Amsterdam’s Torture Museum

torture, Amsterdam, torture museumLike many travelers, I have a soft spot in my heart for tourist traps. Whether it’s the politically incorrect cheesiness of South of the Border or the shabby weirdness of The Thing, nothing brings a smile to my face better than some cheap, gaudy attempt to capture my attention.

Amsterdam’s Torture Museum fits the bill perfectly. Behind a pseudo-spooky facade are reproductions of torture instruments from the Bad Old Days. You’ve got famous nasties such as the rack and the stocks, as well as lesser-known evils like the Flute of Shame. Pictured here is the Inquisition Chair. The victim was strapped in and the weight of his own body caused him to sink onto the spikes. Check out the gallery for more photos and descriptions.

The whole place is lit by weird red, orange, and blue lights and is a maze of stairs and hallways that makes you feel like you’re in a medieval dungeon. Signs in several languages (including English) give basic descriptions of what you’re seeing, and images pulled from old books show the torture instruments in action.

It’s all very garish and exploitative. No attempt is made to be socially redeeming by discussing modern torture. For example, there’s no display about waterboarding, used by the Spanish Inquisition, the Khmer Rouge, and the U.S. government. Of course there shouldn’t be because the U.S. government says waterboarding isn’t torture and they only use it on the guilty anyway. I know they’re speaking the truth because the U.S. government never lies and never makes mistakes.

The Torture Museum’s garish displays and Wikipedia-style descriptions are mere low-brow titillation. It’s when you think of what these objects really mean, and how similar instruments of cruelty are still in common use today, that this horror show becomes truly frightening.

Don’t miss the rest of my series: Lowdown on the Low Countries.

Coming up next: Amsterdam day trip: Van Brederode castle!

This trip was partially funded by Amsterdam’s Tourism and Congress Bureau and Cool Capitals. All opinions, however, are my own.

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A classic sailing ship in northern Spain

sailing ship, Santander, SpainIf you’ve been following my travels here at Gadling, you know I’ve moved to Santander in northern Spain and am busy settling in. I’ve had my first of many hikes in Cantabria and have even ventured into the chilly northern surf. I need to buy a wetsuit.

One advantage of living in a port is you get to see sights like this, a reconstructed sailing ship from the Golden Age of Sail. Called the Nao Victoria, it’s a Spanish ship from the 16th century and is currently on tour around the coast of Spain.

A nao, also called a carrack, was a type of sailing vessel used by the Spanish and Portuguese in the 15th and 16th centuries. It was a precursor to the galleon. The Nao Victoria was the first ship to circumnavigate the globe on Magellan’s voyage from 1519-22. Magellan didn’t survive the voyage and the commander to bring the boat back to Spain was Juan Sebastián Elcano. I saw his hometown while hiking the Basque coastline.

The Fundación Nao Victoria also manages a second ship, a reproduction 17th century Galeón Andalucía.

The reconstructed nao is a floating museum where you can see how a ship was run back in the olden days. It had a large storage capacity and could handle rough seas, important for long voyages to unknown parts of the globe. It’s not a completely faithful reconstruction, though, what with its flush toilet and electricity. I suppose the folks sailing this thing shouldn’t be expected to suffer from the filth and scurvy the old sailors did!

Downdecks is an exhibition on Spain’s first constitution, adopted in 1812 as Spain and her allies were busy pushing Napoleon out of the country. The constitution allowed for universal suffrage for men, extended numerous rights to citizens, and ended the Inquisition. The constitution was abolished two years later with the reinstatement of absolute monarchy. It came back a couple of times in Spain’s tumultuous history before other constitutions were introduced in later times.

The project is funded by various regional and municipal governments and government institutions. The stress they put on the Spanish constitution appears to me to be more than just celebrating the bicentennial. Deep fissures are appearing in Spanish society as various regions, especially the Basque region and Catalonia, are pushing for more autonomy or even outright independence. In Spain, any emphasis on national unity carries a political message.

If you like old sailing ships, be sure to check out Madrid’s Naval Museum.

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