Ancient faces: the Fayum mummy portraits of Egypt

The pyramids, Tutankhamen’s gold, the massive temples of Luxor and Karnak. . .the civilization of ancient Egypt has left us an incredible legacy, yet of all of these impressive monuments and treasures none has a more personal effect on the viewer than the Fayum mummy portraits.

During the Graeco-Roman period, after Egypt had fallen first to Alexander the Great and then to the Romans, the old traditions continued. Temples were still built, priests still wrote in hieroglyphics, and the wealthy were still mummified in order to guarantee their place in the afterlife.

The new rulers of Egypt took on some local customs. They often chose to be mummified in the Egyptian fashion, but added the touch of putting a portrait of the deceased over the wrappings covering the face. Painted on thin slats of wood, they were part of a trend called panel painting, considered by Classical writers to be one of the highest forms of art.

Panel paintings were hung in houses and public buildings all over the Greek and Roman world. Two thousand years of damp, mold, and fire destroyed all of them except those buried in the preserving sands of Egypt, so these mummy portraits give us a look at what would otherwise be a lost art. Panel painting was hugely popular in its day and later influenced the Coptic and Byzantine icons of the Middle Ages.

Looking at a mummy portrait brings you face to face with a real person from the past, like this image of a priest courtesy user Eloquence via Wikimedia Commons. Painted around 140-160 AD, it’s realistic enough that we’d know him if he passed us on the street. The portraits vary in quality, but each gives us an individualistic look at a man or woman or child, often with fascinating details like jewelry or hairstyles.

%Gallery-126247%Mummy portraits appeared around the first century BC and continued in fashion for about 300 years. Many were found in the Fayum, an oasis west of modern Cairo that was a popular place to be buried, but examples have been found all over Egypt.

The Museo Arqueológico Nacional in Madrid has a display of 13 of the best mummy portraits showing until July 24. Most of the museum has been closed for more than two years for refurbishment so it’s nice that something is going on there. There’s also the exhibit Tesoros del Museo Arqueológico Nacional, a “greatest hits” collection like the British Museum did while it was remodeling.

If you aren’t going to Madrid this summer (don’t–the autumn or spring are better with fewer tourists and milder weather) there are plenty of other places to see mummy portraits. In London, The Petrie Museum of Egyptian Archaeology and the British Museum have two of the largest collections in the world, although many of the best examples from the British Museum are in Madrid at the moment. In New York there’s the Met, in Edinburgh the National Museum of Scotland, in Paris the Louvre, in Vienna the Kunsthistorisches Museum, and in Amsterdam the Allard Pierson Museum. And of course there’s the Museum of Egyptian Antiquities in Cairo!

Egypt’s newest public wonder: the temple of the crocodile god

Last week a new ancient site opened to the public in Egypt–a temple of the crocodile god Sobek.

Medinet Madi is located in Egypt’s Faiyum region, a fertile area around a lake at the end of a branch of the Nile called Bahr Yusuf (“The River of Joseph”).

The temple features a long avenue lined with sphinxes and lions, plus an incubation room for hatching the eggs of sacred crocodiles. You’d think these crocs would live the good life, splashing around the swamps and gnawing on a sacrificial victim or two. Instead they were mummified and sold to pilgrims. Check out the gallery for a couple of photos of crocodile mummies.

Sobek was one of the most important gods of ancient Egypt. He’s generally pictured with the body of a man and the head of a crocodile. He’s said to have created the Earth when he laid eggs in the primordial waters, and the Nile is supposed to be his sweat. He’s the god of the Nile, the Faiyum, and of course crocodiles.

In ancient times the Nile and the lush wetlands of the Faiyum were full of crocodiles. The people prayed to Sobek to appease them. Because he was a fierce god, he was one of the patrons of the ancient Egyptian army.

Sobek’s temple at Medinet Madi was built by the pharaohs Amenemhat III (c.1859-1813 BC) and Amenemhat IV (c.1814-1805 BC) during Egypt’s Middle Kingdom and expanded during the Ptolemaic period (332-30 BC) after Egypt was conquered by Alexander the Great.

The temple is also dedicated to the cobra-headed goddess Renenutet, who in some traditions was Sobek’s wife. Despite her appearance, she was a much kinder deity than Sobek, a sort of mother goddess who nursed babies and gave them their magical True Name. Farmers liked her because cobras ate the rats that would eat their crops.

%Gallery-123603%The new tourist site was funded by Italy, which coughed up €3.5 million ($5 million) to clear off the sand and restore the temple. Italian archaeologists have been working in the area for decades and in addition to the Sobek temple they’ve found a Roman military camp and ten early Coptic Christian churches dating from the 5th-7th century AD.

Medinet Madi isn’t the only crocodile temple. Not far away stands Crocodilopolis, where Egyptians honored the sacred crocodile Petsuchos by sticking gold and gemstones into its hide. There are several other Sobek temples along the Nile, the most impressive being Kom Ombo far to the south near Aswan.

Kom Ombo is one of Egypt’s most fascinating temples. It’s rather new as Egyptian temples go–being founded in the second century BC by the Ptolemaic dynasty. Carvings of Sobek and other deities adorn the walls and columns. There are also some scenes from daily life. On the inner face of the outer corridor keep an eye out for a carving showing a frightening array of old surgeon’s tools. Also check out the small shrine to Hathor in the temple compound where piles of sacred crocodiles from the nearby necropolis are kept.

[Photo courtesy Hedwig Storch]