Francis Bacon comes to New York’s Met

by Tom Johansmeyer on

If you missed the Francis Bacon exhibit at the Museo Del Prado in Madrid back in the early part of the year, you have a second chance this summer. The reclusive artist, who produced only around 1,000 paintings in his 83-year life, is well represented at the Metropolitan Museum of Art in Manhattan, with a large show that traces the artist’s career from a false start in 1933 through his twilight in the 1980s.

The collection is, to say the least, extensive. Each room highlights a period in Bacon’s life, from his haunting work in the 1940s to the “man in a cage” theme that followed. The exhibit also tracks Bacon’s love life, with paintings of George Dyer and John Edwards, for example, in abundance. Surprisingly, the breadth of the New York show is even greater than that of Madrid.

The true success of this show, however, is in the targeted success the Metropolitan Museum of Art realized in securing related paintings. Several of Bacon’s interpretations of Velazquez’s Pope Innocent X work can be viewed side-by-side – a rare treat for Bacon fiends and art lovers in general.

If you can’t make it to Manhattan this summer, don’t worry. The Bacon centennial celebration will continue later this year at the Tate in London.

Hookers and artists try to coexist in Amsterdam

by Tom Johansmeyer on

Amsterdam doesn’t want some businesses to grow. It seems unusual in a recession (and yes, the Netherlands is feeling it, too), but I guess the situation isn’t so dire that they can’t be picky over there. So, the locals are fighting the business of naked people with the business of art – which clearly has no history of portraying the uncovered human form (feel free to chortle).

The city of Amsterdam has teamed up with a housing corporation. Together, they are acquiring rooms formerly used as brothels and renting them out as studios to artists. This ground-level contribution to the arts is inspiring. While it’s nice to see an established artist get a hefty grant to pursue a specific vision, the measure taken in Amsterdam gives emerging artists (and even those less established) a shot at success.

Of course, some people didn’t find out in time.

A few prostitute clients have come up to doors that are now art studios, seeking their former flames.

Some working girls aren’t thrilled about this development, according to the Sydney Morning Herald. Since we’re dealing with Europe, you know there has to be a union involved … and the hookers have one. They say that there’s a history of prostitutes and artists living side-by-side, “like they did in Paris in the 19th century.” Further, ladies of the night have inspired their new neighbors, with the most famous probably being Pablo Picasso‘s “Ladies of Avignon.”

Given the plunge in the global art market, one thing is certain: people will continue to get screwed in these apartments.

Warhol comes to Cleveland

by Tom Johansmeyer on

So, you know Andy Warhol is in Paris right now. Of course, even the best travel deals can still leave Europe’s cultural capital out of reach. Fortunately, you now have a backup plan: Cleveland.

The Cleaveland Institute of Art will be hosting a series of prints created by Warhol from 1974 to 1986 (from the Cochran Collection). Uncle Sam, Superman and Mickey Mouse will be in attendance – a rare opportunity that any pop art fanatic is sure to enjoy. The collection will be in town from June 5 to August 16. This is the first time the Cochran Collection can be seen in Ohio.

Reinberg Galleries director Bruce Checefsky say, “Andy Warhol is the perfect summer exhibition for University Circle because the show is filled with American popular culture.” He continues, “From soup can to Superman, supermarket to stardom, we revel in Warhol’s demystifying beauty.”

Celebrate the Francis Bacon centennial, starting in Madrid

by Tom Johansmeyer on

Reclusive, crazy and not as prolific as most other artists, Francis Bacon produced only around 1,000 paintings before his death. Around the world, his pieces appear one or two at a time, but few have the resources or reason to assemble a large retrospective. This year, that changes.

One hundred years ago, Francis Bacon was born. For his centennial, exhibitions are rumored to be planned at London’s Tate and the Metropolitan Museum of Art in New York. But, I was surprised to see a large sign as I walked along the Paseo del Prado last week: Francis Bacon. Until April 19, 2009, you’ll be able to witness the progression of this genius’s work over four decades, with a collection of unusual breadth and depth (take a closer look here).

This is an interesting time for Francis Bacon. Last year, his work was among the hottest in the world, with Russian energy figure Roman Abramovich dropping $86.3 million on a triptych painted in 1976. Not even a full year later, the art market is in turmoil, and the auction houses are unable to move Bacon’s work, it seems, at any price. It feels like a sad undercurrent to what should be a year of celebration, but New York artist Nelson Diaz disagrees.
Diaz appears to be downright prophetic, having protested the art market’s ascent with a political statement via eBay last summer. At the time, he explained that Bacon would have been disgusted with the high prices that his work fetched. Nelson’s protest is over, but it does make rich background for what should be a year of Francis Bacon retrospectives around the world.

In the video below, Nelson explains last summer’s project and its connection to Francis Bacon. If you’re looking to the future, his latest project is “The Isolated Christ.”

Whether you stop by the Tate, Met or Museo del Prado to enjoy the Francis Bacon centennial, keep this back-story in mind. It changes everything you’ll see.

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Delaware museum exhibits copy of famous art

by Tom Johansmeyer on

The Delaware Art Museum is proud to exhibit a copy of the Mona Lisa. So, if a trip to the Louvre is not in your budget this year, consider Wilmington. You can enjoy the lovely smile of Leonardo da Vinci’s Norwegian artist Tor Egil Hansen’s masterpiece without breaking the bank. Apparently, Hansen spent five months (in 2004 and 2005) to create this knockoff, committing around 400 hours to paint what had already been painted.

So, don your Folex watch, Prado shoes and Armanee suit, and head out to the Delaware Art Museum. Or, if you’re feeling bold, wait for this newer Mona Lisa to appear alongside pirated DVDs on Manhattan’s Canal Street.

It’s announcements like this one that make the financial crisis come to life. We’re celebrating knockoffs in Wilmington.