Charles Dickens featured at new Museum of London exhibition

by Sean McLachlan on

The Museum of London has opened a major new exhibition on one of the city’s greatest writers–Charles Dickens. Dickens and London celebrates Dickens’ 200th birthday looks at the relationship between the writer and the city he used as inspiration for many of his novels.

The exhibition recreates the sights and sounds of 19th century London, something the museum does very well for many eras. London 200 years ago was one of the greatest cities of the world, and one of the worst. The center of global commerce and culture, it was also home to grinding poverty and drug abuse. One item on display is Dickens’ notes from an opium den he used as inspiration for one of his scenes.

Dickens often wrote about the plight of the poor and he knew what he was talking about. When still a child, he had to work ten-hour shifts in a shoe polish factory while his father spent time in debtor’s prison.

The British Library in London is also marking the bicentennial with a small exhibition titled A Hankering after Ghosts: Charles Dickens and the Supernatural. Dickens loved a good horror story and penned many, although another author once accused Dickens of plagiarism, an accusation that had some foundation in fact.

Dickens fans will also not want to miss the Charles Dickens Museum. Although Dickens only lived here from 1837-1839, the prolific author finished The Pickwick Papers, Oliver Twist, and Nicholas Nickleby in that time. Even if you’re not terribly interested in him, his house gives you a good idea of a moderately wealthy family home of the era.

Dickens and London will run until June 10, 2012.

Photo of Dickens with his two daughter courtesy Wikimedia Commons.

Early Christian art on display at the Onassis Cultural Center, NYC

by Sean McLachlan on


It’s often called the Dark Ages, a time when barbarian hordes overran Rome and that great civilization’s art, culture, and learning disappeared. A time when there were no great achievements.

It’s a misnomer.

Rome did not fall in the fifth century with the usurpation of the last emperor in Rome in 476. To the east, at the new capital of Constantinople, modern Istanbul, the Eastern Roman Empire was starting a new renaissance in art and administration that would become known as Byzantium.

An exhibition in New York City’s Onassis Cultural Center explores the place of early Christianity in these often misunderstood years. Transition to Christianity: Art of Late Antiquity, 3rd to 7th Century AD opened yesterday and runs until May 14, 2012.

The exhibition brings together more than 170 objects from collections in Greece, Cyprus, and the US. There are a wide range of objects including mosaics, paintings, sculptures, architectural elements, inscriptions, coins, liturgical objects, jewelry, and domestic items. The timeline spans the last years of paganism and the rise of Christianity as a tolerated and eventually the official religion.

Early Christian art took on many of the forms and styles of earlier Roman art, as you can see from this 7th century silver plate, shown here in a Wikimedia Commons image. This is one of the nine so-called David Plates, commissioned by the Emperor Heraklios (ruled 610-641), whose victory over the Persians was compared to David’s defeat of Goliath. In this plate David is being presented to Saul (1 Samuel 17:32–34). The figures are dressed like Roman aristocracy.

The exhibition looks at many facets of late Antiquity including the interaction of paganism and Christianity, daily life, the importance of cities, and funerary art.

Of course the “barbarians” had art of their own. While that’s beyond the scope of this exhibition, many museums have collections of the Germanic tribes’ unique styles of jewelry, glasswork, and carving. The British Museum has an especially good collection.

Burgess Shale online exhibition brings 500 million year-old sea back to life

by Sean McLachlan on


The Burgess Shale in British Columbia, Canada, preserves an amazing collection of fossils of sea creatures from the Cambrian period. This was a time dating from 488 to 542 million years ago, when complex creatures were beginning to evolve but before the dinosaurs existed.

Some of the creatures were pretty strange, like the Anomalocaris canadensis pictured above in this image courtesy Nobu Tamura. The name means “strange shrimp of Canada”. Another is the Marella splendens, shown below in this image courtesy Wikimedia Commons. These little guys are the most common animal found in the Burgess Shale.

Fossils from the Burgess Shale can be seen in museums around the world, and now the Royal Ontario Museum and Parks Canada have created the Burgess Shale online exhibition. The exhibition has a fossil library of almost every species ever found in the shale, along with information about how they lived. Most interesting are the animated reconstructions, including a virtual submarine ride to visit sea life half a billion years ago.

More than 70 digital reconstructions of the animals allow you to examine them closely. You’ll see how many modern animals such as snails, sea stars, and crabs had their origins in this remote era. These real-life monsters are a great educational tool for kids. My son was fascinated.

If you want to see the Burgess Shale for yourself, go to Yoho National Park in British Columbia. Guided hikes to the otherwise restricted fossil beds, which have been designated a UNESCO World Heritage Site, are available from July to September

Scottish National Portrait Gallery to reopen after major renovation

by Sean McLachlan on

After more than two years and £17.6 million ($27.4 million), the Scottish National Portrait Gallery in Edinburgh will reopen on December 1.

The remodel opens up more of the Victorian building to public view, adds more than 60% to the public space, and introduces several themed galleries, including Blazing with Crimson–a collection of full-length portraits of men in kilts.

The gallery’s massive collection of portraits includes those of great statesmen, royalty, scientists, engineers, soldiers, and athletes. Special galleries look at the new face of Scotland, with one exhibit highlighting Scotland’s large Pakistani community.

Another bonus to the revamped gallery is that entrance is now free.

The gallery opened in 1889 as the first purpose-built portrait gallery. While it has always featured paintings of Scotland’s great names, it now also includes a large space devoted to photography.

This is the second major museum reopening in Edinburgh this year. The National Museum of Scotland reopened this summer after a £47.4 million ($74 million) renovation.

Photo of Robert Burns portrait courtesy Wikimedia Commons.

Museums and politics in the West Bank

by Sean McLachlan on

A new bill working its way through the Israeli government would put museums on Israeli settlements in the West Bank under Israeli law.

This piece of legislation is more than it seems, the Jerusalem Post reports. The real purpose of the bill, as its author, minister Uri Ariel of the National Union party makes clear, is to slowly annex the West Bank.

If this bill passes, Ariel hopes it will open the door for more Israeli law to be applied to the West Bank, gradually incorporating it into the rest of the country.

Currently museums on West Bank settlements are under military law, a product of the region being taken from Jordan in the 1967 war, and thus cannot get the same kind of funding as other Israeli museums.

The West Bank and Gaza strip are nominally part of the Palestinian Authority, but this government has had trouble receiving full international recognition and much of its land is actually owned by Israelis. Palestinians are barred from or have limited access to much of the West Bank because of Israeli settlements and their security zones, as this UN map shows.

The Knesset (Israeli parliament) education Committee has already passed the bill and it will probably be seen by the entire Knesset in the next two weeks.

I visited some West Bank museums when I was working as an archaeologist in the region in the early Nineties. The Israeli ones were mainly devoted to proving their right to the land and highlighting Muslim atrocities. The Palestinian ones were mainly devoted to proving their right to the land and highlighting Jewish atrocities.

In a country like Israel, history and politics always go hand in hand.