Belgrade fortress besieged by flowers

by Sean McLachlan on


Belgrade fortress is one of the toughest castles in Europe. In its 2,000 year history its stood against numerous invaders, been destroyed several times, and has always risen from the wreckage.

Despite such a proud history, Belgrade fortress is beginning to crumble from the effects of a combination of coal smoke and fertilizer from the flower beds of the surrounding park.

The website medievalists.net reports that a Serbian and French team have been analyzing a black crust that’s been forming on the limestone walls and found it to contain syngenite, a double sulfate of potassium and calcium that’s the result of the use of potassium fertilizer in the flowerbeds along some parts of the walls.

Pollution from cars and coal-burning factories has long been known to chip away at stone. A similar black crust can be seen on many of the historic walls in Oxford. This new study shows that caretakers of historic sites have to be careful how they beautify the grounds.

Belgrade fortress is treat for any history buff or castle fan. Located at the strategically important confluence of the Danube and Sava rivers, a fort was first built here by the Romans in the first century AD. This was one of the rougher regions of the Roman Empire and the fort saw action numerous times before finally being destroyed in the early 7th century by the Avars and Slavs. Legend has it that Attila the Hun is buried somewhere in the grounds of the castle.

The Byzantine Empire, as the eastern remnant of the Roman Empire came to be called, continued to value the site and built a massive fort there in the 6th and again in the 12th century. Belgrade fortress was later the pride of the emerging Serbian nation and was improved and expanded several times. When Austria ruled the area in the 18th century it saw action against the expanding Ottoman Empire.

The extensive grounds are very popular with locals and include a park, a military museum, and a zoo.

Photo by CrniBombarder!!! (from Wikimedia Commons)

London day trip: Anglesey Abbey

by Sean McLachlan on


London is one of the great cities of the world and you can spend weeks, even years, exploring it. Sometimes, though, it’s good to get out. The towns and countryside near London make for fun day trips and one especially pleasant destination is Anglesey Abbey, six miles northeast of Cambridge.

The Abbey got its start in 1236 when Master Lawrence of St Nicholas sold 600 sheep to pay for the construction of an Augustinian priory. It survived until its 400th birthday, when Henry VIII shut it down as part of his dissolution of the monasteries following his break with Rome and setting up of an independent church.

It then became a stately home and changed hands several times. It was spruced up in the twentieth century by Lord Fairhaven, who installed his large collection of art, remodeled much of the interior while leaving many medieval elements intact, and added a sumptuous garden. He left it to the National Trust when he died in 1966.

The 114 acres of gardens, lawns, wildflower meadows, and wildlife habitats make for a relaxing stroll. In winter months there’s still some color thanks to a special winter garden with 150 perennial plant species. There’s even a working watermill. The interior is preserved from another age, when lordly manors were still common. There’s the drawing room, the banquet room, even his Lordship’s wardrobe. The whole thing looks like something out of Brideshead Revisited.

This week archaeologists announced they had discovered artifacts possibly dating to the Bronze and Iron Ages (1000-100 BC) while excavating at the site of a future parking lot at the Abbey. This pushes the history of the site back many centuries. Once researchers study the artifacts, they hope to set up a display at the Abbey.

The best way to get to Anglesey Abbey, assuming you don’t have a car, is to take a train from London to Cambridge and then the number 10 bus from the station to the Abbey. Click here for more London day trip ideas.

Photo courtesy Martin Pettitt.

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Medieval manuscripts in Los Angeles and London

by Sean McLachlan on

Two major exhibitions on opposite sides of the globe are focusing on the art of medieval manuscript illumination.

At the Getty Center in Los Angeles, a show has just opened highlighting the burst in creativity and education in what is popularly called the Gothic period. Gothic Grandeur: Manuscript Illumination, 1200–1350 features books from this important period, when educated Europe created a huge demand for illustrated manuscripts.

Looking at these works of art instantly dispels the popular notion that the Middle Ages were a low period in civilization. In fact, it was a time of great artistic creativity and innovation. Even though the Church tried to create an orthodox mode of thinking, science and basic questions of philosophy were able to advance, albeit slowly. Even existentialism had a place. Just read the opening chapter of St. Augustine’s Confessions if you don’t believe me.

The exhibition mainly draws on Getty’s impressive permanent collection, including recent prize acquisitions such as the Abbey Bible, one of the finest Gothic illuminated manuscripts ever made. Also of interest is the Northumberland Bestiary, a mid-13th century encyclopedia of animals.

In London, the British Library is running Royal Manuscripts: The Genius of Illumination. This collection of 150 manuscripts from the library’s collection date from the 8th to the 16th century and depict royalty through the ages. Some were even owned by kings and queens, such as a psalter with marginal notations by Henry VIII. The exhibition not only covers the royalty about and for whom the books were created, but also the artists who create them. Not all were monks as commonly believed. Many books were made by professional freelance artists who hustled for commissions from the rich and powerful. Not much has changed!

Gothic Grandeur: Manuscript Illumination, 1200–1350 has two installations, one running to 26 February 2012 and the next running from 28 February to 13 May 2012. Royal Manuscripts: The Genius of Illumination runs until 13 March 2012.

Photo courtesy British Library.

Early Christian art on display at the Onassis Cultural Center, NYC

by Sean McLachlan on


It’s often called the Dark Ages, a time when barbarian hordes overran Rome and that great civilization’s art, culture, and learning disappeared. A time when there were no great achievements.

It’s a misnomer.

Rome did not fall in the fifth century with the usurpation of the last emperor in Rome in 476. To the east, at the new capital of Constantinople, modern Istanbul, the Eastern Roman Empire was starting a new renaissance in art and administration that would become known as Byzantium.

An exhibition in New York City’s Onassis Cultural Center explores the place of early Christianity in these often misunderstood years. Transition to Christianity: Art of Late Antiquity, 3rd to 7th Century AD opened yesterday and runs until May 14, 2012.

The exhibition brings together more than 170 objects from collections in Greece, Cyprus, and the US. There are a wide range of objects including mosaics, paintings, sculptures, architectural elements, inscriptions, coins, liturgical objects, jewelry, and domestic items. The timeline spans the last years of paganism and the rise of Christianity as a tolerated and eventually the official religion.

Early Christian art took on many of the forms and styles of earlier Roman art, as you can see from this 7th century silver plate, shown here in a Wikimedia Commons image. This is one of the nine so-called David Plates, commissioned by the Emperor Heraklios (ruled 610-641), whose victory over the Persians was compared to David’s defeat of Goliath. In this plate David is being presented to Saul (1 Samuel 17:32–34). The figures are dressed like Roman aristocracy.

The exhibition looks at many facets of late Antiquity including the interaction of paganism and Christianity, daily life, the importance of cities, and funerary art.

Of course the “barbarians” had art of their own. While that’s beyond the scope of this exhibition, many museums have collections of the Germanic tribes’ unique styles of jewelry, glasswork, and carving. The British Museum has an especially good collection.

Lincoln Cathedral quieter than usual as 176 year old bell gets repaired

by Sean McLachlan on

Great Tom, the giant bell at Lincoln Cathedral that has struck the hour every hour since 1835, has stopped ringing.

The clapper has almost shared off, a church official said. The last time the bell was silenced was during the filming of The Da Vinci Code in 2005.

Lincoln Cathedral is one of the great cathedrals of Europe. The original cathedral was commissioned by William the Conqueror and consecrated in 1092. Fires and earthquakes caused a few rebuilds over the years and like so many cathedrals, different parts date to different centuries.

Still, it’s one of the best examples of Gothic architecture in England. The soaring nave and the three tall towers make it a memorable landmark.

One odd little bit of decoration is the Lincoln Imp. This is said to be one of two imps sent by the devil to cause mischief. They smashed the furniture, tripped the bishop, and caused general mayhem until an angel floated out of a book of hymns. One imp became scared and hid, while the other threw things at the angel. The angel then turned the more aggressive imp to stone while the cowardly imp ran away. An imp is still the symbol of the city of Lincoln.

Smaller bells will continue to ring the quarter hours and church officials hope to have it up by the end of the year.

Imp photo courtesy Wikimedia Commons.
Cathedral photo courtesy Geograph.