The Athens War Museum

by Sean McLachlan on


This is a Heckler & Koch MP5 9mm submachine gun with gold plated parts. It was given by the Defense Minister of Kuwait to former Greek Prime Minister Andreas Papandreou, probably as a thank you for his nation’s help in liberating Kuwait during Operation Desert Storm. It’s one of a case of Papandreou’s personal weapons on display at the Athens War Museum.

Greece has a long and proud military history stretching all the way back to when hoplites met Persian invaders and chariots were the latest thing in military technology. This museum starts right at the beginning and goes up to the modern day. While the section on Classical Greece is large and well detailed, I’d seen this sort of thing in other museums. The other periods of history were much more interesting to me.

One hall is devoted to the armies of the Byzantine Empire. Unfortunately all the weapons here are reproductions, but there are some detailed dioramas of fortresses and troop formations that show just how advanced the Byzantines were. They even had “Greek Fire”, an early form of napalm that played havoc with the sailing ships of the time.

The largest amount of space is devoted to Greece’s two wars of liberation-first against the Ottoman Empire starting in 1821 and again against Nazi Germany during World War Two. This is when the Greeks really showed their fighting spirit-outnumbered, outgunned, and under occupation, they nevertheless fought against the superpowers of their day and eventually won.

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The images from World War Two are especially sobering. The Nazis systematically plundered Greece and many people starved to death. The partisans kept fighting, though, using captured weapons or those smuggled in by the Allies. They even devised homemade ones, including a gun hidden in a cane. Elderly Greeks say the current economic meltdown will never make Greece suffer as much as the Nazis did, but they do worry about the younger generation that has never had to face serious hardship.

There’s also a section on the Balkan Wars of 1912 and 1913, complete with uniforms, equipment, and walls full of detailed paintings and photographs. Greece managed to double its size in these conflicts and reduce the threat of the Ottoman Empire ever retaking the region. It was during this time that the Greek Air Force got started. Hanging outside the museum is a reproduction of the Daedalus, one of those early planes that looks more like an oversized kite. As flimsy as it is, it flew into history when it went on a reconnaissance mission on December 5, 1912, the first day of the Balkan Wars. The Ottomans sent up a plane the same day. These two missions are tied for second place in the history of military aviation. The year before, an Italian pilot dropped bombs over the Ottoman province of Tripolitania, modern Libya.

The basement is full of curiosities such as African weapons, and outside are several tanks and artillery pieces. The ground floor has a variety of weapons from all over Europe.

My only two criticisms are that the lighting on the glass cases made it difficult to take photos without them being obscured by reflections, and that sometimes the labels were too vague, with some cases being marked with signs such as “swords, 19th century.” Still, it’s a must-see for any fan of military history or anyone who wants to know just what the Greeks had to endure to earn their independence.

As I got my jacket from the coat check, I browsed through the books they had for sale at the counter. I pointed to a title on the Balkan Wars.

“How much is this?”

“Sorry,” the man behind the counter said, shaking his head. “They’re only for sale to veterans.”

“Why’s that?”

“We’re almost out and we don’t have any money to print more.”

I must have looked disappointed because he rummaged around in his desk and brought out a pamphlet about the museum.

“Here,” he said, handing it to me. “You can have this for free.”

“Oh, thanks.”

The soldier manning the ticket counter hurried over and handed me a DVD.

“This is a documentary about Greece’s struggle against the Nazis. You can have this too, and take this map,” he said, handing me a reproduction of a 17th century map of Greece that I’m going to hang on my son’s wall.

“Glad you liked the museum,” the soldier said.

The Greek economy may be in a shambles, but Greek hospitality and patriotism are doing just fine.

Don’t miss the rest of my series: Our Past in Peril, Greek tourism faces the economic crisis.

Coming up next: Sparta!

Athens day trip: Acrocorinth, one of Greece’s greatest castles

by Sean McLachlan on


Greece is justly famous for its ancient monuments. The Acropolis, Delphi, and other Classical sites are the reason most history lovers come to this ancient land. The medieval period, however, produced many equally impressive monuments and it’s a shame they’re so often overlooked. Greece is filled with giant castles, remote monasteries, and lovely churches decorated with gold mosaics and richly colored paintings.

One of the largest castles in Greece is Acrocorinth, less than an hour away from Athens by train. It sits atop a rocky hill 1,800 feet high overlooking the famous city and harbor of Corinth. Its strategic location close to the Isthmus of Corinth, the narrow strip of land connecting the Peloponnese with the rest of Greece, makes it one of the most important castles in the country.

I arrived there one rainy morning to find the hill and its castle wreathed in mist. A taxi ride from the train station took me up a winding road past sheer drops. No approach to the summit is easy, and from some sides it would take a skilled mountain climber to get up. Only the western slope is relatively passable, and it’s protected by triple walls.

Acrocorinth is such an obvious point for defense that there’s been a castle here for more than 2,500 years. The ancient Greeks built a temple to Aphrodite at the top and built walls made of massive stones to serve as a refuge for the Corinthians against pirates and invaders.
In AD 146 the Romans destroyed Corinth and its castle and for many years they lay abandoned.

The temple was replaced by a church in the 5th or 6th century AD. By this time the Western Roman Empire had collapsed and the Eastern Roman Empire, known as Byzantium, was a powerful Christian state ruling over much of the eastern Mediterranean with its capital at Constantinople, modern Istanbul. Corinth and Acrocorinth became important again as a Byzantine regional capital.

%Gallery-146085%The Byzantines had their hands full fighting Muslim armies and were seriously weakened when they lost most of what is now Turkey. Little did they expect the next blow to come from fellow Christians. As knights from Western Europe set out on the Fourth Crusade, they originally planned on retaking Jerusalem from the Arabs. Instead they diverted to Byzantium and sacked Constantinople in 1204.

The Crusaders surrounded Acrocorinth but saw that an assault would be foolhardy and settled down for a long siege. Acrocorinth was defended by the Greek lord Leo Sgouros. For four years he kept the Crusaders at bay, but the strain of living within the walls eventually drove him mad. One day he mounted his horse and galloped over the cliffs to his death. This didn’t deter his garrison, however, and they continued to hold on until 1210, when the situation became so hopeless that they finally surrendered. The French knight William de Villehardouin built a castle on Acrocorinth and strengthened the walls.

The Byzantines slowly pushed the crusaders out of their empire and Acrocorinth was retaken in 1395. The ravages of the Fourth Crusade permanently weakened Byzantium. The Ottoman Turks were moving in from the east and took Constantinople in 1453. The Peloponnese held out for a time and Acrocorinth didn’t fall until 1458 after a long siege during which Greek soldiers snuck through Turkish lines and climbed the cliffs to bring supplies to the beleaguered defenders. The Venetians took the castle from the Ottomans in 1687 and many of the walls visible today are their handiwork. After a long war the Ottomans retook Acrocorinth, only to lose it for good to the Greeks in 1823 during the War of Independence.

The view from the top had me entranced. To one side, ancient and modern Corinth lay at my feet, with the Aegean stretching out beyond. To the other side lay olive groves and open countryside. As I explored the rugged hilltop with its medieval walls, Crusader keep, and remnants of temples, churches, and mosques, I was entirely alone. Two American tourists left just as I arrived, and besides a guard and a workman at the gate, I saw no one. That was fine by me. Places like this are best seen in silence and solitude.

It doesn’t bode well for the local economy, though. Sure, winter is low season, but there should be more people seeing this wonderful place. Low season in Greece also means shorter hours. Acrocorinth shut at 3pm. Old Corinth, with its important museum and picturesque Temple of Apollo, shut at the same time. If I wanted to do the castle justice I didn’t have time see Old Corinth.

As the guard closed and locked the castle gate I walked down the road back to Old Corinth a few kilometers away. It had stopped raining and I didn’t mind the walk. This being Greece, however, a passing motorist stopped to pick me up. It turned out to be the workman I had spotted on Acrocorinth, an archaeologist working on the restoration of Villehardouin’s tower. His English was limited but he expressed his gratitude at my visit. He loved the castle as much as I did, and was thankful that money for its restoration was still coming through. Not from my visit, though; entrance is free. I would have happily paid five euros.

Down at Old Corinth everything was closing. I took some photos of Apollo’s temple through the fence and wandered down a street lined with tourist shops and restaurants. All were open and none had customers. I settled in for lunch at a restaurant called Marinos. The owner and his family and friends were having a big, loud meal. I was the only customer. The food was excellent, though, and they serve a wine from their own vineyard not just a hundred meters away. I hope they have better business in the high season; they deserve it.

From the restaurant I called the taxi driver who had brought me up to the castle. It was getting late, the rain had started again, and walking all the way to the train station after sampling the local wine didn’t appeal.

“You liked the castle?” he asked as we drove down the hill.

“Loved it. Too bad I couldn’t see Old Corinth.”

“Yes,” he sighed in obvious frustration. “They should stay open longer. You would have bought a ticket. Instead you end up less happy than you should be.”

“Has business been bad?” I asked.

“The tourists are still coming but they’re getting a bad experience. I do day tours and sometimes we show up at a site and it’s closed. People fly all the way here and don’t get to see what they want.”

“People being the way they are I guess they sometimes blame you.”

“Yeah,” he grunted. “Sometimes they do.”

Don’t miss the rest of my series: Our Past in Peril, Greek tourism faces the economic crisis.

Coming up next: The Acropolis!

Greek museums face the economic crisis

by Sean McLachlan on

It’s not easy being the caretaker of Greece’s heritage these days. Greek museums are facing budget cuts, strikes, reduced staff, even loss of visitors due to riots. The National Archaeological Museum had many rooms closed during the peak tourist season last summer due to budget cuts, and strikes are regularly closing all publicly owned museums.

Take the Byzantine and Christian Museum in Athens. It collects the nation’s Medieval heritage, focusing especially on the glory days of Byzantium. When the Roman Empire split into western and eastern halves in 395 AD, the West fell apart within a century, but the East, known as Byzantium, survived for another thousand years. Byzantium produced a distinct and beautiful artistic style and preserved many Classical works that then became the inspiration for the Renaissance.

The museum was founded in 1914 in the palace of a French noble. For most of the twentieth century the displays didn’t change much and visitors tended to pass it by for the more famous Classical sights.

“It was a place only for scholars,” said Nikolas Constantios, an archaeologist and museologist who works there and showed me around the recently revamped permanent exhibition.

And what an exhibition! Some four hundred icons are on display. Richly embroidered church vestments stand next to colorfully painted manuscripts, gold coins, and day-to-day objects. It’s all laid out in an open, well-lit fashion that reminded me of the new Ashmolean in Oxford. This modern style replaced the old “cases filled with stuff” museum design and helps combat museum fatigue.

This ten-year revitalization project almost came too late. The money, half of which came from the Ministry of Culture and half from the European Union, was already earmarked when the crisis hit.

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“We were safe because we were almost finished,” Constantios said. “If the crisis had happened five years ago we would have had a lot of problems.

The final touches are due to be completed by May and include a public garden, gift shop, and cafe.

While the present looks rosy for this museum, there are some serious challenges ahead. Museum director Anastasia Lazaridou said the Ministry of Culture has cut the museum’s budget by 20 percent. She has had to let some of the staff go, especially short-term contractors whose work is important for their well-known conservation department, which remains the biggest in Greece.

“We will try to find money from the private sector and create a bigger network of collaborations with foreign museums to share expenses,” Lazaridou said.

With the recession, though, the museum has found getting large donations to be more difficult than it used to be. Tickets help–with the renovation visitors numbers are ten times what they were a decade ago–yet many of these visitors get in for free.

When I visited there was a typical crowd for the low season: three other tourists and several school groups. Entrance is free for under-18s. Luckily this situation reverses in the high season. Check out the photo gallery and you’ll see why the Byzantine and Christian Museum is getting on the map.

The Museum of the City of Athens is facing even greater challenges. Housed in the former royal palace of King Otto, the first monarch after independence from the Ottoman Empire, it’s situated close to the municipal government buildings. Several riots have occurred right outside their door and now many tourists avoid the entire neighborhood. Museum director Aglaia Archontidou-Argiri told me visitor numbers dropped 70 percent last year.

Luckily the museum is a private foundation so they are in no danger of closing, yet they’re scrambling to find money for extra programs. Last year they ran a free program teaching Greek culture and history to immigrants. It ran for six months and included students from the Roma, Georgian, Bulgarian, and other communities. Now they have no money to continue, but Archontidou-Argiri remains optimistic they’ll find the money somewhere.

Like with the Byzantine museum, many visitors are school groups, who come to see the displays illustrating the development of their city. While the museum charges them, it lets in kids for free if their families can’t afford the €2 ($2.63) entry fee. With the crisis worsening, this is becoming increasingly common. There is also a popular music and lecture series that attracts many locals, but it is also free.

So far these two museums are doing fairly well. Both have been lucky in their funding, but with the crisis tightening wallets all over Europe, the caretakers of Greek heritage have a tough job ahead.

Don’t miss the rest of my series: Our Past in Peril, Greek tourism faces the economic crisis.

Coming up next: Athens day trip: Acrocorinth!

Prague’s astronomical clock gets a makeover

by Sean McLachlan on


The famous astronomical clock that is Prague’s most popular tourist attraction has lost some star players for the next two months. The four outside figures, including a skeletal Death, have been removed and are being repainted to protect them from the elements.

The clock was built in 1410 and is the oldest working astronomical clock in the world. Dials show the position Moon, position of the Sun on the zodiac, and other astronomical events. Every hour there’s a parade of painted figures representing the 12 Apostles. Four other figures, representing vanity, greed, death, and pleasure, stand outside. As the bells chime the hours and the Apostles do their walk, Death shakes an hourglass to remind you that everything is transitory.

It’s quite a show, as you can see from this video by the folks at In Your Pocket: Essential City Guides. They have a free downloadable guide to Prague and many other cities on their website.

The clock will continue to function as the four figures are repainted. Legend has it that if the clock stops, disaster will strike the city.

Sandal Castle, Yorkshire, to host medieval battle on New Year’s Eve

by Sean McLachlan on


A castle in Yorkshire will be the scene of a reenactment of one of England’s most important battles.

The Battle of Wakefield, fought on December 30, 1460, will be reenacted by the Frei Compagnie. Members of the group will not only be fighting it out medieval style, but will also be displaying medieval arts and crafts and talking about life in the 15th century.

Sandal Castle has an intriguing history. The first castle here was built in the early 12th century in the Norman motte-and-bailey style. An artificial hill had the main house on top, surrounded by a wooden palisade. A larger enclosure and other buildings on level ground were also surrounded by a palisade and the entire thing was further protected by an encircling ditch. These castles were quick, cheap, and easy to make and were one of the ways the new Norman rulers of England suppressed the rebellious Anglo-Saxons. Like many motte-and-bailey castles, the wooden walls of Sandal Castle were later replaced with stone.

The castle’s main claim to fame came during the War of the Roses, when Richard Plantagenet, Duke of York, made a bid for the throne. He gathered a great deal of support and fought the armies of Queen Margaret and King Henry VI. In 1460 Richard was at Sandal Castle with an army of a few thousand men when his enemies showed up with a much larger force. Richard’s army was beaten and he was beheaded. The House of York continued to fight, but it was the beginning of the end.

While the original battle was on December 30, the reenactment will be on New Year’s Eve from 1-3pm. For more on Yorkshire’s sights, check out our series Exploring Yorkshire: ghosts, castles, and literature in England’s north.

Images courtesy Wikimedia Commons.