Exhibit at Austrian Cultural Forum in New York gives a new perspective on beauty

by Jessica Festa on

The Austrian Cultural Forum in New York is currently hosting Beauty Contest, an exhibit featuring 20 international artists focusing their work on their interpretation of beauty. Some of the artists call upon their own experiences being a gay/lesbian, transgendered, or exhibitionist living in eastern Europe, while others comment on beauty’s evolution in terms of society. Visitors can expect these visions to be presented through an array of mediums, including sculpture, video, photography, and painting.

The majority of the artists working on this exhibit live and work in Vienna, Austria, however, there are still some artists who grew up in Austria and moved to New York, and others who have been raised in various American cities. Artists you may recognize include Cindy Sherman, Matthias Herrmann, Kalup Linzy, and Evangelia Kranioti.

The exhibit runs until January 3, 2012, and on certain dates there will be special events held as part of the Beauty Contest program:

  • October 19- A panel discussion will be held at 6:30PM, moderated by Gia Kourlas, the dance editor at Time Out New York as well as a dance critic for the New York Times. Other members of the panel will include French historian, dancer, and choreographer François Chaignaud, American author of The Man in the Grey Flannel Skirt Jon-Jon Goulian, Austrian dancer and choreographer Silke Grabinger, and the curatorial advisor for the exhibition Beauty Contest, Salette Gressett. The discussion will focus on “how emancipatory artistic reflection and practice has fought to reveal the hidden structures of repression toward gender, race, and age and to shake off antiquated visual preconceptions”.
  • November 10- A performance by Austrian artist Maria Petschnig will take place at 7:30PM. It will consist of video clips and live action that suggests fantasies, transitioning from the sensual to the grotesque. The performance will question the difference between public and private as well as one’s actual self verses the staged self.
  • Every Wednesday- Private tours are led at 5PM by co-curator Andreas Stadler.

The gallery is located at 11 East 52nd St. New York, NY 10022 (between Madison and 5th Ave) and the exhibit is open daily from 10am – 6pm.

Paris: where Picasso got his inspiration

by Sean McLachlan on

Sometimes stereotypes live up to expectations. Paris has long been known as a city of artists, where aspiring painters/poets/writers go to light the spark of creativity that will make them famous. Of course most of them fail, but some succeed, and that feeds the legend. Pablo Picasso was one of the success stories.

Picasso went to Paris in 1900, when he he was 19, unknown, and striving to find his own style. Paris was full of avant-garde artists and the galleries were displayed the work of artists such as Modigliani, Cézanne, Van Gogh, and Gauguin. Picasso got to meet many of these big names. This photo, courtesy Wikimedia Commons, shows from left to right Modigliani, Picasso, and André Salmon in front the Café de la Rotonde. Being in such creative company helped the artist grow.

A new exhibition at the Pablo Picasso Museum in Barcelona examines these formative years in the life of one of the twentieth century’s greatest artists. Feasting on Paris: Picasso 1900-1907 features sixty works by Picasso as well as twenty works from the artists whom he most admired. The juxtaposition of his and others’ art shows the sources of his inspiration, and how he turned that inspiration into a distinctive style of his own.

Feasting on Paris: Picasso 1900-1907 runs from July 1 to October 16.

Vorticism: avant-garde art at the Tate Britain, London

by Sean McLachlan on

In the years before the outbreak of World War One, European artists developed a variety of different styles to reflect the pace of change and industrialization in what used to be a traditional continent.

Cubism and Futurism were two of the biggest movements. One of the briefest and most vibrant was Vorticism. The Vorticists started around 1913 and focused on the hard lines and quick pace of the machine age.

Now the Tate Britain in London is hosting a major exhibition on the movement called The Vorticists: Manifesto for a Modern World. It brings together more than 100 Vorticist works from all the major players.

One of the leaders of the movement was Wyndham Lewis, although some Vorticists say the only reason he was popularly seen as the leader was because he gave more interviews to the press. He was certainly important, though. Lewis was the founder of the Vorticist journal Blast, the first issue of which had a hot pink cover and featured writings by T.S. Eliot and Ford Madox Ford. A whole section of the exhibition is dedicated to this journal and its groundbreaking design and typography.

Some of the rarer works on display include those from the many women welcomed into Vorticist ranks, a daring move at the time. There are also the Vorticist photos of Alvin Langdon Coburn, often hailed as the first abstract photographs. These photos will blow your mind and hurt your eyes.

%Gallery-126430%While Vorticism was mainly a British movement, this exhibition also explores its influences on the New York modern art scene. In fact, it was an American poet, Ezra Pound, who gave the movement its name.

The output of this movement was remarkably small. Blast only had two issues, and there were only two Vorticist exhibitions. World War One killed some of the Vorticists and left others embittered against the modern world. Yet Vorticism had a major impact on modern art and its works are still discussed and copied today. The two issues of Blast are still in print almost a century after they first appeared. One advantage of its brevity is that an exhibition of this size can encompass a majority of the major works, giving the visitor a full understanding of the meteoric life of one of modern art’s most intriguing avant-garde movements.

The Vorticists: Manifesto for a Modern World opened yesterday and will run until September 4.

[Image of Workshop c. 1914-5, by Wyndham Lewis courtesy of the Wyndham Lewis Memorial Trust]

Travel sketches from BBC’s Tim Baynes draw on a lifetime of travel

by Meg Nesterov on


One of our favorite new travel blogs this year is from none other than the venerable news organization, the BBC. One of BBC The Passport‘s regular features is “Drawing from Experience” with sketches from Tim Baynes. Baynes’ drawings are an assortment of postcard-perfect scenes, witty observations, and random sketches from his travels around the world and commuting in London. Like many other famous travelers, his medium of choice is the Moleskine notebook, but he often involves other media such as airline ticket stubs as in the New York City skyline drawing above.

Enjoy more of Tim Baynes’ work on the BBC, his personal Flickr stream, or order a copy of his book Doors to Automatic and Cross Check, direct from the artist.

Photo courtesy Tim Baynes’ Flickr page.

US map of stereotypes

by Meg Nesterov on


We here at Gadling love maps and infographics, so we’re enjoying this tongue-in-cheek US map of stereotypes, ranging from “rainy hipsters” in the Northwest, to “old peeps” down in Florida by blogger and artist Haley Nahman. We’re a bit puzzled over some of the stereotypes such as the “fashion bloggers” in the Carolinas, but can’t argue with the “mountains and meadows and maybe some animals” in Montana and the Dakotas. Hawaii and Alaska aren’t included on this map, but I’d guess something involving “hula and LOST” and “Eskimos and strip clubs.” The artist is a “life of the party” Californian and seems to be partial to food and animal descriptions. Which stereotype of the US do you hail from?