Panther Cave in Seminole Canyon, Texas, has some of the country’s best-preserved prehistoric cave paintings. A colorful frieze of leaping panthers, feathered shamans and strange abstract shapes have puzzled researchers for decades. It appears to be telling a story of some sort, but what does that story say?
Now this new 3D video allows you to study it for yourself. Color enhancement brings out details hard to see with the naked eye. It also brings the cave (really a rock shelter) to the general public. Panther Cave is only visible from the opposite bank of the river or by a specially scheduled boat trip with a park ranger.
The paintings date to the Archaic period, a vague label stretching from 7,000 B.C. to 600 A.D. Judging from the condition of the paintings and the relatively shallow depth of the rock shelter, this former archaeologist thinks they must date to the last few centuries of that period. Take that with a grain of salt; my specialty was the Anglo-Saxon migration period.
For a country with only 1.3 million people, Estonia has a hell of an art scene. There are several good museums and galleries and a lively round of readings and exhibition openings.
One of the biggest names in the Estonian art scene is Raoul Kurvitz. He’s been big for a few decades now, producing a steady output of installation pieces, experimental films and paintings. Right now KUMU, the Art Museum of Estonia, has dedicated an entire floor to his work.
While I’m a hard sell with contemporary art (see my ambivalent response to Damien Hirst) I found Kurvitz’s work consistently challenging and innovative. He ranges from accessible videos like this cover of Jesse Colin Young’s “Darkness Darkness“ to weird art happenings that leave the viewers scratching their heads and feeling slightly disturbed.
This is an artist that takes risks for his art. In the 1989 experimental film “When Lord Zarathustra was Young and Polite,” he gets flogged by two female assistants and then washed into a Finnish river by an opening sluice gate. In another video he’s surrounded by fire. And I have to wonder what that blue paint tasted like when it came out of the fish’s belly.
KUMU is an ultramodern building chock full of Estonian art of all periods. What’s interesting is how they followed all the great Western traditions such as Impressionism, Cubism and the rest but put their own twist on it. And then there are the mavericks like Edvard Wiiralt who veered off into their own high strangeness.
The literature scene is doing well too. I was lucky enough to meet Piret Raud and Kätlin Kaldmaa, two Estonian authors who gave me the lowdown on writing in a language that only a little more than 900,000 of their countrymen speak. The rest of Estonia’s population are native Russian speakers and tend to look eastward for their reading material.
%Gallery-179740%Given such a small readership, you’d think publishing would be all but dead in Estonia, but nothing could be further from the truth. The fall of Communism led to an explosion of publishing houses. Where once there had only been a couple of official state-run publishers, now there’s more than a hundred indies. Many are micropresses with only one or two titles, while others are major houses with long lists.
That breath of freedom must have been a relief after decades of Soviet occupation. During those times many Western books and magazines were banned and sailors made a good side income smuggling them in. One of their best sellers, I’m told, was Playboy magazine. Pornography was banned in the Soviet Union. They saw it as Western decadence, I suppose. So admiring the Playmate of the Month became an act of political defiance. The world is a weird place.
Besides reading illegal imports, some Estonian writers bucked the system by participating in the Samizdat movement, writing subversive books and distributing them through a postal network to like-minded individuals. Since the Soviets didn’t exactly dole out printing presses with the ration cards, most of these books weren’t bound. They’d be typed out with a couple of carbon copies or simply handwritten. Kaldmaa told me some books were even photographed page by page and you’d get a stack of photos in the mail.
I would have loved to meet one of these writers. I write what I feel and all I have to risk is some anonymous coward giving me shit in the comments section. Say what you felt in the Soviet Union and you could end up in a KGB torture chamber. Writers back then had balls.
On my last night in the capital Tallinn I was invited to a poetry reading at Kinokohvik Sinilind, a rambling cafe/bar/arthouse cinema in Old Town. Several poets and a band took turns on the weirdly lit stage doing their stuff while a large crowd listened and chatted. The poetry was all in Estonian, of course, so I listened to the cadence of the words rather than their meaning. An odd experience but a rewarding one.
There were a lot of prominent writers there. Kaldmaa introduced me to a poet who specialized in translating poems from Japanese, Chinese and Korean into Estonian. He spoke French and English too. Scary. I met a whirlwind of others too, at the table or at the bar. Everyone seemed to have their latest book tucked under their arm, all cleverly designed by local talent.
I’m jealous of poets; they always get nicer covers.
In the wake of the media blitz around the discovery of King Richard III’s remains under a parking lot in Leicester, England, archaeologists have announced they’re looking for another medieval English king.
The Times reports that archaeologists are seeking permission to exhume an unmarked grave at St. Bartholomew’s Church in Hyde, Winchester, that they think contains the remains of King Alfred the Great.
Alfred ruled from 871-899 and helped consolidate the patchwork of Anglo-Saxon kingdoms into a unified country. He spent much of his reign fighting off the Vikings and establishing a legal code.
Alfred’s remains were buried in Winchester Cathedral and later moved to nearby Hyde Abbey. In the 19th century, an amateur archaeologist explored the altar of this abbey and dug up what he thought were Alfred’s bones. The vicar of St. Bartholomew’s later bought them for ten shillings and reburied them.
Records show there are five skulls and various other bones in the grave. While radiocarbon dating them and determining the age and sex is a simple affair, proving that one of them is Alfred will be a lot more difficult. In the dig in Leicester, the archaeologists were able to find direct descendants of Richard III to supply DNA for testing. Alfred lived centuries before Richard, however, and this makes it tricky to find a direct descendant.
The Diocese of Winchester said in a statement that the matter is being looked into.
Alfred left an enduring mark on the English consciousness. Many places bear his name, including places he probably never visited such as Alfred’s Castle on the Ridgeway Trail. It’s said Alfred defeated the Vikings nearby in 871. In fact the “castle” is a hill fort dating to about the sixth century B.C. If you’re in Oxford, go to the Ashmolean Museum and check out the Alfred jewel, made by order of the king himself and shown here courtesy John W. Schulze.
Oxford’s Ashmolean Museum has received a major bequest in the form of nearly 500 works of Renaissance gold and silver from the collection of Michael Wellby (1928–2012), the museum has announced.
Wellby was a well-known antiques dealer specializing in German and Flemish silver of the 16th and 17th centuries. He ran a shop in London for many years. As is typical with antiques dealers, he kept some of the best pieces for his personal collection.
Some of the pieces were made for royalty, like a silver gilt ewer made in Portugal c.1510-15 that bears the Royal Arms of Portugal. Another stunning item is a lapis lazuli bowl with gold mounts made in Prague in c. 1608 by the Dutch goldsmith Paulus van Vianen. Many of the pieces incorporate exotic materials such as ostrich eggs and nautilus shell, items that were just becoming available to the wealthy of Europe through the new global trade routes.
The collection will go on display in a temporary gallery this month and will remain there until a new permanent gallery is opened to house the collection. The Ashmolean already has an impressive collection of Ancient, Medieval, Renaissance and Early Modern art, including a large display of English silver.
The Ashmolean, like the equally famous Pitt-Rivers, are both free museums, making Oxford a good budget travel destination.
The museum will spend an estimated $4 million to clean the statue and repair structural problems. The statue will be out of sight to the public until the spring of 2014.
The statue was made sometime between 220 and 185 B.C. and is considered a masterpiece of ancient Greek art. It was discovered by a French archaeologist in 1863 on the island of Samothrace in the Aegean Sea. It had been housed in a small building at the highest point of the religious sanctuary on the island.
The statue stands atop the prow of a warship (not visible in this shot courtesy MJM Photographie) and was intended to commemorate some unknown naval battle. Sadly, no dedicatory inscription has ever been found, so exactly what victory the Victory was celebrating will remain a mystery.