Greek museums face the economic crisis

by Sean McLachlan on

It’s not easy being the caretaker of Greece’s heritage these days. Greek museums are facing budget cuts, strikes, reduced staff, even loss of visitors due to riots. The National Archaeological Museum had many rooms closed during the peak tourist season last summer due to budget cuts, and strikes are regularly closing all publicly owned museums.

Take the Byzantine and Christian Museum in Athens. It collects the nation’s Medieval heritage, focusing especially on the glory days of Byzantium. When the Roman Empire split into western and eastern halves in 395 AD, the West fell apart within a century, but the East, known as Byzantium, survived for another thousand years. Byzantium produced a distinct and beautiful artistic style and preserved many Classical works that then became the inspiration for the Renaissance.

The museum was founded in 1914 in the palace of a French noble. For most of the twentieth century the displays didn’t change much and visitors tended to pass it by for the more famous Classical sights.

“It was a place only for scholars,” said Nikolas Constantios, an archaeologist and museologist who works there and showed me around the recently revamped permanent exhibition.

And what an exhibition! Some four hundred icons are on display. Richly embroidered church vestments stand next to colorfully painted manuscripts, gold coins, and day-to-day objects. It’s all laid out in an open, well-lit fashion that reminded me of the new Ashmolean in Oxford. This modern style replaced the old “cases filled with stuff” museum design and helps combat museum fatigue.

This ten-year revitalization project almost came too late. The money, half of which came from the Ministry of Culture and half from the European Union, was already earmarked when the crisis hit.

%Gallery-145819%
“We were safe because we were almost finished,” Constantios said. “If the crisis had happened five years ago we would have had a lot of problems.

The final touches are due to be completed by May and include a public garden, gift shop, and cafe.

While the present looks rosy for this museum, there are some serious challenges ahead. Museum director Anastasia Lazaridou said the Ministry of Culture has cut the museum’s budget by 20 percent. She has had to let some of the staff go, especially short-term contractors whose work is important for their well-known conservation department, which remains the biggest in Greece.

“We will try to find money from the private sector and create a bigger network of collaborations with foreign museums to share expenses,” Lazaridou said.

With the recession, though, the museum has found getting large donations to be more difficult than it used to be. Tickets help–with the renovation visitors numbers are ten times what they were a decade ago–yet many of these visitors get in for free.

When I visited there was a typical crowd for the low season: three other tourists and several school groups. Entrance is free for under-18s. Luckily this situation reverses in the high season. Check out the photo gallery and you’ll see why the Byzantine and Christian Museum is getting on the map.

The Museum of the City of Athens is facing even greater challenges. Housed in the former royal palace of King Otto, the first monarch after independence from the Ottoman Empire, it’s situated close to the municipal government buildings. Several riots have occurred right outside their door and now many tourists avoid the entire neighborhood. Museum director Aglaia Archontidou-Argiri told me visitor numbers dropped 70 percent last year.

Luckily the museum is a private foundation so they are in no danger of closing, yet they’re scrambling to find money for extra programs. Last year they ran a free program teaching Greek culture and history to immigrants. It ran for six months and included students from the Roma, Georgian, Bulgarian, and other communities. Now they have no money to continue, but Archontidou-Argiri remains optimistic they’ll find the money somewhere.

Like with the Byzantine museum, many visitors are school groups, who come to see the displays illustrating the development of their city. While the museum charges them, it lets in kids for free if their families can’t afford the €2 ($2.63) entry fee. With the crisis worsening, this is becoming increasingly common. There is also a popular music and lecture series that attracts many locals, but it is also free.

So far these two museums are doing fairly well. Both have been lucky in their funding, but with the crisis tightening wallets all over Europe, the caretakers of Greek heritage have a tough job ahead.

Don’t miss the rest of my series: Our Past in Peril, Greek tourism faces the economic crisis.

Coming up next: Athens day trip: Acrocorinth!

New series: Our past in peril, Greek tourism faces the economic crisis

by Sean McLachlan on


This is a sculpture of a fallen Greek warrior from the temple of Aphaia on the Greek island of Aigina. Made in the 5th century BC, it’s an important example of Early Classical Greek art. This was a time when Greek artists began imitating life with realistic poses and expressions.

We owe so much to the ancient Greeks–our ideas of art, architecture, democracy, philosophy, theater, and a lot more. When Greece was conquered by the Romans three centuries after this sculpture was made, Greek culture actually flourished, finding new outlets in the receptive and expanding Roman Empire. Horace once said: Graecia capta ferum victorem cepit (Captive Greece took captive her rude conqueror). The suffering yet proud face on this fallen warrior reflects Greek history–cycles of tragedy and triumph.

Suffering yet proud. That’s the impression I get of Greece these days. An economy in shambles, general strikes, people being forced to give up their children. At the same time, an increasing number of Greeks are going back to the land and sea to revitalize the traditional cornerstones of the Greek economy. Meanwhile, Greeks from all walks of life are taking to the streets to protest cutbacks that threaten their livelihood.

The cutbacks threaten our past too. Not the Greek past, our past, because Western civilization is based to a large extent on Greek civilization. Regular general strikes against the austerity measures imposed by the IMF mean that seeing the physical remains of our heritage has become a game of chance. A minister’s suggestion to lease the Acropolis and other ancient sites was treated with scorn one week, and approved the next. Three important paintings, including one by Picasso, were stolen from the Athens National Gallery because cutbacks had left only one guard on duty. And it can get far, far worse. Allowing Greece to fall would be like burning an attic full of family heirlooms and photo albums.

For the next week I’ll be in Greece interviewing museum curators, archaeologists, and regular Greeks about the problems facing our collective past. How are the strikes inhibiting access to museums and sights? How much are staff cuts reducing opening hours and the nation’s ability to conserve and restore our heritage? I’ll also be seeing, strikes permitting, some of the nation’s greatest monuments such as the Acropolis and Agora, as well as lesser-known treasures such as Mistra, briefly the capital of the Roman Empire, and the Crusader castle of Villehardouin.

Unfortunately, this sculpture will not be among them. It’s now the property of the Staatliche Antikensammlungen und Glyptothek in Munich, Germany. The same country whose banks currently own the second largest share of Greek national debt after France. The statue of the fallen Greek was taken by a German baron in 1811 when Greece was under the control of a different foreign power–the Ottoman Empire.

Next in the series: Athens nightlife: desperate pensioners on the hustle!

Photo courtesy Wikimedia Commons.

Henry Ford Museum to unveil new exhibition of classic cars

by Sean McLachlan on


Workers at the Henry Ford Museum are busy setting up a major new exhibition of 130 historically significant cars and trucks.

Driving America opens on January 29 and focuses on the effect of the automobile on American culture through interactive touchscreen displays, artifacts, and personal accounts. There’s even a mobile diner from 1946 that will be serving classic American diner food.

Of course it’s the cars that are the main attraction. Ranging from the 1890s to the early 2000s, they include numerous innovative designs such as the Model T, the 1907 Rocket Stanley Steamer, and the 1973 Chrysler Newport, which at 19 feet long makes it look like a tank next to some of the miniature cars of today. Driving America doesn’t just look at Ford products; several cars are on loan from other collections and include rival companies such as Honda.

For more on the Henry Ford Museum, check out this article by Gadling’s very own Paul Brady.

Steamer photo courtesy Richard H. LeSesne.

Prague’s astronomical clock gets a makeover

by Sean McLachlan on


The famous astronomical clock that is Prague’s most popular tourist attraction has lost some star players for the next two months. The four outside figures, including a skeletal Death, have been removed and are being repainted to protect them from the elements.

The clock was built in 1410 and is the oldest working astronomical clock in the world. Dials show the position Moon, position of the Sun on the zodiac, and other astronomical events. Every hour there’s a parade of painted figures representing the 12 Apostles. Four other figures, representing vanity, greed, death, and pleasure, stand outside. As the bells chime the hours and the Apostles do their walk, Death shakes an hourglass to remind you that everything is transitory.

It’s quite a show, as you can see from this video by the folks at In Your Pocket: Essential City Guides. They have a free downloadable guide to Prague and many other cities on their website.

The clock will continue to function as the four figures are repainted. Legend has it that if the clock stops, disaster will strike the city.

Should Greece lease the Acropolis?

by Sean McLachlan on


Greece has been hit hard by the recession. According to EU figures, it has 18.8 percent unemployment, the second highest in Europe and more than twice that of the United States. Last year it saw its economy shrink by 5.5 percent.

Now former deputy health minister Gerasimos Giakoumatos has suggested a controversial plan to get Greece some quick cash–lease the Acropolis and other famous sights. According to the China Daily, Giakoumatos, who is a minister of parliament and a member of the conservative New Democracy party, said the move would save Greece from bankruptcy.

He said there’s no shame in leasing out Greece’s heritage, and that the real shame is that regular protests against austerity measures keep shutting the sites down. Giakoumatos said the money could go to save the government from having to slash pensions and wages.

Even with the current economic woes, tourism accounts for 18 percent of the country’s GDP and is worth tens of millions of euros each month. While Giakoumatos’ suggestion carries no weight of law, it may be given some consideration because of the huge amount of money that could be earned.

What do you think of a nation leasing out its heritage in times of trouble? Tell us what you think in the poll and comments section!

Photo courtesy Roger Wollstadt.

%Poll-72647%