on this church in 1882, and it’s still not done. Estimates say that it’ll be completed within the next two decades, but locals seem to have their doubts. Despite the cranes and construction, it’s still a sight to behold. You don’t have to go inside to appreciate it, but €12.50 (and a lot of waiting in line) will give you a lot more to savor.

A leisurely stroll through Parc Güell, another Gaudí masterpiece

Sense a trend? Barcelona’s face has been painted by Gaudí, and his impressions are all over this beautiful (and vast) park. There are a number of entryways, and none of them charge admission. The “Zona Monument” is the primary entrance, and you’ll know you’re there if you spot two tall, white-tiled towers surrounded by mobs of people and even more colored tiles. There’s a “lucky lizard” in the center of the monument that you’re supposed to kiss, but beware of the “live lizard” standing at the gate. He’ll happily pose for a photograph, but only after you cough up a bit of change. So much for free admission! (P.S. – Skip the photograph — the interior of the park is more deserving of your attention).

Dipping and dodging down La Rambla

Common sense (and we here at Gadling) will tell you to avoid La Rambla at night. We’ve had first-hand experience with a pal being mugged there. But despite its well-earned stereotype, it’s an interesting place to scope out during the day. Loads of street vendors are out in force with great deals, and there are mimes galore freezing for your cash. Just keep a close eye on your pockets, and enjoy the zaniness that can only be found on this street.

Museum merry-go-round

One of Barcelona’s strong points is its wealth of museums. It’s really hard to go wrong, but we’d recommend you either love design or have an open mind about learning more on the subject. La Pedrera (by Antoni Gaudí), Museu Futbol Club Barcelona (for soccer fans), Museum d’ Història de Catalunya (self-explanatory), Maritime Museum, the Catalan Museum of Archaeology and the Museo Picasso de Barcelona are all worth a visit if you’re into those types of things, but they’re obviously more attractive in the winter when you can’t just pop on your swim suit and head to our final recommendation.

Playa Barceloneta: a beach, in the city!

It’s true! Barcelona, unlike many metropolises, has a beach. And not a “nearby beach,” but a beach that’s firmly within the city and is just a quick walk from the center of town (or easily accessible via metro / taxi). Playa Barceloneta is hailed as one of the world’s best urban beaches, and we aren’t arguing. There’s a massive strip of sand to enjoy (for a city, mind you), and the Mediterranean Sea is lovely to jump in during the summer. If you arrive in the off-season, the sand still slips between your toes just as easily, but you’ll need a serious wetsuit (or skin made from steel) to handle the chilly waters.

Have any Barcelona tips of your own? Share them in the comments section below!

Missouri celebrates painter George Caleb Bingham’s 200th birthday

by Sean McLachlan on


He was one of America’s greatest regional painters, and next month he turns 200. George Caleb Bingham captured the life of fur trappers and steamboats along the Missouri River, and the horrible civilian cost of the Civil War.

A self-taught painter who grew up in Missouri, Bingham witnessed the state transform from an underpopulated frontier into a thriving center of commerce and agriculture. The above painting, Fur Traders Descending the Missouri, was painted in 1845 and captured a scene that was already becoming a thing of the past. Individual fur trappers, generally French, were being replaced by larger companies. His Luminist style and the little details like the cat earned him a lasting reputation. Actually, many researchers think it’s a bear cub, but it looks like a cat to me!

Bingham was a realist. The boy in the picture is half French and half Indian, a common enough sight in those days but not something that “respectable” society wanted to talk about. The original title for the painting was French Trader, Half-Breed Son, but the American Art Union changed the name when they put it on display. Yet another example of a powerful institution whitewashing America’s past.

Bingham was born 20 March 1811 and Missouri is planning several exhibitions and events. Kansas City’s famous Nelson-Atkins Museum will have an exhibition of his work from March 9 to December 2. At The Harry S. Truman Library and Museum, there’s another Bingham retrospective from March 10 to September 9. There are several other events taking place to mark the bicentennial. You can find an entire list here.Perhaps his most famous painting is Order No. 11, Martial Law shown below. This order by Union General Thomas Ewing in 1863 forced civilians out of their homes in several Missouri counties bordering Kansas. It was in retaliation for a Confederate guerrilla raid that destroyed Lawrence, Kansas, killing 200 mostly unarmed men and boys. General Ewing knew that secessionist civilians helped the guerrillas, so he decided to move them out of the region. Bingham was a Union man and was as shocked as anyone else by the Lawrence Massacre, but he thought punishing civilians was unjust. His painting was an instant success and has become a permanent symbol of Missouri’s bitter Civil War. It will be on display at the Truman Museum exhibition.

[Fur Traders Descending the Missouri courtesy The Yorck Project. Order No. 11, Martial Law courtesy Americasroof]

Tutankhamun statue and other artifacts stolen from Egyptian Museum, Zahi Hawass reports

by Sean McLachlan on

The Head of Egypt’s Supreme Council of Antiquities, Dr. Zahi Hawass, has posted some sad news on his blog. During the recent political upheaval in Cairo the Egyptian Museum was broken into and some artifacts were stolen. We reported earlier that two mummies were damaged but nothing was stolen. Now that the museum staff have been able to do an inventory it appears that during that incident the intruders also took some artifacts.

The most famous is a gilded wood statue of Tutankhamun being carried by a goddess, shown here. Another Tutankhamun statue was damaged. Several other priceless artifacts are also missing. A complete list can be found here. Dr. Hawass writes that 70 artifacts were knocked over or damaged.

Dr. Hawass also reports a storeroom near the pyramid at Dashur was broken into. There were attempted break-ins at a few other museums as well. No word yet on any missing artifacts.

The Egyptian Museum is on Tahrir Square where the Cairo protests were centered. Dr. Hawass and museum employees have been sleeping in the museum to protect it. On several occasions during the past weeks many protesters made a human barrier to protect the building. Sadly, the thieves took advantage of the confusion on the street level to break in through the roof.

The BBC reports that previous reports of damaged mummies appear to be incorrect and were the result of confusion over a couple of skulls that had been taken from their cases. Also, a group of suspects have been arrested and are being questioned in relation to the break in. The museum remains closed for an indefinite period.