Medieval manuscripts in Los Angeles and London

by Sean McLachlan on

Two major exhibitions on opposite sides of the globe are focusing on the art of medieval manuscript illumination.

At the Getty Center in Los Angeles, a show has just opened highlighting the burst in creativity and education in what is popularly called the Gothic period. Gothic Grandeur: Manuscript Illumination, 1200–1350 features books from this important period, when educated Europe created a huge demand for illustrated manuscripts.

Looking at these works of art instantly dispels the popular notion that the Middle Ages were a low period in civilization. In fact, it was a time of great artistic creativity and innovation. Even though the Church tried to create an orthodox mode of thinking, science and basic questions of philosophy were able to advance, albeit slowly. Even existentialism had a place. Just read the opening chapter of St. Augustine’s Confessions if you don’t believe me.

The exhibition mainly draws on Getty’s impressive permanent collection, including recent prize acquisitions such as the Abbey Bible, one of the finest Gothic illuminated manuscripts ever made. Also of interest is the Northumberland Bestiary, a mid-13th century encyclopedia of animals.

In London, the British Library is running Royal Manuscripts: The Genius of Illumination. This collection of 150 manuscripts from the library’s collection date from the 8th to the 16th century and depict royalty through the ages. Some were even owned by kings and queens, such as a psalter with marginal notations by Henry VIII. The exhibition not only covers the royalty about and for whom the books were created, but also the artists who create them. Not all were monks as commonly believed. Many books were made by professional freelance artists who hustled for commissions from the rich and powerful. Not much has changed!

Gothic Grandeur: Manuscript Illumination, 1200–1350 has two installations, one running to 26 February 2012 and the next running from 28 February to 13 May 2012. Royal Manuscripts: The Genius of Illumination runs until 13 March 2012.

Photo courtesy British Library.

British Library investigates the power of maps

by Jeremy Kressmann on

Maps tell us much more about a place than just where to go. The history, culture and biases of mapmakers all find their way into these uniquely geographic works of art. A new exhibition at the British Library titled Magnificent Maps aims to give visitors a closer look at the culture behind maps, bringing together a one-of-a-kind collection of important historic maps from as far back as 200AD, special events and an interactive website.

The maps featured at the British Library exhibition aren’t just your average Rand McNally fold-up. The event’s centerpiece is the Klencke Atlas from 1660, the largest book in the world, coming in at over five feet tall and six feet wide. Among the other 80 some odd display pieces is range of never-before-seen artifacts, including a miniscule coin showing a map of the German town of Nuremberg from 1773. The exhibit aims to show the maps in a new light, one in which they are not just reference tools but works of art, often created by powerful kings and countries hoping to further their own purposes. In connection with the special events, the BBC has also launched a series of content on maps, including special programming and articles surrounding the topic.

It’s easy to take maps for granted as factual, scientific documents. But as Magnificent Maps tries to show us, these documents are open to interpretation. The exhibit is happening from April 30th through September 19th of 2010 at the Library’s headquarters in London.