Some of the nation’s top singers and musicians are losing out on royalties because airlines are playing their songs without coughing up adequate payment-that’s what Sony Music is claiming in its lawsuit against United Airlines. The record label says the carrier has been playing music by Michael Jackson, Carrie Underwood, Britney Spears and Justin Timberlake, among others, in breach of copyright.
While it’s standard practice for airlines to make music available to passengers through the inflight entertainment system, Sony is complaining that United is breaching copyright by duplicating sound recordings and music videos and then uploading these illegal copies to servers on its planes.But it’s not just newer music that’s causing a stir. Sony says it isn’t happy that airlines are playing older music by artists like Jimi Hendrix and Aretha Franklin. Copyright laws surrounding music created before the 1970s are a bit hazy, but the record label is going after the airline for that too. Sony wants to stop all the music and is seeking damages from United.
Cecilia Gimenez became a laughing stock last year when her bungled attempt to restore a 19th century painting went viral, but now it looks like she’ll be laughing all the way to the bank.
The 82-year-old tried to fix the flaking fresco titled Ecce Homo by Elías García Martínez at her local church, the Santuario de Misericordia in Borja, Spain. The result was something that looked like the love child of Justin Bieber and Bigfoot.
The “restoration” became a worldwide sensation and has led to a flood of 57,000 visitors to the once-obscure church. The town, which owns the church, started charging one euro ($1.33) entry, with the money going to the upkeep of the painting and to charity. Now Borja town officials are negotiating with several companies for permission to use the image on everything from wine bottles to coffee mugs, with the artist getting 49 percent of the profits, Art Daily reports.
A spokesman for the town stated that Mrs. Gimenez will donate her portion to charity.
May I suggest she sets up a scholarship for struggling artists with actual talent?
Madrid is one of the best destinations in the world for art, and this summer its many museums and galleries are putting on an impressive array of temporary exhibitions.
The blockbuster of the season is at the Reina Sofia, which is having a major exhibition on Salvador Dalí. “All of the poetic suggestions and all of the plastic possibilities” brings together almost 200 works here by the famous odd man of surrealism.
Organized in roughly chronological order, the earliest paintings in the exhibition date to the mid-’20s and show a surprisingly traditional technique. Once he’d mastered the basics, however, Dalí soon plunged into his own unmistakable style. The exhibition is accompanied by detailed texts on Dalí’s life and career. For example, we learn the reason why we keep seeing the same set of cliffs in Dalí’s work. In his youth Dalí and his family would vacation at the seaside town of Cadaqués, where he became obsessed with the cliffs of Cape Creus. He once said, “I am convinced I am Cape Creus itself. I am inseparable from this sky, from this sea, from these rocks.”
%Slideshow-2876%Many of his best-known works are here, as well as early sketches and little gems, like a painting of Hitler masturbating. Who but Dalí could pull that off? (Pun intended.) Numerous video screens shows Dalí’s many film experiments, including the famous “Un Chien Andalou” with Luis Buñuel and several other lesser-known films. The show runs until September 2.
The Reina Sofia has two other exhibitions. “1961: Founding the Expanded Arts” looks at a vital year in the history of modern art that saw the expansion of artistic collaborations and music experimentation and the launch of Concept Art. It runs until October 28. At the museum’s annex at Retiro park is “Cildo Meireles,” which looks at the acclaimed Brazilian conceptual artist’s work and runs until September 29.
The Museo Thyssen-Bornemisza has a major exhibition on Camille Pissarro. This cofounder of Impressionism was the only one to take part in all eight Impressionist exhibitions from 1874 to 1886. The museum brings together more than 70 of his works, mostly the lush landscapes for which he was known. The show runs until September 15.
El Prado also has three temporary exhibitions. The headliner is “Captive Beauty: Fra Angelo to Fortuny.” This exhibition brings together almost 300 works characterized by their small size and technical excellence. The point is to demonstrate the ability of some of Europe’s greatest artists to create beauty in a confined space and to highlight works that are often missed hanging next to giant, better-known works. They are arranged chronologically from the 14th to 19th centuries. The show runs until November 10.
Another of El Prado’s exhibitions examines the relationship between two 18th-century artists,Anton Raphael Mengs and José Nicolás de Azara. The two painters traded ideas and collaborated on projects throughout their careers. “Mengs and Azara: Portrait of a Friendship” runs until October 13. “Japanese Prints,” which runs until October 6, showcases items from the museum’s collection from the 17th to 19th centuries.
This year Spain and Japan are celebrating 400 years of friendly relations. In 1613, a group of Japanese emissaries set out to visit Spain. They crossed the Pacific, passed through the Spanish colony of Mexico, and then crossed the Atlantic. After touring Spain they continued on to visit the Pope in Rome before heading back home. The whole trip took seven years. We talk a lot about adventure travel here on Gadling, but nothing in the modern day can measure up to what these early travelers did.
To honor the anniversary, the Museum of Decorative Arts is hosting “Namban,” a fascinating look at the artistic influence these two distant cultures had on one another. One interesting object is a large screen in the Japanese style, yet bearing a Spanish colonial painting of Mexico City. There is as yet no closing date for this exhibition.
If you hurry you can still catch a free exhibition of the work of Swiss surrealist Alberto Giacometti at the Fundación Mapfre. The exhibition includes numerous examples of his famous statues of elongated human figures as well as his lesser-known paintings. This exhibition runs until August 4.
We’re suffering sweltering temperatures here in Madrid right now, so beat the heat and go see some art!
If you’re an avid traveler, chances are you’ve experienced some type of fantastical sight, to which no photograph can ever do justice. Talent and camera quality have no bearing whatsoever on the ability to capture this moment, and so you resign yourself to committing it to memory.
Although I love looking at travel photos, I’m not much of a photographer. But I’m also well-traveled enough to know that sometimes, when you try to shoot something stunning, you inadvertently end up depriving yourself of just enjoying the experience. I see this all the time on trips; the guy who’s so busy running around chasing the perfect shot, he misses the entire point of the destination.
I’ve finally learned when to put the camera down and just be in the moment – at a certain point, sunset photos become redundant. Remembering the other sensory details surrounding the actual event, however, may well be something you’ll cherish forever. I’m not saying you should leave your camera at home when you travel. Rather, I’m advocating incorporating other ways to create travel memories that don’t involve Instagram or tripods. Read on for creative ways to preserve “unforgettable” sights or locales.
Even if writing isn’t something you’re particularly good at, that shouldn’t stop you from trying (not everything needs to be posted to a blog or social media). Whether you scribble in a journal or email the folks back home, the objective is to get your memories written down, without trying too hard.
I strongly recommend writing longhand, as it’s more expedient, practical and, for lack of a better word, organic. So no texting, iPad, netbook or other device. Just you, a pen and a notebook or sheaf of paper. Think about sights, smells, sounds, textures and colors. Whether or not your end result is a list, paragraph or story, you’ll have something that captures a memorable moment from your trip. Not only does this exercise improve your writing skills (which, after all, are crucial in daily life); it helps sharpen your memory and senses, as well.
OK, I know I hinted at ditching the devices, but many people are articulate. If you’re known for being a great storyteller, record memorable experiences soon after they occur. Whether it’s a mishap, linguistic misunderstanding, touching cultural exchange or incredible meal, recount it in vivid detail, as you’d tell it to your best friend, spouse/significant other or kids.
Although I’m a writer by occupation, my favorite way to create travel memories is by collecting small, meaningful souvenirs unique to a place. They may be found objects or regional handicrafts, but my interior decor is defined by these objects. They’re my most cherished possessions (next to, I confess, my photos).
I also love to collect vintage postcards from favorite destinations, as well as items like ticket stubs, peeled-off beer labels (really), black-and-white photos scrounged from street fairs and antique shops, and cultural or religious iconography. As long as it reminds me of a great travel experience and is flat, I keep it. Some of these talismans are tucked inside my passport; others are in a photo album or stuck to my refrigerator with magnets I’ve collected from restaurants all over the world.
Granted, this requires a bit more cash, effort and wall space than collecting shells. But even with a nearly non-existent budget, you can bring home a piece of art as a permanent reminder of a great trip. Here are some inexpensive things I’ve collected over the years:
A custom-made, silk-screened T-shirt depicting indigenous art, made at an Aboriginal-owned co-op in Australia.
A reproduction of an Aboriginal painting that I picked up for about $25USD at Sydney’s wonderful Australian Museum. I had it mounted for a fraction of the cost of framing.
A vintage card painted by a Vietnamese woman’s co-op, depicting war propaganda and purchased at a shop in Hanoi. I’m not actually a communist but the art is captivating.
A 4-by-5 piece of muslin printed with a photo transfer of an image taken at the port in Valparaiso, Chile. I purchased it for about $3USD in the artist’s studio, nearby.
A slender coffee table book on Italy’s Cinque Terra.
While travel itself may not come cheap, memories are often free (the above purchases notwithstanding). I encourage you, on your next trip, to put down your camera once in awhile, and rely instead on your senses. I guarantee you’ll be pleasantly surprised with the results.
Yoko Ono turned 80 earlier this year and to celebrate, the Louisiana Museum of Modern Art in Humlebæk, Denmark, has opened a retrospective covering more than half a century of her work.
“Yoko Ono Half-A-Wind” looks back at Yoko Ono’s influence on avant garde art and how her personal expression has changed over the decades, using various media such as installation pieces, poetry, music and film.
Much of her work is interactive. One of her most famous installation pieces, “En Trance,” is included in the exhibition. This architectural construction can be entered six different ways depending on the viewer, allowing for various experiences. There’s also a new installation, “Moving Mountains,” in which visitors are encouraged to create mobile sculptures from cloth bags.
This isn’t the only new work Yoko Ono has created for this exhibition. A series of billboards have been set up around Copenhagen with words such as “DREAM,” “TOUCH,” “IMAGINE” and “BREATHE” to encourage commuters to take time out of their busy urban schedules. She’s also distributed free postcards bearing her art in Copenhagen’s cinemas, restaurants and cafes.