The National Museum of Scotland in Edinburgh is asking for your help in reassembling an early medieval carved stone.
The Hilton of Cadboll Stone was carved in Scotland around 800 AD by the Picts, a mysterious people who have left little in the way of a written record but created some incredible art. The stone was carved shortly after the Picts converted to Christianity and includes one of Scotland’s earliest representations of Jesus.
This particular stone has had a rough time in the past 1200 years. At some unrecorded date it was snapped off from its base, then later defaced by Protestant reformers. In 1676, the Christian cross on one side of the stone was chipped off and replaced with an inscription commemorating a local man, Alexander Duff, and his three wives.
While one side is still impressive, as you can see here, it seemed the rest of the stone had been defaced beyond all hope of restoration until a recent excavation at the original site uncovered the stones’ base.Unfortunately it’s smashed into some 3,000 pieces, and that’s where you come in. The museum has put every piece through a 3D scanner and is launching a website where you can try your hand at reassembling it.
The project is part of the museum’s upcoming exhibition Creative Spirit Revealing Early Medieval Scotland, which will open October 25. It focuses on the Early Medieval period (around 300-900 AD), an time between Scottish and Viking influence and marking the arrival of Christianity and emerging powerful elites. The online reassembly will begin on that date at the special website Pictish Puzzle.
The museum is especially calling for gamers to help out because, they say, gamers are better at manipulating 3D images and finding patterns.
Museums have a lot to compete with these days. With so much information available for free online, many people who are less than enthusiastic about going to museums may think there’s nothing new to be learned by peering into glass cases full of ancient artifacts.
But museums are fighting back. Museum apps are available for most major and many lesser-known museums. Generally they give a walk-through of the galleries and what’s on display, such as MoMA’s app, while others offer closeup views of famous artworks you can’t get in real life, like the Louvre’s app that helps you push through the crowds around the Mona Lisa.
Often museums create special apps for major shows, such as the British Museum’s app for their exhibition Life and Death in Pompeii and Herculaneum. This app has interactive maps and timelines, detailed studies of more than 250 objects and heaps of information about the excavations.
As an incurable museum junkie raising a Mini Me museum junkie, I’m of two minds about museum apps. On the one hand, they’re great for enhancing a visit with all those flashy gadgets that kids love so much. It’s yet another way of beating museum fatigue while actually learning something.
On the other hand, it’s a grand distraction. A good museum can spark the imagination without needing extra technology. Take the Pitt-Rivers Museum in Oxford, my vote for the coolest museum in the world. The display cases are jam-packed with everything from Melanesian war clubs to witches trapped inside bottles. The lights are turned low and the guards hand out flashlights so you can peer inside the cases and spot hidden treasures amid the jumble. Beneath the cases are drawers that pull out to reveal Indonesian cut-out puppets and scarab beetles from Ancient Egypt. My son and I love creeping around this place, pretending to be explorers and always discovering something we never noticed before even though we’ve been there countless times.
This is the kind of museum that kids pester their parents to visit. Does the Pitt-Rivers have an app? Maybe it does. I didn’t check because it doesn’t need one. Take note, museum directors: be cool and they will come.
It’s one of the most popular attractions in Pyongyang, North Korea, and with a new coat of paint it’s ready to attract more admiring crowds for a brainwashing display of jingoism.
The USS Pueblo is a U.S. Navy spy ship captured by the North Korean Navy in 1968. While on an intelligence gathering mission in the Sea of Japan to check out the activities of North Korea and the Soviet Union, the ship was attacked by several North Korean vessels and two jets. Two of her crew were killed before the captain surrendered. The survivors spent eleven months in prison and were subjected to physical and psychological torture.
Despite this, they were defiant. When posed for propaganda photos they subtly gave the photographer the finger. When the North Koreans discovered what this meant, the torture got worse.
North Korea insisted the ship was in its waters, while the U.S. said it stayed in international waters. The U.S. had to finally admit “fault” in order to get the crew’s release, and then immediately retracted that admission.
Today the USS Pueblo is still in North Korea. It’s been a propaganda piece for some time and is moored next to the Fatherland War of Liberation Museum, where it receives a steady stream of North Korean visitors and a few foreign tours. Now the Japan Times reports it’s been repainted and restored along with the rest of the museum. Presumably the damage caused by North Korean guns was left intact, as that was a star attraction. North Korean leader Kim Jong Un presided over the ribbon cutting ceremony.
Madrid is one of the best destinations in the world for art, and this summer its many museums and galleries are putting on an impressive array of temporary exhibitions.
The blockbuster of the season is at the Reina Sofia, which is having a major exhibition on Salvador Dalí. “All of the poetic suggestions and all of the plastic possibilities” brings together almost 200 works here by the famous odd man of surrealism.
Organized in roughly chronological order, the earliest paintings in the exhibition date to the mid-’20s and show a surprisingly traditional technique. Once he’d mastered the basics, however, Dalí soon plunged into his own unmistakable style. The exhibition is accompanied by detailed texts on Dalí’s life and career. For example, we learn the reason why we keep seeing the same set of cliffs in Dalí’s work. In his youth Dalí and his family would vacation at the seaside town of Cadaqués, where he became obsessed with the cliffs of Cape Creus. He once said, “I am convinced I am Cape Creus itself. I am inseparable from this sky, from this sea, from these rocks.”
%Slideshow-2876%Many of his best-known works are here, as well as early sketches and little gems, like a painting of Hitler masturbating. Who but Dalí could pull that off? (Pun intended.) Numerous video screens shows Dalí’s many film experiments, including the famous “Un Chien Andalou” with Luis Buñuel and several other lesser-known films. The show runs until September 2.
The Reina Sofia has two other exhibitions. “1961: Founding the Expanded Arts” looks at a vital year in the history of modern art that saw the expansion of artistic collaborations and music experimentation and the launch of Concept Art. It runs until October 28. At the museum’s annex at Retiro park is “Cildo Meireles,” which looks at the acclaimed Brazilian conceptual artist’s work and runs until September 29.
The Museo Thyssen-Bornemisza has a major exhibition on Camille Pissarro. This cofounder of Impressionism was the only one to take part in all eight Impressionist exhibitions from 1874 to 1886. The museum brings together more than 70 of his works, mostly the lush landscapes for which he was known. The show runs until September 15.
El Prado also has three temporary exhibitions. The headliner is “Captive Beauty: Fra Angelo to Fortuny.” This exhibition brings together almost 300 works characterized by their small size and technical excellence. The point is to demonstrate the ability of some of Europe’s greatest artists to create beauty in a confined space and to highlight works that are often missed hanging next to giant, better-known works. They are arranged chronologically from the 14th to 19th centuries. The show runs until November 10.
Another of El Prado’s exhibitions examines the relationship between two 18th-century artists,Anton Raphael Mengs and José Nicolás de Azara. The two painters traded ideas and collaborated on projects throughout their careers. “Mengs and Azara: Portrait of a Friendship” runs until October 13. “Japanese Prints,” which runs until October 6, showcases items from the museum’s collection from the 17th to 19th centuries.
This year Spain and Japan are celebrating 400 years of friendly relations. In 1613, a group of Japanese emissaries set out to visit Spain. They crossed the Pacific, passed through the Spanish colony of Mexico, and then crossed the Atlantic. After touring Spain they continued on to visit the Pope in Rome before heading back home. The whole trip took seven years. We talk a lot about adventure travel here on Gadling, but nothing in the modern day can measure up to what these early travelers did.
To honor the anniversary, the Museum of Decorative Arts is hosting “Namban,” a fascinating look at the artistic influence these two distant cultures had on one another. One interesting object is a large screen in the Japanese style, yet bearing a Spanish colonial painting of Mexico City. There is as yet no closing date for this exhibition.
If you hurry you can still catch a free exhibition of the work of Swiss surrealist Alberto Giacometti at the Fundación Mapfre. The exhibition includes numerous examples of his famous statues of elongated human figures as well as his lesser-known paintings. This exhibition runs until August 4.
We’re suffering sweltering temperatures here in Madrid right now, so beat the heat and go see some art!
“Shaping Power: Luba Masterworks from the Royal Museum for Central Africa” examines the royal art of the powerful Luba Kingdom, which from 1585-1889 dominated central Africa. Its royal lineage was highly regarded and developed an elaborate artwork to reflect its prestige.
The exhibition includes many objects loaned by the Royal Museum for Central Africa in Belgium, like this mask of a legendary hero. Many of the items depict women. While they didn’t rule, they were considered the spiritual guardians of the kingship and the creators of life. A Luba proverb says, “Men are chiefs in the daytime, but women are chiefs at night.” Among the works of art are masks, headrests, sceptres, thrones and cups.
The new Africa gallery is located next to the Egyptian gallery to highlight the influences the two regions had on one another. In addition to special exhibitions, the gallery will also host the museum’s permanent collection.
“Shaping Power: Luba Masterworks from the Royal Museum for Central Africa” runs until January 5, 2014.