On The Road With NPR Music: Chris Campbell At WDET, Detroit, Michigan

by Anna Brones on

Beyond travel, we’re also big music fans here at Gadling; largely because music is a great way to get to know a place. This month happens to be Public Radio Music Month and we’re teaming up with NPR to bring you exclusive interviews from NPR music specialists around the country. We’ll be learning about local music culture and up and coming new regional artists, so be sure to follow along all month.

Today we’re checking out the scene in Detroit, and local host Chris Campbell has his finger on the pulse of all that’s progressive and underground. His playlist that he made exclusively for Gadling is full of tracks you’ve probably never heard, but certainly won’t be able to stop listening to. If you think Detroit is just a rap scene as depicted in “8 Mile,” think again.

Name: Chris Campbell

Member station: 101.9 FM WDET

Regular Show/Contribution Beat – The Progressive Underground w/Chris Campbell


1. When people think of music in Detroit, what do they think of?

Generally speaking, people think of Motown Records, but Detroit also has a vibrant techno/electronic music scene (it’s the birthplace of techno music) in addition to a burgeoning progressive hip hop and R&B scene as well. The electronic, future soul and progressive hip hop genres are the scenes that we tend to focus on during our show broadcasts.

2. How do you help curate the Detroit musical scene?

I curate the electronic music scene through artist/DJ spotlights, atmospheric mix segments and artist interviews, which are also posted through various media networks (WDET website, Sound Cloud, etc).

3. How has that scene evolved over the last few decades?

The electronic scene has had a curious evolution. It started out very strong back in the 1980s locally, but became a genre that was more cherished overseas – especially in the UK and Japan. Many artists who are looking to become even more established still focus on touring overseas, but there has been a concerted effort made to play/tour the home market and build up the scene locally.

4. What would you say is the most unique thing about your music scene?

The most unique thing – in my mind – is that the electronic scene is full of diversity, variance and a myriad number of styles. Stylistically, electronic encompasses subgenres such as deep house, chill, chill wave, down tempo, and future soul. It is a genre that is seeing a “boon” in the number of artists who are embracing it.

5. What are three new up and coming bands on the Detroit scene right now and what makes them distinct?

Tall Black Guy – Terrell Wallace aka Tall Black Guy is a Detroit artist/producer whose music spans a wide spectrum of electronic. We have currently been playing his album “The Brazilian Chronicles,” which is electronic music that is inspired by the history and music of Brazil. His uniqueness is displayed in his production work – groovy orchestral flourishes set on top of multi-layered rhythm patterns. He is truly a producer that approaches his electronic music with a sense of musical virtuosity.

Inohs Sivad – Inohs Sivad is singer/songwriter/producer/composer, who exemplifies the emerging future soul genre. Her music combines some of the foundational elements of classic soul (strong lyricism/writing) with some of the staples of progressive and future soul arrangements (organic and elemental sound textures).

Leaf Erikson – Artist/wordsmith Vernon Greenleaf aka Leaf Erikson is an artist who is on Detroit’s famed underground Butter Made record label. He has shared the stage with many regional and national figures and what makes his music exceptional is the merger of the melodic production with his sense of communal awareness and lyrical substance.

6. For a Gadling playlist, what are your favorite tracks?

The last four are not Detroit artists, but they are artists that we have broken in the Detroit market and ones that we play heavily.

“O Fim De Viagem” – Tall Black Guy

“Brown Suga” – Swiftus Funkellwerk

“Moving On” – Rick Wade

“Somewhere Else” – Inohs Sivad feat. Diamondancer

“Artificial” – Leaf Erikson

“Midnight” – Candace Nicole

“So Blue & Green” – Cecilia Stalin

“Listeriosis” – BadBadNotGood

“See With Me” – Jesse Boykins III

“Play With Me” – Princess Freesia

Listen to the complete playlist on Spotify.

On The Road With NPR Music: Andrea Swensson At KCMP, Twin Cities, Minnesota

by Anna Brones on

We love music here at Gadling, and this month is Public Radio Music Month, which is why we’re teaming up with NPR to bring you exclusive interviews from NPR music specialists around the country. We’ll be learning about local music culture and up and coming new regional artists, so be sure to follow along all month.

Name: Andrea Swensson

Member station: 89.3 The Current

Regular Show/Contribution Beat: Music Reporter

When people think of music in the Twin Cities, what do they think of?

The first thing that seems to come to mind for most people is either Prince or the underground punk scene of the ’80s, which spawned the Replacements, Hüsker Dü and Soul Asylum. In more recent years our hip hop community – led by Rhymesayers artists like Atmosphere and Brother Ali and independent crew Doomtree – has become world-renowned, and we have big variety of other genres of artists finding success, from bluegrass to electro-pop to jazz. In general, people think of the Twin Cities with a vibrant, collaborative and supportive place to make music. We like to joke that we are living in the Land of 10,000 Bands.

How do you help curate that musical scene?

The Current has several different ways it supports the Minnesota music community. My role at the station is to report exclusively on local music and post my findings on the blog – which contains everything from show reviews and interviews to news stories and in-depth profiles – and share them with the host of the Current’s weekly Local Show. We also have a 24/7 all-Minnesota music stream called Local Current, and have just launched a pair of specialty shows about the Duluth scene (home of Trampled by Turtles, Low, and Charlie Parr) and our ever-expanding hip-hop scene.

How has that scene evolved over the last few decades?

We have experienced a boom in both the number of active bands and the number of bands breaking out nationally over the past few years. It’s difficult to pinpoint exactly what is causing this upswing, but at times it can be difficult to keep up with all of the high-quality new music coming out. It’s not just one genre or niche that’s expanding, either; there is an energy and excitement that is palpable throughout the Twin Cities.

What would you say is the most unique thing about the Twin Cities music scene?

There is a collaborative spirit that binds our community together. The Twin Cities are large enough to support a couple dozen venues and spawn hundreds of bands, yet small enough that musicians can develop meaningful relationships with one another. It’s not uncommon for bands to share members or work together on projects; the 27-member Gayngs recording project is a good example of this, as are compilations like “Absolutely Cuckoo: Minnesota Covers 69 Love Songs,” which featured Magnetic Fields songs covered by 69 different local artists.

What are three new up and coming bands on your local scene right now and what makes them distinct?

The Chalice: An explosive hip-hop trio that has caught the attention of our entire scene this year. They are natural performers and their charisma is off the charts.

Meme: Crystalline pop from a young duo who are just beginning to play out live. Singer Lizzie Brown’s voice is mesmerizing, and her partner Danny Burke creates cool high-concept, animated music videos to accompany their tracks.

Southwire: This Duluth quartet combines gospel, folk and spoken word to create a unique, alluring sound.

For a Gadling playlist, what are your favorite tracks?

  • Aby Wolf, “Permission”
  • Meme, “Young”
  • Crankshaft, “Boomtown”
  • Trampled by Turtles, “Alone”
  • Van Stee, “We Are”
  • P.O.S., “Get Down”
  • The Chalice, “Push It”
  • Southwire, “Gone Astray”
  • Dessa, “Dixon’s Girl”
  • Har Mar Superstar, “Lady, You Shot Me”

Listen to the playlist on Spotify.

[Photo Credit: Photo by Nate Ryan/MPR]

Travel meets journalism at Roads and Kingdoms

by Meg Nesterov on
Last month, writers Nathan Thornburgh (a contributing editor to TIME and recent guest of Fox News) and Matt Goulding (food & culture writer and author behind the Eat This, Not That! book series) launched a new website with the intriguing tagline: “Journalism, travel, food, murder, music. First stop: Burma.” Combining on-the-spot reporting on current events and politics with in-depth cultural observations, rich photography, and engrossing narratives, Roads and Kingdoms feels like a travel blog we all want to write: a bit daring, occasionally foolhardy, and often inspiring. Fresh home from their first major trip and recovering from Burma belly, Gadling talked to co-founder Nathan about Roads and Kingdoms.

How would you describe your blog in one sentence?
Travel meets journalism.

How did it come about? How has your background in news helped (or hindered) your travels?
Matt and I felt like our work – he writes about food, I’m a foreign correspondent – actually had a lot in common. As writers on assignment, we found that the best parts of being on the road – the amazing meal on the street corner, the back-alley bar with the great live jams, the sweaty tuk tuk ride through the outskirts of the city – are left out of the final product. It’s those parts that we want to provide a home for. It’s a different kind of travel mindset, whether you’re going to London or Lagos. Journalism is all about being curious, which is a quality great travelers have as well.

It’s not meant to remain a blog: we’ll be launching our full site soon, which won’t just be our travels, but a variety of dispatches in the Roads and Kingdoms style, from writers and photographers and videographers around the world.
Why did you choose Burma as a first destination?
First off, we think Burma is going to be a huge tourist destination in the years to come, if the country continues to open up. It’s an amazingly vivid and warm country, and has a lot of the traditional rhythms of life that Thailand, for example, has lost.

Burma also had the perfect combination of stories for us to launch Roads and Kingdoms with. We were able to report on the killer hiphop scene in the south, up-and-coming graffiti artists in Rangoon, and of course, the amazing (and all but undiscovered) Burmese cuisine. Then Matt went to Bagan, this breathtaking valley of temples that will become a big part of Burma’s tourist boom. While he took in the temples, I visited the heart of the war-torn north, where I was able to hang out with gold miners and Kachin refugees and see a part of Burma that not a lot of people get to see.

What do you hope to inspire in readers?
We’d love to inspire readers to travel the way we do: with a sense of wonder and a big appetite, with curiosity and an awareness of the backstory behind the destinations.

Flashback, Burma Day One: Bad Crab from Roads and Kingdoms on Vimeo.

Roads and Kingdoms did not get detained in Myanmar for being journalists entering on a tourist visa. But Nathan still hit an unexpected roadblock on the first day in Burma: a plate of chili-slathered, rancid crab.

What are the challenges in blogging somewhere like Burma?

We were fortunate that our trip coincided with Hillary Clinton’s historic visit to Burma. The government didn’t want to create any problems that week, so we were incredibly free as journalists there; much more so than I could have ever imagined the first time I went in 2003. I was followed and watched when I visited the north, but they didn’t interfere with my work. However: Internet access still sucks. You can’t blog if you can’t connect, and that’s a huge problem in Burma.

How is social media adding to the blog?
Social media is huge for us. We’re starting out as a Tumblr, for example, not just because it’s great for articles/photos/videos, but because it’s so shareable. We want people to get involved, not just as passive consumers, but as advisers and compañeros along the way.

Where are you going next?
We have a short list, and we actually want readers to help us decide. London? Moscow? Lima? It’s a big world out there!

Follow the adventures at RoadsandKingdoms.com and connect with Nathan and Matt (and assorted interns) on Twitter @RoadsKingdoms and Facebook.

Get out and go: Events around the world (September 30-October 1)

by Brenda Yun on

Happy Hump Day, Gadling’ers! It’s time to look at the festivals and events happening around the world, and this week has a particularly international selection of happenings. If you’re close and have time, then you have no excuse to get out and go!

  • Victoria (Australia) – Spring Racing Carnival: The Spring Racing Carnival will take place today at various race courses in Victoria. The carnival is a series of racing and fashion events which will continue until November 18, so if you missed the first event, you still have 6 more weeks to take part!
  • Shanghai – Shanghai International Music Fireworks Festival: One of Shanghai’s most lively festivals will begin today in Century Park, Pudong. The event will continue until November 6, so you have plenty of time to catch some music or other festivities.
  • Belgrade – Belgrade Jazz Festival: This international festival begins October 1 and lasts the whole month. A series of concerts by domestic and foreign performers is held at the Belgrade Youth Centre, the hall of the Belgrade Trade Union House, Kolarac Foundation and other venues.
  • Colombia – Hip Hop in the Park: Bogotá’s “Hip-Hop al Parque”, a festival of beats and rhymes that begins tomorrow, has taken place annually since 1968, providing two days of bass and hip-hop.
  • Paris – Spring Summer 2010 Ready to Wear show: If you’re into high fashion, head to Paris this week! Its Ready to Wear show presents the latest fashion. The show begins tomorrow and will continue until October 8.
  • Cuba – Celebration of The Cubania: The celebration of Cuban art and culture begins today in Bayamo, Cuba.

If you make it to one of these events, let us know how it was, or if you know of an even that’s coming up, please let us here at Gadling know and we’ll be sure to include it in the next “Get out and go” round-up.

‘Til next week, have a great weekend — the first of October!

CitySounds.fm: the sound of the world

by Jeremy Kressmann on

Travelers often think of destinations in terms of what they see: the Eiffel Tower lit up at night, the gaudy neon of the Las Vegas Strip or the fiery pink of a sunset in Tahiti. Yet it’s our other senses – the smells, tastes and particularly for music fans, the sounds that can truly stick in our subconscious, evoking vivid memories of our journey. Those in search of some “sonic wanderlust” need look no further than CitySounds.fm. The new site promises an ever-changing catalog of the world’s constantly moving global beat.

On any given day, people in cities all over the world are listening and making all kinds of music. CitySounds pulls in this music from some of the world’s most populous capitals like Tokyo, New York, Sao Paulo and London, categorizing the tracks based on where they were uploaded. The result is a constantly evolving (and surprising) snapshot of what’s hot in what places. In Berlin, for instance, it might be some techno. Meanwhile in Buenos Aires, they’re bouncing around to ska (?!). Down in Atlanta though, they’re all about the newest hip hop remix.

While there are plenty of services that help you find new music, CitySounds is probably among the first to categorize based on location. And if you think about it, geography is the perfect way to organize for a generation of highly mobile, travel-hungry, music fans. Check out the site the next time you’re eager to hear the latest and greatest sounds from around the globe.

[Via PSFK]