Scottish National Portrait Gallery to reopen after major renovation

by Sean McLachlan on

After more than two years and £17.6 million ($27.4 million), the Scottish National Portrait Gallery in Edinburgh will reopen on December 1.

The remodel opens up more of the Victorian building to public view, adds more than 60% to the public space, and introduces several themed galleries, including Blazing with Crimson–a collection of full-length portraits of men in kilts.

The gallery’s massive collection of portraits includes those of great statesmen, royalty, scientists, engineers, soldiers, and athletes. Special galleries look at the new face of Scotland, with one exhibit highlighting Scotland’s large Pakistani community.

Another bonus to the revamped gallery is that entrance is now free.

The gallery opened in 1889 as the first purpose-built portrait gallery. While it has always featured paintings of Scotland’s great names, it now also includes a large space devoted to photography.

This is the second major museum reopening in Edinburgh this year. The National Museum of Scotland reopened this summer after a £47.4 million ($74 million) renovation.

Photo of Robert Burns portrait courtesy Wikimedia Commons.

Museums and politics in the West Bank

by Sean McLachlan on

A new bill working its way through the Israeli government would put museums on Israeli settlements in the West Bank under Israeli law.

This piece of legislation is more than it seems, the Jerusalem Post reports. The real purpose of the bill, as its author, minister Uri Ariel of the National Union party makes clear, is to slowly annex the West Bank.

If this bill passes, Ariel hopes it will open the door for more Israeli law to be applied to the West Bank, gradually incorporating it into the rest of the country.

Currently museums on West Bank settlements are under military law, a product of the region being taken from Jordan in the 1967 war, and thus cannot get the same kind of funding as other Israeli museums.

The West Bank and Gaza strip are nominally part of the Palestinian Authority, but this government has had trouble receiving full international recognition and much of its land is actually owned by Israelis. Palestinians are barred from or have limited access to much of the West Bank because of Israeli settlements and their security zones, as this UN map shows.

The Knesset (Israeli parliament) education Committee has already passed the bill and it will probably be seen by the entire Knesset in the next two weeks.

I visited some West Bank museums when I was working as an archaeologist in the region in the early Nineties. The Israeli ones were mainly devoted to proving their right to the land and highlighting Muslim atrocities. The Palestinian ones were mainly devoted to proving their right to the land and highlighting Jewish atrocities.

In a country like Israel, history and politics always go hand in hand.

Is the Romulus and Remus statue a copy from the Middle Ages?

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It’s one of the most famous symbols of ancient Rome–the legendary Romulus and Remus suckling from a she-wolf. Legend has it the brothers were born to a Vestal Virgin who had been abducted by the war god Mars. Abandoned, they were raised by a she-wolf. As adults they fought each other. Romulus killed Remus and went on to build Rome. The statue graces Rome’s Capitoline Museum and is photographed by tens of thousands of visitors every year.

But it may date from centuries after Rome fell.

In fact, it may date from the Middle Ages. The bronze wolf has long thought to be Etruscan, an ancient Italian culture that predated the Romans. Modern carbon dating shows it wasn’t made in the 5th century BC but rather the 13th century AD. The babies are known to have been added in the 15th century. The tests on the wolf were conducted five years ago and were shrugged off by the Capitoline Museum as inconclusive.

Now scholars are saying the museum was wrong to dismiss the results and have pointed out that the statue was cast as a single piece, something the Etruscans and Romans couldn’t do with a statue so large. Medieval artisans could. It’s possible the present statue was a copy produced from an earlier statue that was, indeed Etruscan. It’s impossible to say.

The museum is adding this “alternate theory” to its literature, although that doesn’t mean they’re giving up on the Etruscan theory just yet.

Photo courtesy Wikimedia Commons.

Early human ancestor on display at London’s Natural History Museum

by Sean McLachlan on

The Natural History Museum in London has put an important fossil of one of our species’ early ancestors on display.

Australopithecus sediba lived 1.98 million years ago in what is now South Africa. It’s thought by some scientists to be a transition species between the more ape-like Australopithecines and the later, more human-like genus Homo. While it has the small brain size of the Australopithecines (although larger than most), its jaw and body look more like the Homo species. The hands are especially well-formed and it may have used tools.

Two exact replicas of the most complete Australopithecus sediba skeletons were recently donated to the museum by the University of the Witwatersrand and the Government of the Republic of South Africa. At the moment only one skull is on public view. Hopefully the full skeletons will go on display soon. It’s the first public exhibition of this species in the UK.

These are exciting times in paleontology. New human ancestors are unearthed almost yearly, and more and more of our family tree is being pieced together. At the same time, scientists are being forced to defend and explain their field of study to Creationists, who have already made up their minds that science and religion are automatically enemies.

The most impressive display of human evolution I’ve ever seen was at the National Museum of Ethiopia in Addis Ababa. It has a huge collection of fossil hominids, including Lucy, an Australopithecus afarensis who lived in Ethiopia 3.2 million years ago. One room shows the precursors to modern humans arranged in chronological order to show how primate-like traits gradually gave way to a more human appearance. This is also done with other animals like the horse and hippo. Anyone looking, really looking, at these displays will have a hard time dismissing evolution as some sort of conspiracy on the part of Godless scientists, many of whom are actually devout Christians.

Photo courtesy Brett Eloff.

Amsterdam’s Maritime Museum

by Sean McLachlan on

Amsterdam owes its wealth to the sea. In the Golden Age of the 16th and 17th centuries, the Dutch sailed around the world looking for rare products to bring back to Europe. They were one of the great maritime powers and are still important in shipping today.

Amsterdam is a city made for the sea. Its canals are laid out like a spider’s web, where every family that could afford it built a narrow house on one of the canals, complete with a private warehouse and crane on the upper floor. This maximization of seafront property allowed a large section of society to share in the nation’s wealth.

To really understand Amsterdam and The Netherlands, you need to visit the National Maritime Museum, called Het Scheepvaartmuseum in Dutch. This museum, reopened earlier this year after a major remodel, offers a history of Holland’s maritime adventures from the past 500 years.

Just a short walk from Amsterdam’s Centraal Station, the museum is housed in a large 17th century arsenal. Inside are modern interactive displays explaining how early mariners found their way by the stars, how ships were built, and where and for what they traded.

One of my favorite displays is a set of reproductions of sailors’ photo albums from the past century. You sit in an easy chair flipping through the pages while listening to an audio commentary explaining the photos. It was like sitting with some old Jack Tar as he spun tales of the sea. There’s also a large collection of ship’s ornaments, nautical equipment, and an art gallery of maritime paintings.

%Gallery-139729%Another big draw is the Amsterdam, a beautiful full-sized replica of an East Indiaman from the Age of Sail. This is a big hit with Dutch kids, if the squealing school groups crawling all over it were anything to judge by.

Some locals have complained that the remodeled museum has been “dumbed down”, and while I applaud the many exhibitions specifically directed at children, I have to agree the museum lacks a certain something. There’s a large amount of wasted space and as I finished every floor I was left with the feeling “that’s it?” Yes, the displays are artistically lit and well labeled, and the whole execution is well conceived, yet I was left feeling I’d missed out on something.

Another problem is the price–a tooth-grinding 15 euros ($20.23) for adults and 7.50 ($10.12) for kids and seniors. Thankfully I had the I amsterdam City Card, which got me in for free. If you don’t have the card, I’m sad to say that unless you’re a serious history or nautical buff, the price simply isn’t worth it. It’s a shame the high entrance fee will drive people away, because there are some really beautiful artifacts and works of art here.

Don’t miss the rest of my series: Lowdown on the Low Countries.

Coming up next: Tasting gourmet Dutch cheese in Amsterdam!

This trip was partially funded by Amsterdam’s Tourism and Congress Bureau and Cool Capitals. All opinions, however, are my own.