Smithsonian Channel To Air Special King Richard III Discovery

by Sean McLachlan on

The Smithsonian Channel will soon air a documentary about the remarkable discovery of the skeleton of King Richard III in a parking lot in Leicester, England.

“The King’s Skeleton: Richard III Revealed” premieres Sunday, April 21 at 9 p.m. ET/PT. The two-hour show was produced by the only team allowed access to the scientists, the excavation and the lab tests used to determine the skeleton’s identity. The documentary has already aired in the UK and attracted five million viewers. This will be the first American showing.

Gadling received an advance copy of the show. For some background, read our article about Richard III and the discovery. Also check out these amazing photographs from the dig. Our review follows and contains some spoilers. Of course, everyone already knows how the story ends!

%Gallery-185896%The documentary follows the quest of Philippa Langley of the Richard III Society to find the king’s remains, said to have been buried the now-disappeared Greyfriars church in Leicester after he was killed by Henry Tudor’s forces at the Battle of Bosworth in 1485. Research with old maps revealed it to be under a municipal parking lot. Langley raised money from society members and spent years convincing the local council to allow an excavation.

Langley tells of how when walking through the parking lot she felt certain that she had found the spot where Richard lay. Remarkably, the letter “R” was painted on the very same spot. The documentary fails to mention that this R was a symbol for Reserved Parking. Once the excavation begins and a skeleton is found, there’s a sudden downpour. This normal English weather is given a spooky significance by the producers.

Once the paranormal silliness is dispensed with, we get to the real meat: the excavation and meticulous examination of the body. One interesting sequence is of an art historian talking about how later painters commissioned by the new Tudor dynasty made Richard look deformed, which then was considered a sign of moral corruption. This was the origin of the Shakespearean Richard with the hunchback and withered arm.

Then comes an interesting sequence where members of the Richard III society get their say. They’re dedicated to rehabilitating the king’s image, denying he killed his predecessor’s young heirs and denying he had a hunchback. Their main objection to his having a deformity is that he couldn’t have worn armor. Anyone with a passing knowledge of medieval warfare knows that knights and royalty didn’t go to Ye Olde Shopping Mall to buy armor off the rack; it was made to their specific measurements. Try wearing metal plates on your body that aren’t shaped to your dimensions and see how well you can move! This obvious rebuttal wasn’t mentioned in the show, although surely the producers were told this by their scientific advisers. It seems narrative tension is more important than historical clarity.

While I found some segments of the show distracting, historians and archaeologists get plenty of airtime and we learn a bit about how bones are analyzed and how a DNA match with one of Richard’s descendants proved it was him. There’s also some gruesome detail about all the wounds on Richard’s body, including demonstrations of some of the weapons probably used. The army of Henry Tudor repeatedly hacked at Richard and appears to have humiliated his corpse by stabbing him in the rear end. It was a grim end to a short reign.

My wife, a scientist with no special interest in medieval history and perhaps more representative of the target audience than a former archaeologist like me, commented that the documentary could use some more historical background to place Richard III and the Battle of Bosworth into context. This could have been easily done by shaving off some of the more frivolous segments.

Despite these reservations, we both thoroughly enjoyed the show for its stunning imagery, clear narration and scientific detail. We recommend it to anyone interested in learning more about the archaeological discovery of the year.

5 Overlooked Castles Close To London

by Sean McLachlan on


England is famous for its castles. Giant fortresses such as Bamburgh Castle and Lincoln Castle attract thousands of visitors a year, but people tend to overlook the many smaller, lesser-known castles close to London. These are often as interesting as their more famous cousins and make for enjoyable day trips from London. Here are five of the best.

Hadleigh Castle
Near the town of Hadleigh in Essex stands the ruins of Hadleigh Castle, once a magnificent royal residence. It was started in 1215 and massively expanded by King Edward III (ruled 1327-1377) to be a fortified residence away from the stink and political infighting of London. Sitting atop a high ridge overlooking the Essex marshes, the Thames estuary and the sea, it held an important strategic position. Edward was obviously thinking of it as more than just a relaxing getaway.

The castle has suffered over the years, as you can see in this photo courtesy Ian Dalgliesh. Erosion crumbled the walls, and in 1551 it was purchased by Lord Richard Rich (real name!) who promptly sold off much of the stone. One tower stands to its full height and portions of the walls also remain, so you can get a good idea of what it looked like when it defended southeast England from French invasion during the Hundred Years War.

Hadleigh Castle is in open parkland and is free to the public during daylight hours.

%Gallery-185653%Hedingham Castle
Another Essex castle is Hedingham Castle, one of the best-preserved early Norman fortifications in the country. It’s a motte-and-bailey type, consisting of an artificial mound (motte) with a keep and wall on top, and a lower area enclosed by a wall (bailey). Both parts are surrounded by a ditch. Usually they were built of wood first and later replaced with stone when the local ruler got the time and money. These castles could be built quickly and cheaply and the Normans put them all over England after they conquered the kingdom in 1066.

At Hedingham you can still see the 12th-century keep, which rises 95 feet to give a commanding view of the countryside. It played a key part in the Barons’ War of 1215-1217, when several barons rebelled against the despotic King John. They eventually lost but remarkably this castle survived its siege. The four spacious interior floors are filled with medieval bric-a-brac and the banqueting hall is available for weddings.

Since the castle is still a private residence, it’s open only on selected days.

Longthorpe Tower
In the outskirts of the city of Peterborough in Cambridgeshire stands Longthorpe Tower, an imposing 14th-century tower that is all that remains of a fortified manor house. The outside is impressive enough, but the real treasure is inside, where the walls are covered with magnificent medieval wall paintings from about 1330. They are in such good condition because they were whitewashed over during the Reformation and weren’t discovered again until the 1940s. The paintings show a variety of religious and secular subjects such as the Wheel of Life and scenes from the Nativity and acts of King David.

Longthorpe Tower is only open on weekends. While in Peterborough, also check out the medieval Peterborough Cathedral.

Farnham Castle
An hour’s drive the southwest of London is Farnham, Surrey, where stands one of the most interesting medieval buildings in the region. It started out as a Norman castle built in 1138 by the grandson of William the Conqueror. Destroyed during a civil war in 1155, it was soon rebuilt and eventually became the traditional home of the Bishops of Winchester, including Cardinal Henry Beaufort, who presided over the trial of Joan of Arc and ordered her burned at the stake. In memory of that event, a local church in Farnham is dedicated to Joan.

During the English Civil War, the castle was “slighted” (partially destroyed to render it useless for defense) and it was no longer used for military purposes. The large circular keep still survives in a reduced state. The ornately decorated Bishop’s Palace is in better condition and is now a conference center.

Farnham Castle is privately owned but the keep and Bishop’s Palace are open to the public.

Berkhamsted Castle
An easy walk from Berkhamsted train station in Hertfordshire stands Berkhamsted Castle, a Norman motte-and-bailey castle now fallen into picturesque ruin. While not as impressive as the well-preserved keep of Hedingham Castle, this place has the advantage of being free and open all day for seven months of the year.

Built by William the Conqueror’s half-brother in 1066, it became an important fortification and, like Hedingham Castle, was besieged during the Barons’ War. It was taken by rebel forces with the help of Prince Louis of France after they stormed it with a variety of siege engines, including what’s believed to be the first use of the trebuchet. After the war it was claimed by the Crown and used as a royal fortress until it was allowed to fall into ruin in the late 15th century. By this time castles were becoming outmoded thanks to the development of artillery.

[Photo by Ian Dalgliesh]

A Look Inside The David Bowie Exhibition At London’s Victoria & Albert Museum

by Sean McLachlan on


David Bowie is a pop star. David Bowie is a designer. David Bowie is an actor. David Bowie is a painter.

David Bowie is a lot of things, which is why it’s appropriate that his retrospective at London’s Victoria & Albert Museum is titled “David Bowie Is.”

The museum gained unprecedented access to the David Bowie archive to select five decades of mementos like this striped bodysuit designed for the 1973 Aladdin Sane tour. There are plenty more of Bowie’s crazy costumes on display, as well as photos, video, handwritten lyrics and original album art. Many of the pieces are by Bowie himself, showing off his range of artistic talents. More than 300 items make up the exhibition and it’s the largest of its kind ever shown in public.

The exhibition traces Bowie’s evolution as an artist and his collaborations on various projects. Video screens show some of his music videos and excerpts from films such as “The Man Who Fell to Earth.”

There is also a series of special events related to the exhibition, including lectures and a chance for kids to design their own album cover.

“David Bowie Is” runs until August 11.

[Image © Sukita/The David Bowie Archive 2012]

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Lon-Done? Try Hertford

by Sean McLachlan on


London is one of the most popular destinations in Europe, offering loads of nightlife, dining and cultural options. It offers plenty of day trips too, the favorites being to Stonehenge and Oxford.

If you want to see England without the tourists, there are plenty of smaller towns an easy day trip from London. One of them is Hertford, where I used to live. If the name sounds familiar, that’s because it gave its name to Hartford, Connecticut. The Puritan Reverend Samuel Stone from Hertford helped found the settlement in Connecticut in 1636.

The English town dates back to the seventh century or perhaps earlier. Its earliest remains are the crumbled walls of an 11th-century Norman castle that enclose a small park downtown. Next to it stands Hertford Castle, which was originally the gatehouse and later a stately home to kings and local nobility. Just north of town in Bengeo is the interesting little Norman church of Saint Leonard, dating to 1120. Some faint medieval wall paintings can still be seen inside.

Wandering around the town you’ll see plenty of old wood-frame houses from the 17th and 18th centuries, including the world’s oldest Quaker Meeting House, in use since 1670 on Railway Street. A small local museum tells visitors more about the Hertford’s long history.

The rapid development of many towns near London has passed Hertford by. It still retains many local businesses and is small (fewer than 30,000 people) compared with many other bedroom districts of London.

The best pub in town is The Old Barge, a friendly local bar serving real ale at a prime location right alongside the River Lea. This is a perfect place to sit in summertime. For good Thai food try Old Siam. For something a bit more English visit the restaurant at the Salisbury Arms Hotel, which also offers comfortable rooms in a historic building.

%Gallery-185088%Hikers might want to try the Hertfordshire Way, a 194-mile circular route around Hertfordshire that passes through Hertford. This part of England has some pretty woods and little villages and tends to be rather flat. Hikers looking for something more rugged will want to head to the Peak District or Scotland.

Hertford is just 20 miles from central London and easily accessible by train, bus or car. It can easily be seen in a day and makes for a relaxing getaway where you’ll probably be the only foreign visitor. For more day trip and overnight options from London, check out my posts on Canterbury, St. Albans, Bath, and Windsor/Eton.

[Photo courtesy Wikimedia Commons]

British Museum Opens Exhibition On Life And Death In Pompeii And Herculaneum

by Sean McLachlan on


Today the British Museum in London opens what is sure to be the hit exhibition of the year.

“Life and Death in Pompeii and Herculaneum” examines the daily life of the Roman world, as it was preserved in two cities buried under volcanic ash from the eruption of Mount Vesuvius in 79 A.D. Through fine art and mundane objects, we get to see what life was like for ordinary Romans.

Romans like the baker Terentius Neo and his wife, whose likenesses were preserved in a fresco on the wall of their house. “Baker” is a misleadingly humble term for Terentius, who was obviously well-to-do, and who had a literate wife who is shown as his business partner.

The exhibition is laid out like the House of the Tragic Poet, one of the homes excavated at Pompeii. A video reconstruction prepared by Giunta Regionale della Campania shows what it looked like when it was being used. As you wander through the atrium, bedroom, kitchen and garden, you learn about different aspects of Roman culture.

The ash that buried the cities and killed its inhabitants preserved frescoes and graffiti that show us a snapshot from the time. Slogans from an election held a few months before still adorn public walls, including a painting of a candidate distributing free bread. Other graffiti boasted of sexual conquests or lost love.

A large amount of the exhibition space is devoted to brightly colored frescoes that once decorated interior walls. Some show religious or natural scenes. One room that overlooked a garden had walls painted like a garden, giving the illusion of being outside.

%Gallery-183881%While much of the focus is on the upper classes, several displays show how the more common Romans lived. In the kitchen, for example, we see the workplace of the slaves. Here, there’s a simple altar for them to worship their gods, and a worktable covered in carbonized food. One blackened loaf of bread bears the stamp, “Made by Celer, the slave of Quintus Granius Verus.”

The kitchen also revealed an odd fact about Roman homes – it was where the toilet was usually located. One wonders how many Romans died because of this ignorance of microbiology.

Another oddity of Roman life was how sexual the art was. What we may see as crude today was considered funny or magical to the Romans. A young woman wore a pendent in the shape of a penis to ensure luck and fertility. A phallic wind chime was supposed to bring luck to the household. Then there’s the sculpture of the god Pan porking a goat. Nobody is sure what the Romans were thinking when they made that one.

The final part of the exhibition is dedicated to the sobering casts of the dead. When the citizens of Pompeii and Herculaneum were buried by the eruption, they rotted away, leaving their ghostly shapes in the hardened ash. Archaeologists have poured plaster into many of these cavities to reveal men, woman, and children in their death throes. A particularly poignant scene is of a family of four. One child still sits on the mother’s lap, while another, who could have been no more than four, lies nearby, her face so well preserved as to be recognizable.

These bodies will be one of the main draws to the exhibition, but I have to admit to a certain guilt at my voyeuristic fascination with them. What does our obsession with these casts say about ourselves? Cambridge historian Mary Beard has written a thoughtful essay on this and comes up with no easy answers.

This sort of blockbuster exhibition is something the British Museum does well, and this is one of their best yet. From the high art to crude graffiti, from naughty sculptures to a baby’s cradle, the breadth and richness of Roman life are brought to life in an experience no one with an interest in the ancient world will want to miss.

“Life and Death in Pompeii and Herculaneum” runs until September 29.