Visiting The Christian Community In Iraq

by Sean McLachlan on


Before Iraq was conquered by the Arabs in the seventh century, it was one of the oldest centers of Christianity in the world. Even after the Arab conquest, Christians made up a sizable minority of the population – sometimes tolerated, sometimes persecuted, but always surviving.

Now it’s facing its biggest threat in centuries.

The Christian Community in Iraq is a lot smaller than it was in 2003 when the Coalition invaded. During the occupation, radical Muslims claimed the Christians were helping the invaders and used this as an excuse to attack them. Churches and shops were bombed and individual Christians were murdered or told to leave on pain of death.

In an interview with the BBC, the priest at St Joseph’s Chaldean Church in Baghdad said that in the past nine years his parish has shrunk from 1,200 families to 300. The New York Times reports that before the war the Christian population was estimated to be as high as 1.4 million, and has now dropped to less than 500,000.

I met few Christians in my 17 days in Iraq other than some shopkeepers and the owners of a liquor store when I went on a beer run in Basra. I was anxious to see some of the early medieval centers of Christianity that make the country so important to Church history. The Christian community in Iraq is splintered into more than a dozen different churches, including the Assyrian Church of the East, the Syrian Orthodox Church, the Syrian Catholic Church, the Armenian Apostolic Church, and many more. Many of their rites and beliefs are from a markedly different religious tradition than what we are familiar with in the West.

Above is a photo of the entrance to Mar Mattai monastery, run by the Syrian Orthodox Church. Located in Kurdistan in the far north of the country, it sits on the slopes of Mt. Maqloub. It was founded in 363 A.D. by the Saint Mar Mattai and is thus one of the oldest monasteries in existence.

Much of the monastery is modern, with a few crumbling ruins dotting the slopes to hint at its long history. The assistant abbot welcomed us in careful, practiced English and told us how the saint converted Prince Behnam and Princess Sarah from paganism to Christianity. Sarah had been suffering from leprosy and was miraculously cured after her conversion.

%Gallery-172437%When their father King Senchareb found out, he had them put to death. He soon regretted his act, became a Christian himself, and as penance built Mar Behnam Monastery.

This monastery is much better preserved. Its stone interior is intricately carved in the style of the Atabek Emirate, which lasted from the 11th to the 13th centuries before being wiped out by the Mongols. The style is a strange one: a sort of mix of Turkish design with Christian symbolism and elements from ancient Assyrian art. See the gallery for some images, and there are more at this site. St. Behnam monastery survived the Mongol invasion and even managed to make a few converts. Some of the inscriptions in the crypt are in Mongolian.

Walking through these two monasteries I could feel the absence left by the departure of so many from the community. We saw almost no one, and the monasteries felt more like museums than places of worship. Perhaps we just went on quiet days. Both are centers for pilgrimage, though, so I was hoping to meet and talk with pilgrims like I had at the Shia holy places. But it was not to be.

While the situation for Christians, indeed all Iraqis, has calmed down considerably in the past couple of years, the persecutions continue. Iraq has broken down along sectarian lines, with Sunni and Shia Muslims fighting it out and Christians being targeted by radical Muslims.

Being such a small minority, it’s difficult for the Christian community to defend itself. Government soldiers and police guard churches and monasteries, and man checkpoints at the edges of Christian neighborhoods, but as with sectarian attacks against Muslims, the terrorists often find a way to hit their targets.

There’s hope, though. As we studied the inscriptions in the crypt of St. Behnam’s monastery, I noticed our guide and one of our guards, both Muslims, lighting candles. I went over to the guide, who I knew to be a devout Shia, and asked him why he was lighting candles in a Christian holy spot.

“In my office there are a lot of Christian women. They asked me to light candles for them,” he replied as if it were the most natural thing in the world.

This man, who went off to pray every time we visited a mosque, saw no conflict with his faith in doing this or with working with Christian women. If his tolerance can become common enough to push out the intolerant radicals, the Christian community in Iraq may survive after all.

Don’t miss the rest of my series, “Destination: Iraq,” chronicling my 17-day journey across this strife-ridden country in search of adventure, archaeology and AK-47s.

Coming up next: “Kurdistan: The Other Iraq!”

[All photos by Sean McLachlan]

Visiting The Great Assyrian Sites Of Iraq

by Sean McLachlan on


This Iraqi policeman is busy texting at one of the great archaeological sites of his country – Assur, the first capital of the Assyrian Empire.

Assur was founded at least as early as 2400 B.C., but it wasn’t until the reign of the Assyrian king Shamshi-Adad (ruled 1809-1776 B.C.) that it became the capital of a true empire. Shamshi-Adad’s armies took over the bulk of Mesopotamia, as well as Syria and Asia Minor.

By then Assur was a magnificent place, having had centuries of kings lavishing it with attention. Several large temples dominated the site, including one for the goddess Ishtar and another for the city’s god Assur, who rose to become one of the most important gods in the Assyrian pantheon thanks to the city’s fortunes. Rising above all was a ziggurat, a stepped pyramid atop which once stood a temple. Shamshi-Adad’s conquests weren’t to last and the empire soon fell to the Babylonians. The Assyrian Empire had to be rebuilt by later kings.

Like with many Mesopotamian sites, Assur is in a sad state today. The land has very little stone, so most buildings were constructed with mud brick, which has a bad habit of melting away in the rain, even the sparse rain of Mesopotamia. Thus the ziggurat looks like a big lumpy hill, and we can only see the foundations of the temples and palaces thanks to the meticulous excavations of generations of archaeologists. Despite the poor preservation, there’s still a magical quality to the place with the Tigris River flowing lazily by and so much history underfoot.

%Gallery-171929%Another important Assyrian site is Nimrud, established as the imperial capital by King Ashurnasirpal II (ruled 883-859 B.C.). His palace was decorated with lively bas-reliefs showing him hunting, vanquishing his enemies. This site has more to see thanks to the intact stone carvings and several reconstructed buildings. A pair of giant, winged bulls flank the entrance, and several important carvings still line the walls. Sadly, one that showed the king standing before a sacred tree with the god Assur hovering above was smashed and parts of it stolen during the looting that took place during the 2003 invasion.

The Assyrians have the reputation of being the bullies of the ancient world, always ready to lay waste to a city, salt the fields, and flay their enemies. This is partially due to their unsympathetic treatment in the Bible and partially to the magnificent bas-reliefs they carved to show off the bloody results of their conquests. The Assyrians were great warriors, but they were no more cruel than any other ancient empire and they achieved a high level of artistic development.

They also valued learning. At Nineveh, another Assyrian site in Iraq, archaeologists discovered a vast library filled with texts on astronomy, medicine, geography and history, as well as the day-to-day functioning of the empire. Ancient classics such as “The Epic of Gilgamesh” were copied and read, and new works were written. Far more than simple thugs, the Assyrians were one of the great empires of the ancient world.

If you can’t make it to Iraq, several museums in the West have excellent Assyrian collections, including the British Museum in London, the Louvre in Paris, and the Met in New York City.

Don’t miss the rest of my series, “Destination: Iraq,” chronicling my 17-day journey across this strife-ridden country in search of adventure, archaeology and AK-47s.

Coming up next: “Visiting Ur, Ctesiphon, and Babylon!”

[Photos by Sean McLachlan]

A Sneak Peek At The Soon-To-Reopen National Museum Of Iraq

by Sean McLachlan on


The National Museum of Iraq is as battered and defiant as the country it represents. Battered because it has suffered looting and neglect, defiant because its staff fought to protect it. Now they’re rebuilding and the museum will soon reopen.

I got a sneak peak while visiting Iraq and was overawed. I knew I would be. Here is the treasure house of the dawn of civilization. Giant statues of Assyrian guardian demons stand next to cases filled with wide-eyed Sumerian statues pleading with their gods. Detailed bas-reliefs from excavated palaces show scenes of war and hunting. Cases full of cylinder seals show scenes of Babylonian life in miniature.

My favorite was the writing. The first scribes developed a simple system around 3300 B.C. or even earlier. Clay tokens represented objects such as sheep or jugs of beer. These were often sealed in clay envelopes with an impression of the tokens on the outside, thus creating the first contracts. Soon tablets were used with a system of writing that was mostly pictorial – a bull’s head represented a bull, etc. As the needs of the developing civilization grew more complex, so did the system of writing. The pictures morphed into almost unrecognizable collections of lines, and words for abstract ideas appeared. The writing was done with a stylus on soft clay to make a series of wedge-shaped impressions called cuneiform.

Looking at these ancient texts was hypnotic. The same process we’re engaged in right now, with me writing and you reading, was going on 5,000 years ago in a vastly different culture. We don’t have to know each other or even be in the same country to communicate. It was an incredible innovation that opened up countless possibilities for the human race.

As I studied the galleries I was amazed that anything survived the chaotic days after the fall of Baghdad in 2003. The Coalition troops hadn’t been given any instructions to protect the museum, so looters broke in and ransacked the place. Museum staff came back in force and drove them off, a brave act considering the looters were armed. Eventually the museum workers convinced the U.S. Army to post some guards.

It was too late. Thousands of priceless artifacts had been stolen. Some were later recovered but most have disappeared into the private homes of “collectors.” Luckily, the museum staff had hidden some of the best artifacts in secret locations. They told no one, not even the Coalition, about their existence until the situation had stabilized.

%Gallery-170304%Now workers are busy finishing up the displays. Twenty-two galleries have been completed and there are five more to go. Some rooms survived the war relatively intact and will look familiar to those who were lucky enough to visit before the war. Others have been completely remodeled. The museum officials didn’t allow me to photograph those. It seemed an odd restriction. Wouldn’t they want people to see their hard work? When traveling in Iraq, you get used to random rules. You just have to shrug your shoulders and move on.

In one room I found a member of the staff restoring an Abbasid sarcophagus made of teak. As I studied the intricately carved designs he explained in perfect English that he was filling in the cracks and chips with a paste made from powdered teak and “micro balloons,” tiny polymer spheres that act as a chemically inert adhesive. I asked if I could take a picture of his work and he said no.

“That’s the museum’s rule, not mine,” he said apologetically.

He and his coworkers have done a good job. The difference between the traditional galleries and the remodeled ones is astounding. The new galleries have better lighting and signage and show off the museum’s artifacts to much better advantage. All the galleries, both new and old, have signage in both Arabic and English.

The National Museum of Iraq is due to have a grand reopening in two months. As with everything in this struggling nation, the date is subject to change due to security issues and funds not getting to the right place at the right time. The work is almost done, though, so one of the greatest museums in the Middle East will almost certainly reopen in 2013 to teach a new generation of visitors about the wonders of Iraq’s past.

Don’t miss the rest of my series, “Destination: Iraq,” chronicling my 17-day journey across this strife-ridden country in search of adventure, archaeology and AK-47s.

Coming up next: “Ghosts Of A Dictatorship: Visiting Saddam’s Palaces!”

All photos by Sean McLachlan

Naughty Women, Leafy Men And Shameful Anti-Semitism: Church Art The Church Would Rather Forget

by Sean McLachlan on


Historic European churches and cathedrals are high on many travelers’ to-see lists. People admire the soaring vaulted ceilings and richly colored stained glass windows. Look closer, though, and you’ll see things you weren’t expecting.

Like this lovely lady at the Romanesque church of Saint Mary and Saint David in Kilpeck, Herefordshire, England, shown here courtesy Wikimedia Commons. Yes, she’s doing exactly what it looks like she’s doing. And she’s not the only one. Sculptures of naked ladies spreading it for all to see decorate numerous churches. Most are in Ireland and smaller numbers can be found in England and continental Europe.

They’re called Sheela-na-gigs and nobody has any idea what they mean. It’s uncertain when they were made as the churches they’re found on date from several centuries and some Sheela-na-gigs appear to have been reused from earlier buildings.

So why were they put in churches? Some people like to see them as pagan survivals, although that fails to explain why church authorities would permit them in churches. A bit of support for this comes from the Royal Navy, of all things. An 18th century Navy ship was named Sheela-na-gig and in the ship’s listing the name is explained as a “female sprite.” Other researchers think they’re symbols of the sinful nature of women. While this is possible, it fails to explain why the women aren’t being shown in Hell or being punished by devils, as is typical of didactic church art.

%Gallery-167773%Another mystery is the Green Man. This is a face surrounded by leaves and buds. Sometimes greenery is coming out of the Green Man’s mouth. At first glance it appears to be a very pagan symbol. Indeed, a similar type of leafy face was common in Roman art but died out when Classical art died. The Green Man reappeared in church art in the 11th century. He became hugely popular in Victorian Britain, which celebrated both nature and Classical art.

Once again, we’re stuck for an explanation. Pagan symbol or co-opted Classical decoration? Perhaps a fertility symbol celebrating the abundance of spring in what was still a predominantly agricultural society? Like with the Sheela-na-gigs, the Church didn’t leave records as to why they appear in a religious building.

The motive behind another odd bit of church art is all too clear – the Judensau, or “Jew’s sow.” In this scene a large sow is being suckled by a number of Jews, identifiable by the conical hats they were forced by law to wear. Another Jew is shown lifting up the sow’s tail to lick its rear. Often a Semitic-looking Devil stands by watching in approval. This disgusting bit of anti-Semitism first appeared in medieval Germany and remained a popular church “decoration” for several hundred years. The image seems to be limited to German-speaking areas and is found on churches and cathedrals and occasionally secular buildings.

The Stadtkirche in Wittenberg has a famous example on the exterior wall, clearly visible from the street. Martin Luther mentioned it in one of his anti-Semitic writings: “Here on our church in Wittenberg a sow is sculpted in stone. Young pigs and Jews lie suckling under her. Behind the sow a rabbi is bent over the sow, lifting up her right leg, holding her tail high and looking intensely under her tail and into her Talmud, as though he were reading something acute or extraordinary, which is certainly where they get their Shemhamphoras.” In the last line, Luther is talking about the Hebrew term for the ineffable name of God, thus insulting their beliefs as well as their dignity.

In modern times a memorial plaque was put beneath it acknowledging that six million Jews were killed “under the sign of the Cross.”

Museum Honors 75th Anniversary Of Picasso’s ‘Guernica’ With Special Exhibit

by Sean McLachlan on


It’s Picasso’s most famous and discussed work. “Guernica” was the artist’s response to the Luftwaffe’s bombing of the Basque town of Guernica during the Spanish Civil War. Some 1,654 civilians died. Nazi Germany was supporting General Francisco Franco and his Nationalists in their attempt to overthrow the Republican government, a fight he eventually won.

Now the Museo Reina Sofia in Madrid, which houses the work, is honoring its 75th anniversary with a new exhibition titled “Encounters with the 1930s.” This show examines the crucial decade through its art, looking at the various artistic movements and how they grappled with the increasingly polarized political landscape of Europe.

More than 400 exhibits are divided into six sections: realism; abstraction; international expositions; surrealism; photography, film and posters; and Spain: the Second Republic, the Civil War and exile. The museum is also hosting a film series titled “Cinema of the 1930s.”

This exhibition comes at a time when the old divisions from the Spanish Civil War are beginning to reemerge. This excellent article on the BBC goes into more detail.

“Encounters with the 1930s” runs from October 3-January 7, 2013.

[Image courtesy Wikimedia Commons]