Erotic bathhouse art in Pompeii

Visitors to the ancient Roman city of Pompeii are already familiar with the eye-popping art in the brothel, but most miss another naughty site–Pompeii’s suburban baths.

The changing room in these baths had cubbyholes for storing clothing. Each one was decorated with lively scenes of straight sex, group sex, oral sex, and just plain acrobatic sex. The example to the right, with two men and one woman enjoying each other’s company, is a typical example.

While many Roman baths segregated men and women, this suburban bath was a mixed one, so perhaps it served as a place for amorous trysts. Another theory is that the pictures were advertisements for prostitutes. Both men and women in ancient Rome uses prostitutes, although of course the majority of customers were men. A third theory holds that the pictures were a way to make the customers remember where they left their clothes.

“Where’s my toga? Ah yes, in the cubbyhole with the bisexual orgy.”

A large amount of erotic art has been found in Pompeii, from explicit graffiti to phallic dinnerware, and the city had a reputation for looseness before Mt. Vesuvius erupted and covered it with ash in 79 AD. The ash preserved many artifacts and buildings, making Pompeii and her sister city Herculaneum two of the archaeological treasures of the world.

The baths were closed for decades after their discovery, first out of prudishness and then for conservation work. Only small groups with special permission may enter, so you’ll need to book through a tour. You can check out all the images here, and if you want to wander through the city check out Pompeii on Google Street View.

Erotic art exhibit bares all

When you think of art exhibits, you probably don’t think of scenes of group sex, gigantic phalli, and barnyard animals, but the Eros exhibition ain’t your grandma’s art show.

In fact, when this art was made, your grandma wouldn’t be born for another two thousand years.

The Museum of Cycladic Art in Athens, Greece, has just opened “Eros: From Hesiod’s Theogony to Late Antiquity”. This exhibition is dedicated to ancient love in all its manifestations from the early years of Greek civilization to the waning of the Classical world during the decline of the Roman Empire. It includes 272 artifacts from fifty museums in Greece, Cyprus, Italy, and France, and will run for six months.

Eros was the god of love, but he was also the god of lust, jealousy, and all the other good and bad emotions connected with desire. One statue shows him dragging Psyche, the goddess of the soul, by the hair and hitting her with a mallet. That sums it up nicely.

The ancient Greeks were anything but prudes. The civilization that gave us theater, literature, poetry, and the ideals of democracy liked things a bit raw. Their art was full of images of sex, from the more vanilla varieties involving husbands and wives to older men with young athletes to randy farmers doing objectionable things with the livestock.

The Romans were more prudish than the Greeks, but still made room for the randy side of life. Although they turned Eros from a lascivious young man into a cute innocent cherub, their art often expressed deeper urges.

This exhibit isn’t like what you’d see in the Amsterdam Sex Museum; it’s history with a point. It shows us that the two great Western civilizations that created the foundation for our own culture weren’t all that different from us. Sure, they didn’t have the Internet, but they made up for it with paintings, poetry, and sculpture. The things that some people get shocked by nowadays have always been around. They aren’t a sign of the decline of morality or the approaching Armageddon. They are, like it or not, part of the human condition.