Is the Romulus and Remus statue a copy from the Middle Ages?


It’s one of the most famous symbols of ancient Rome–the legendary Romulus and Remus suckling from a she-wolf. Legend has it the brothers were born to a Vestal Virgin who had been abducted by the war god Mars. Abandoned, they were raised by a she-wolf. As adults they fought each other. Romulus killed Remus and went on to build Rome. The statue graces Rome’s Capitoline Museum and is photographed by tens of thousands of visitors every year.

But it may date from centuries after Rome fell.

In fact, it may date from the Middle Ages. The bronze wolf has long thought to be Etruscan, an ancient Italian culture that predated the Romans. Modern carbon dating shows it wasn’t made in the 5th century BC but rather the 13th century AD. The babies are known to have been added in the 15th century. The tests on the wolf were conducted five years ago and were shrugged off by the Capitoline Museum as inconclusive.

Now scholars are saying the museum was wrong to dismiss the results and have pointed out that the statue was cast as a single piece, something the Etruscans and Romans couldn’t do with a statue so large. Medieval artisans could. It’s possible the present statue was a copy produced from an earlier statue that was, indeed Etruscan. It’s impossible to say.

The museum is adding this “alternate theory” to its literature, although that doesn’t mean they’re giving up on the Etruscan theory just yet.

Photo courtesy Wikimedia Commons.

Early human ancestor on display at London’s Natural History Museum

The Natural History Museum in London has put an important fossil of one of our species’ early ancestors on display.

Australopithecus sediba lived 1.98 million years ago in what is now South Africa. It’s thought by some scientists to be a transition species between the more ape-like Australopithecines and the later, more human-like genus Homo. While it has the small brain size of the Australopithecines (although larger than most), its jaw and body look more like the Homo species. The hands are especially well-formed and it may have used tools.

Two exact replicas of the most complete Australopithecus sediba skeletons were recently donated to the museum by the University of the Witwatersrand and the Government of the Republic of South Africa. At the moment only one skull is on public view. Hopefully the full skeletons will go on display soon. It’s the first public exhibition of this species in the UK.

These are exciting times in paleontology. New human ancestors are unearthed almost yearly, and more and more of our family tree is being pieced together. At the same time, scientists are being forced to defend and explain their field of study to Creationists, who have already made up their minds that science and religion are automatically enemies.

The most impressive display of human evolution I’ve ever seen was at the National Museum of Ethiopia in Addis Ababa. It has a huge collection of fossil hominids, including Lucy, an Australopithecus afarensis who lived in Ethiopia 3.2 million years ago. One room shows the precursors to modern humans arranged in chronological order to show how primate-like traits gradually gave way to a more human appearance. This is also done with other animals like the horse and hippo. Anyone looking, really looking, at these displays will have a hard time dismissing evolution as some sort of conspiracy on the part of Godless scientists, many of whom are actually devout Christians.

Photo courtesy Brett Eloff.

Amsterdam’s Maritime Museum

Amsterdam owes its wealth to the sea. In the Golden Age of the 16th and 17th centuries, the Dutch sailed around the world looking for rare products to bring back to Europe. They were one of the great maritime powers and are still important in shipping today.

Amsterdam is a city made for the sea. Its canals are laid out like a spider’s web, where every family that could afford it built a narrow house on one of the canals, complete with a private warehouse and crane on the upper floor. This maximization of seafront property allowed a large section of society to share in the nation’s wealth.

To really understand Amsterdam and The Netherlands, you need to visit the National Maritime Museum, called Het Scheepvaartmuseum in Dutch. This museum, reopened earlier this year after a major remodel, offers a history of Holland’s maritime adventures from the past 500 years.

Just a short walk from Amsterdam’s Centraal Station, the museum is housed in a large 17th century arsenal. Inside are modern interactive displays explaining how early mariners found their way by the stars, how ships were built, and where and for what they traded.

One of my favorite displays is a set of reproductions of sailors’ photo albums from the past century. You sit in an easy chair flipping through the pages while listening to an audio commentary explaining the photos. It was like sitting with some old Jack Tar as he spun tales of the sea. There’s also a large collection of ship’s ornaments, nautical equipment, and an art gallery of maritime paintings.

%Gallery-139729%Another big draw is the Amsterdam, a beautiful full-sized replica of an East Indiaman from the Age of Sail. This is a big hit with Dutch kids, if the squealing school groups crawling all over it were anything to judge by.

Some locals have complained that the remodeled museum has been “dumbed down”, and while I applaud the many exhibitions specifically directed at children, I have to agree the museum lacks a certain something. There’s a large amount of wasted space and as I finished every floor I was left with the feeling “that’s it?” Yes, the displays are artistically lit and well labeled, and the whole execution is well conceived, yet I was left feeling I’d missed out on something.

Another problem is the price–a tooth-grinding 15 euros ($20.23) for adults and 7.50 ($10.12) for kids and seniors. Thankfully I had the I amsterdam City Card, which got me in for free. If you don’t have the card, I’m sad to say that unless you’re a serious history or nautical buff, the price simply isn’t worth it. It’s a shame the high entrance fee will drive people away, because there are some really beautiful artifacts and works of art here.

Don’t miss the rest of my series: Lowdown on the Low Countries.

Coming up next: Tasting gourmet Dutch cheese in Amsterdam!

This trip was partially funded by Amsterdam’s Tourism and Congress Bureau and Cool Capitals. All opinions, however, are my own.

Preserved human flesh at Amsterdam’s Tattoo Museum


This is exactly what it looks like–the preserved human flesh of a tattooed man. Judging from the style and subject, I’d say it’s from a nineteenth century American sailor. I spotted it sitting on the director’s desk at Amsterdam’s Tattoo Museum.

Ah, Amsterdam! I’ve visited you so many times and yet you always have new surprises for me.

Amsterdam is a great city for museums. There are two sex museums, a marijuana museum, and a heap of world-class art museums. In a city known for extremes, it’s hard to stand out, yet the Tattoo Museum manages to do just that.

The product of three decades of collecting by local eccentric and celebrity Henk Schiffmacher, the collection includes everything and anything related to tattooing that Henk has been able to gather up from God-knows-where.

I have dim memories of a previous visit to this museum back in 1993. Then it was in a small space crammed with odd artifacts. It’s been closed for the past several years and now it has just reopened in two rambling old mansions. When I visited they were still setting up and the exhibits were spread out in disarray. Henk was running around screaming at the contractors for being behind schedule while a local TV crew dogged his steps. I wandered off on my own to explore.

%Gallery-139057%It was fun to see this half-completed museum-in-the-making and while most of the collection was still in boxes, there was no shortage of curiosities to study. The Tattoo Museum covers the entire history of skin art and has artifacts from all over the world, including needles, old shop signs, photographs, flashes (ready-made designs), and freak show posters. Some of the items, like the statues from the South Seas and the stuffed monkey, show that like all true collectors, Henk can’t resist a cool item even if it doesn’t exactly fit in his collection. To my disappointment I didn’t see any shrunken heads. Maybe he hadn’t unpacked them yet.

The new space allows much more room for displays and the upper floor is being turned into a tattoo parlor where several expert skin artists can give you a memento of your visit. Henk is a tattoo artist himself and if you’re lucky you might even get him to pick up a needle and mark you. Much cooler than visiting the gift shop!

As a fan off all things macabre, I was attracted by the preserved human flesh, one of the few things I clearly remember from my previous visit. There are several of them in the museum’s collection. These pickled tattoos aren’t unique. London’s Wellcome Collection has 300 specimens of preserved human flesh bearing tattoos collected by a French military surgeon who cut them from the bodies of dead French soldiers. I’ve come across examples in other collections too.

A cynic might say they’re fake, and some of them undoubtedly are. Unscrupulous carnies or salesmen could produce them easily enough from animal skin. Yet I believe most are real, like those from the Wellcome Collection. Back around the turn of the last century there was a craze in collecting human remains, whether to study the shapes of skulls or preserving scalps or for various other reasons. It would have been easy enough to collect tattooed skin from cadavers. One hopes that the next-of-kin received compensation, but that probably didn’t happen most of the time.

Rather than see these human remains as something disgusting and demeaning, I find them rather life-affirming. The common working Joe is forgotten soon after he dies. How many nineteenth century sailors can you name who weren’t famous explorers? Yet their self-expression through body art lives on. We can look at these samples and catch a glimpse of someone who has long been dead.

Like the guy whose skin adorns the top of this post. There he is, with his patriotic wife and his ship. Do the letters “A.R.” stand for his name, or hers? Or do they stand for “American Republic” as the U.S. was sometimes referred to back then? We can’t know, but this man hasn’t been entirely lost to history. I know about him now, and thanks to Henk, you know about him too.

I wandered around for two hours and Henk was still bustling around with his contractors. I decided he was too busy to bother. When I go back to Amsterdam next year I’ll arrange an interview, because I’m dying to talk with the man behind such a unique collection.

Don’t miss the rest of my series: Lowdown on the Low Countries.

Coming up next: Amsterdam’s booming Eastern Docklands!

This trip was partially funded by Amsterdam’s Tourism and Congress Bureau and Cool Capitals. All opinions, however, are my own. I have no idea what the Tourism Bureau thinks of preserved human flesh.

National Gallery in London opens Da Vinci exhibition today

London’s National Gallery is hosting an exhibition of the paintings of Leonardo da Vinci. The show, titled Leonardo da Vinci: Painter at the Court of Milan, focuses on the paintings of the famous genius rather than his many other projects. It brings together nine of the only 15 or 16 paintings known to be his. The gallery boasts that it’s the most complete collection of his paintings ever shown.

The Mona Lisa is not among them. Personally I consider it Da Vinci’s least compelling work. Perhaps that’s just because I’ve seen it too much, or maybe I was influenced by my art history teacher who, while giving us a slideshow on Renaissance art, got to the Mona Lisa and wearily said, “The Mona Lisa. Is she smiling or isn’t she? Who cares?” and then went on to the next slide. Maybe if she went into the theory that it shows Da Vinci in drag I would have been more interested.

One of the paintings on display is Christ as Salvator Mundi, which is the subject of a heated debate within art circles as to whether it’s by Da Vinci or one of his students. Hanging beside known works of Da Vinci, you’ll have the chance to judge for yourself.

Leonardo da Vinci: Painter at the Court of Milan runs until 5 February 2012.

Photo of the Portrait of Cecilia Gallerani courtesy Web Gallery of Art.