London’s Estorick Collection of Modern Italian Art opens Alberto Burri retrospective

by Sean McLachlan on

The Estorick Collection of Modern Italian Art is one of London’s best small art museums. Housed in an elegant Georgian mansion on a quiet street in the London borough of Islington, it has the best collection of modern Italian art in the city and perhaps the nation.

Its latest exhibition is Alberto Burri: Form and Matter, a retrospective of one of the leading Italian figures in modern art. Burri (1915-1995) started painting while interned in Texas as a prisoner of war during WWII. By the 1950s he was experimenting with common materials such as sacking, plastic, and tar, breaking out of the two-dimensions dictated by traditional painting.

His effect on modern art was huge and spawned many imitators. This exhibition brings together works from a number of museums and rarely seen examples from private collections. Aficionados of modern art won’t want to miss this one.

Alberto Burri: Form and Matter runs until April 7.

Photo courtesy Alex Sarteanesi.

The British Museum has great lineup for 2012

by Sean McLachlan on


Travelers to London this year will want to stop by the British Museum. Not only is it one of the top museums in the world, with huge collections from the Classical, Egyptian, Medieval, and pretty much every other period, it also hosts several temporary exhibitions every year. As a regular visitor to London I always make sure to see as many of these exhibitions as I can.

The first is Hajj: Journey to the heart of Islam (January 26–April 13). This show examines the pilgrimage to Mecca that is required of all Muslims. It looks at the major pilgrimage routes and how they’ve changed over time, how the Hajj is practiced today, and the city of Mecca itself. Historic artifacts are displayed next to contemporary artwork.

The Arabian theme will continue with The Horse: Ancient Arabia to the modern world (May 24–September 30). Having ridden Arabian horses, I have to say they’re the noblest animals on the planet and I’ll be sure to make it to this show to learn something of their origins. More than that, the exhibition looks at the horse’s role in society and its influence on Middle Eastern and European history. Items from the museum collection as well as loaned items will be on display, including the four-horse chariot from the Oxus Treasure, 1st–2nd century AD representations of horses from the ancient caravan site of Qaryat al-Fau in Saudi Arabia, and hi-res panoramas of recently discovered rock drawings of horses.

Shakespeare: staging the world (July 19–November 25) is bound to attract many of the Olympic visitors. The exhibition will look at how London was becoming a major world city during Shakespeare’s time. The British Museum has collaborated with the Royal Shakespeare Company in the exhibition’s design in order to accentuate the connections between the objects, Shakespeare’s writing, and performance.

One gallery I’ve always liked is the money gallery with its huge coin and paper currency collection. It’s often overlooked by visitors who only want to see mummies. Not surprising, considering how incredible the museum’s Egyptian galleries are. Now the gallery is being completely refurbished and reopening as the Citi Money Gallery in June 2012. It will look at the story of money from prehistory to the present. The museum says, “themes include the authority behind money, and the uses and abuses of it.” Sounds more relevant than mummies.

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In addition to the major shows, several smaller exhibitions are planned. These include Angels and ducats: Shakespeare’s money and medals (April 19–October 28), Picasso prints: The Vollard Suite (May 3–September 2), Chinese ink painting and calligraphy (May 3–September 2), The Olympic trail (title to be confirmed, June 1-September 9), Renaissance to Goya: prints and drawings made in Spain (September 2012 – January 2013).

The Asahi Shimbun Display, Room 3, just to the right as you come in through the main entrance, hosts exhibitions dedicated to a single object and its place in the culture that created it. From February 2-May 6 there will be a model of the Church of the Holy Sepulchre made of olive wood and mother-of-pearl in 17th-century Bethlehem. It was originally a pilgrim’s souvenir. From June 7-September 9 you’ll have a chance to see a riff on the Discobolus, the famous Roman marble statue of a discus thrower, yet another nod to the London Olympics. Instead of the usual naked athlete, it’s Mao-suited Discobolus by the contemporary Chinese artist Sui Jianguo. Purists can see the real statue in the Great Court nearby.

So if you’re in London, make sure to pop by the British Museum. After that, take an evening stroll through surrounding Bloomsbury and admire the Georgian architecture. It’s one of the nicest neighborhoods in the city.

Medieval manuscripts in Los Angeles and London

by Sean McLachlan on

Two major exhibitions on opposite sides of the globe are focusing on the art of medieval manuscript illumination.

At the Getty Center in Los Angeles, a show has just opened highlighting the burst in creativity and education in what is popularly called the Gothic period. Gothic Grandeur: Manuscript Illumination, 1200–1350 features books from this important period, when educated Europe created a huge demand for illustrated manuscripts.

Looking at these works of art instantly dispels the popular notion that the Middle Ages were a low period in civilization. In fact, it was a time of great artistic creativity and innovation. Even though the Church tried to create an orthodox mode of thinking, science and basic questions of philosophy were able to advance, albeit slowly. Even existentialism had a place. Just read the opening chapter of St. Augustine’s Confessions if you don’t believe me.

The exhibition mainly draws on Getty’s impressive permanent collection, including recent prize acquisitions such as the Abbey Bible, one of the finest Gothic illuminated manuscripts ever made. Also of interest is the Northumberland Bestiary, a mid-13th century encyclopedia of animals.

In London, the British Library is running Royal Manuscripts: The Genius of Illumination. This collection of 150 manuscripts from the library’s collection date from the 8th to the 16th century and depict royalty through the ages. Some were even owned by kings and queens, such as a psalter with marginal notations by Henry VIII. The exhibition not only covers the royalty about and for whom the books were created, but also the artists who create them. Not all were monks as commonly believed. Many books were made by professional freelance artists who hustled for commissions from the rich and powerful. Not much has changed!

Gothic Grandeur: Manuscript Illumination, 1200–1350 has two installations, one running to 26 February 2012 and the next running from 28 February to 13 May 2012. Royal Manuscripts: The Genius of Illumination runs until 13 March 2012.

Photo courtesy British Library.

Charles Dickens featured at new Museum of London exhibition

by Sean McLachlan on

The Museum of London has opened a major new exhibition on one of the city’s greatest writers–Charles Dickens. Dickens and London celebrates Dickens’ 200th birthday looks at the relationship between the writer and the city he used as inspiration for many of his novels.

The exhibition recreates the sights and sounds of 19th century London, something the museum does very well for many eras. London 200 years ago was one of the greatest cities of the world, and one of the worst. The center of global commerce and culture, it was also home to grinding poverty and drug abuse. One item on display is Dickens’ notes from an opium den he used as inspiration for one of his scenes.

Dickens often wrote about the plight of the poor and he knew what he was talking about. When still a child, he had to work ten-hour shifts in a shoe polish factory while his father spent time in debtor’s prison.

The British Library in London is also marking the bicentennial with a small exhibition titled A Hankering after Ghosts: Charles Dickens and the Supernatural. Dickens loved a good horror story and penned many, although another author once accused Dickens of plagiarism, an accusation that had some foundation in fact.

Dickens fans will also not want to miss the Charles Dickens Museum. Although Dickens only lived here from 1837-1839, the prolific author finished The Pickwick Papers, Oliver Twist, and Nicholas Nickleby in that time. Even if you’re not terribly interested in him, his house gives you a good idea of a moderately wealthy family home of the era.

Dickens and London will run until June 10, 2012.

Photo of Dickens with his two daughter courtesy Wikimedia Commons.

Early human ancestor on display at London’s Natural History Museum

by Sean McLachlan on

The Natural History Museum in London has put an important fossil of one of our species’ early ancestors on display.

Australopithecus sediba lived 1.98 million years ago in what is now South Africa. It’s thought by some scientists to be a transition species between the more ape-like Australopithecines and the later, more human-like genus Homo. While it has the small brain size of the Australopithecines (although larger than most), its jaw and body look more like the Homo species. The hands are especially well-formed and it may have used tools.

Two exact replicas of the most complete Australopithecus sediba skeletons were recently donated to the museum by the University of the Witwatersrand and the Government of the Republic of South Africa. At the moment only one skull is on public view. Hopefully the full skeletons will go on display soon. It’s the first public exhibition of this species in the UK.

These are exciting times in paleontology. New human ancestors are unearthed almost yearly, and more and more of our family tree is being pieced together. At the same time, scientists are being forced to defend and explain their field of study to Creationists, who have already made up their minds that science and religion are automatically enemies.

The most impressive display of human evolution I’ve ever seen was at the National Museum of Ethiopia in Addis Ababa. It has a huge collection of fossil hominids, including Lucy, an Australopithecus afarensis who lived in Ethiopia 3.2 million years ago. One room shows the precursors to modern humans arranged in chronological order to show how primate-like traits gradually gave way to a more human appearance. This is also done with other animals like the horse and hippo. Anyone looking, really looking, at these displays will have a hard time dismissing evolution as some sort of conspiracy on the part of Godless scientists, many of whom are actually devout Christians.

Photo courtesy Brett Eloff.