Venice: Grand Vistas And Little Details

by Sean McLachlan on

On my first day in Venice I walked the streets without a camera in order to savor the beauties of this unparalleled city. I was leaving the next afternoon so that morning I got up at dawn in order to catch Venice at its abandoned best.

It’s a different city, more peaceful. You can linger on a bridge or take a shot from the middle of a street without getting trampled. You can capture the way the light plays on the water or on the side of an old, crumbling building without half a dozen heads getting into the shot.

Venice has a different character in those early hours. Instead of gondolas, cargo vessels ply the canals making deliveries to this city without cars. The streets are empty but for local workmen cleaning up or getting ready to open up their shops and kiosks. The only other tourists are lone photographers like me. My idea was a pretty obvious one, after all.

The low-angled light makes for some nice play between the tops of the buildings shining golden in the morning and the still-dark recesses of the alleyways and narrow canals. The low-angled light puts faded details into higher relief, like the faded Latin inscriptions on the lintels of church doors or the weathered escutcheons on Renaissance palaces.

%Slideshow-693%The early hours are also the time for visiting the big attractions. There’s something eerie about seeing the Piazza San Marco with only half a dozen people in it. One pair was a newlywed couple. A tuxedoed man was fiddling with the camera while his stunningly beautiful wife, decked out in her bridal gown, gave instructions and adjusted her veil. Beyond them the Grand Canal shimmered in the early light. I’m sure their wedding photo is the envy of their friends.

As stunning as these broad vistas are, Venice rewards a close look. There are details in the buildings and streets that make for great close-ups. In the Piazza San Marco, for example, you have this little bronze figure, one of a set.

At the corner of St. Mark’s Basilica is the square’s most historically important work of art, a porphyry statue of four armored men clinging to one another in mutual defense. I’ve wanted to see these little guys for years.

They’re the Tetrarchs. In 293 A.D., the Roman Emperor Diocletian decided the empire was too big and had too many enemies for one man to rule. He created the Tetrarchy, with an Emperor and a Caesar for both the West and the East. They were supposed to rule in harmony but of course the rivalry more often than not led to civil wars. In another century the Western Empire was a nonentity, while the Eastern Empire, known today as Byzantium, lived on until the 15th century. This famous statue originally stood in Constantinople but was stolen during the Fourth Crusade in 1204 and brought here.

Many people photograph this statue, yet miss something even more interesting a few feet away. On a stone bench at the entrance to the basilica there’s a strange design scratched into the surface. It’s been almost worn away by centuries of bottoms, but you can make out a square within a square, partitioned into several segments. This was a Renaissance board game that people would play while whiling away the hours on the plaza. It’s a reminder of the regular folk who lived in Venice in the shadow of the great rulers, artists and priests.

This fired my imagination. Perhaps some other detail will fire yours: the dusty icons in an antique shop, the mosaic advertisement for a pension set into a street, the half-finished Renaissance fresco in the entryway of an obscure church. When you’re strolling around Venice or any great city, keep an eye out for those little details that catch your fancy as well as the grand views that everyone admires. That way you’ll end up with a photo album uniquely your own.

Sparta: Greece’s ancient warrior city

by Sean McLachlan on

After having seen Athens and Corinth, I couldn’t resist visiting one of the other great city-states of ancient Greece: Sparta.

Sparta needs no introduction. It’s a star player on the History and Discovery channels and that schlocky pseudo-historical film 300. While I wanted to see the ancient ruins where brave warriors once strode, my main reason for going was to explore nearby Mistra, a Byzantine ghost town with a castle that rivals Acrocorinth. I’ll get to that in my next post.

Sparta is a three-and-a-half hour bus ride from Athens. The route passes along the Aegean shore, through the Isthmus of Corinth, and into the Peloponnese, the peninsula that makes up southwestern Greece. Passing Corinth, the road ascends into rough hills that were being buffeted by a snowstorm.

Luckily the roads were in good condition and I made it on time. The clouds were breaking over the Vale of Sparta although it remained bitterly cold. My first stop was at the Fifth Ephorate of Byzantine Antiquities to learn more about how the economic crisis was affecting archaeologists’ ability to explore and preserve Greece’s past. The Ephorates are divided by region, in this case Lakonia, roughly the central and southern Peloponnese, and also by period. There’s a Fifth Ephorate of Prehistoric and Classical Antiquities too.

Archaeologists Lygeri Nikolakaki and Ageliki Mexia greeted me in their cramped office overflowing with books, reports, and maps. They spread out several maps in front of me to demonstrate just how rich their area was in medieval remains. Castles, churches, monasteries, and medieval towns dotted the landscape. This area was called the Morea in late Byzantine times and was one of the few centers of wealth, art, and learning during the waning days of the empire in the 14th and 15th centuries.

One region caught my eye–the Mani peninsula. The Ephorate has recorded some 2,000 Byzantine and post-Byzantine monuments on the peninsula, and the map showed hiking trails crisscrossing the area. The Maniots were always semi-independent, fierce fighters and pirates who never fully submitted to the Greeks, Romans, Crusaders, or Byzantines. Their culture remains distinct even today. As I was researching this trip I was already planning another one.

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Don’t miss the rest of my series: Our Past in Peril, Greek tourism faces the economic crisis.

Coming up next: Mistra: a Byzantine ghost town in Greece!Nikolakaki and Mexia explained that Mistra, the Byzantine city outside Sparta, is their department’s star attraction and one of the top ten most visited historical sites in Greece. Numbers are generally down, however. There was a surge in visitors in 2005 and 2006 after the Olympics, and then a steady decline. They blame the economy and competition from more famous attractions in Greece.

Despite this, funding from the Greek Ministry of Culture and the European Union in recent years has led to improvement at many sites. At Mistra, the Ephorate had installed new signs in Greek and English to explain the remains, and the museum there has been reorganized and improved. The palace of the Despots (local rulers) is being restored. They hope to open a gift shop this summer.

Another Byzantine fortress city, Geraki, is being prepared for visitors and will open in two years, funding permitting. The Ephorate hadn’t received approval for their 2012 budget when I visited, and they’ve been told to “reduce expectations”. At the same time, they’ve been asked to increase the number of visitors.

The Fifth Ephorate of Byzantine Antiquities may lose its independence under a new scheme by the Ministry of Culture. It’s proposing to merge the Ephorates of each region into one, so that prehistoric, Classical, and Byzantine antiquities will all be handled by one office. Nikolakaki and Mexia are cautiously optimistic about this move, saying that it may help cut waste and improve the ability of the Ephorates to manage Greek’s heritage. After all, many sites, Sparta included, have remains from several different periods.

I hope they’re correct. Mergers generally mean layoffs, and I wouldn’t want to see these dedicated researchers join Greece’s large ranks of the unemployed.

The Archaeological Museum of Sparta is worth seeing to get some background on the city and its history. Despite the cold, only the front room where the ticket seller sat was heated. The rest of the heating had been turned off to save money.

I kept my coat on as I browsed the few rooms in this small but well-stocked museum. Funerary stelae, statues of the gods, and a remarkable bust of an ancient warrior showed that while Sparta was famous for its martial skill, it produced good art as well. Some of the best artifacts are a series of mosaics discovered in Roman-period houses in the area. Check out the photo gallery for some of the best displays from this interesting museum.

Chats with archaeologists and visits to museums, however informative, can’t compete with seeing the ruins themselves. That evening, with the sun peeking through the clouds, I took the short stroll to the edge of town to see ancient Sparta.

While not nearly as impressive as the ruins of Corinth or Athens, the remains of ancient Sparta are alluring. Soon the town of modern Sparta is left behind and you enter olive groves. There were almost no other visitors when I went and the place as quiet except for birdsong. From the old acropolis you can look out over the theater and the remains of a temple to Athena. Nearby lie the foundations of a Byzantine church. The ancient stones were taking on a golden hue from the evening light.

As I stood in an olive grove looking out over Sparta’s ancient theater, a shepherd grazed his flock nearby. A ray of sunlight broke through the clouds to shine on the medieval town of Mistra in the distance. Beyond that rose the snowy peaks and gorges of Taygetus mountains. Perfect.

A friend who has traveled extensively in Greece says that the country’s scenery “does tend to sneak up on you like that.”

Greece sneaked up on me several times during my trip.

Don’t miss the rest of my series: Our Past in Peril, Greek tourism faces the economic crisis.

Coming up next: Mistra!

The Athens War Museum

by Sean McLachlan on


This is a Heckler & Koch MP5 9mm submachine gun with gold plated parts. It was given by the Defense Minister of Kuwait to former Greek Prime Minister Andreas Papandreou, probably as a thank you for his nation’s help in liberating Kuwait during Operation Desert Storm. It’s one of a case of Papandreou’s personal weapons on display at the Athens War Museum.

Greece has a long and proud military history stretching all the way back to when hoplites met Persian invaders and chariots were the latest thing in military technology. This museum starts right at the beginning and goes up to the modern day. While the section on Classical Greece is large and well detailed, I’d seen this sort of thing in other museums. The other periods of history were much more interesting to me.

One hall is devoted to the armies of the Byzantine Empire. Unfortunately all the weapons here are reproductions, but there are some detailed dioramas of fortresses and troop formations that show just how advanced the Byzantines were. They even had “Greek Fire”, an early form of napalm that played havoc with the sailing ships of the time.

The largest amount of space is devoted to Greece’s two wars of liberation-first against the Ottoman Empire starting in 1821 and again against Nazi Germany during World War Two. This is when the Greeks really showed their fighting spirit-outnumbered, outgunned, and under occupation, they nevertheless fought against the superpowers of their day and eventually won.

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The images from World War Two are especially sobering. The Nazis systematically plundered Greece and many people starved to death. The partisans kept fighting, though, using captured weapons or those smuggled in by the Allies. They even devised homemade ones, including a gun hidden in a cane. Elderly Greeks say the current economic meltdown will never make Greece suffer as much as the Nazis did, but they do worry about the younger generation that has never had to face serious hardship.

There’s also a section on the Balkan Wars of 1912 and 1913, complete with uniforms, equipment, and walls full of detailed paintings and photographs. Greece managed to double its size in these conflicts and reduce the threat of the Ottoman Empire ever retaking the region. It was during this time that the Greek Air Force got started. Hanging outside the museum is a reproduction of the Daedalus, one of those early planes that looks more like an oversized kite. As flimsy as it is, it flew into history when it went on a reconnaissance mission on December 5, 1912, the first day of the Balkan Wars. The Ottomans sent up a plane the same day. These two missions are tied for second place in the history of military aviation. The year before, an Italian pilot dropped bombs over the Ottoman province of Tripolitania, modern Libya.

The basement is full of curiosities such as African weapons, and outside are several tanks and artillery pieces. The ground floor has a variety of weapons from all over Europe.

My only two criticisms are that the lighting on the glass cases made it difficult to take photos without them being obscured by reflections, and that sometimes the labels were too vague, with some cases being marked with signs such as “swords, 19th century.” Still, it’s a must-see for any fan of military history or anyone who wants to know just what the Greeks had to endure to earn their independence.

As I got my jacket from the coat check, I browsed through the books they had for sale at the counter. I pointed to a title on the Balkan Wars.

“How much is this?”

“Sorry,” the man behind the counter said, shaking his head. “They’re only for sale to veterans.”

“Why’s that?”

“We’re almost out and we don’t have any money to print more.”

I must have looked disappointed because he rummaged around in his desk and brought out a pamphlet about the museum.

“Here,” he said, handing it to me. “You can have this for free.”

“Oh, thanks.”

The soldier manning the ticket counter hurried over and handed me a DVD.

“This is a documentary about Greece’s struggle against the Nazis. You can have this too, and take this map,” he said, handing me a reproduction of a 17th century map of Greece that I’m going to hang on my son’s wall.

“Glad you liked the museum,” the soldier said.

The Greek economy may be in a shambles, but Greek hospitality and patriotism are doing just fine.

Don’t miss the rest of my series: Our Past in Peril, Greek tourism faces the economic crisis.

Coming up next: Sparta!