London Construction Reveals Medieval Graves, Bronze Age Road

by Sean McLachlan on

London is built on layers of its own past. Occasionally they poke through to the present, like the old Roman walls and the Temple of Mithras. Now two current construction projects have revealed glimpses of the city’s previous epochs.

Work to build a leisure center at Elephant and Castle has uncovered some 500 medieval skeletons, the London Evening Standard reports. They were interred in 25 crypts. It appears they were relocated into the crypts in 1875 to accommodate a widening of the road but date as far back as the early 14th century. Now new construction dictates they’ll have to be reinterred again. Not even the dead get to rest long in London!

Another project creating a new tunnel for Crossrail at Plumstead has uncovered a much older transport system, the BBC reports. Archaeologists believe timbers they’ve discovered at the site are part of a 3,500-year-old Bronze Age trackway.

These wooden roads were used to ease travel across rough areas, especially wetlands. Similar trackways have been found in many locations in the UK and continental Europe. The odd thing about this one is that it runs along the same route as the new Crossrail route.

One great place to explore London’s history is the Museum of London. The British Museum has good galleries about prehistoric, Roman and Medieval England. The Crossrail Visitor Information Centre also has an archaeology exhibit until October 27 showing off some of their discoveries. The finds range from the prehistoric to the Industrial Revolution, although these latest finds are still being analyzed and will not be on display.

[Image of 15th century funeral procession at the Old St. Paul’s cathedral courtesy Project Gutenberg]

Museum Of Craft And Folk Art In San Francisco To Close

by Sean McLachlan on

San Francisco’s Museum of Craft And Folk Art has announced in a press release that it will close its doors forever on December 1.

Museum officials said, “Sustainability in the current economic climate, with reduced funding for the arts, was a significant factor in the decision.”

The museum tried to put a brave face on the announcement by highlighting its past achievements. It was founded in 1982 in San Francisco at a time when artists carrying on craft and folk traditions were generally overlooked by the art market. The museum was instrumental in changing that, the release said.

The closure is scheduled to coincide with the end of its current exhibition “Fiber Futures: Japan’s Textile Pioneers.”

There is no word yet on what will happen with the museum’s collection. The museum is the only one of its kind in northern California.

The global recession has hit museums and the arts particularly hard. Many museums are scaling back exhibitions and reducing hours. I’ve written before on how Greek museums are facing the economic crisis. They’re not alone. The Edgar Allen Poe Museum may have to close, and a Dutch museum is selling part of its collection to survive.

[Photo of guitar/record player from the museum’s collection courtesy Marshall Astor]

Imelda Marcos’ Wardrobe Not Historic Treasure, Philippine Government Says

by Sean McLachlan on

The vast and famous wardrobe of former first lady Imelda Marcos has been declared historically insignificant, the Christian Science Monitor reports.

The wife of Philippine president/dictator Ferdinand Marcos was noted for her elaborate gowns and shoes, none of which she appeared to ever wear twice. When they fled the country after a popular uprising in 1986, news cameras descended on their palace, to find hundreds of pairs of shoes and whole rooms stocked with dresses and accessories.

Her lavish collection became a symbol of corruption and callousness in a country faced with serious poverty.

Many of the clothes ended up in the National Museum of the Philippines in Manila, where they languished in a storeroom. The collection included hundreds of gowns and at least 1,220 pairs of shoes.

Now the government has issued a statements saying that the collection has been damaged by termites and soaked by water that came through a leaky roof during a monsoon last month. There are no plans to save the clothes, however, as the vast majority have “no historical significance.”

The only exceptions are a few gowns made by famous Philippine designers. Some 800 pairs of Marcos’ shoes are still preserved in the Shoe Museum in Marikina, a traditional center of shoe making in the country.

Ferdinand Marcos died in exile in Hawaii in 1989. Imelda Marcos returned to the Philippines and managed to get out of most of the criminal charges leveled against her. She has unsuccessfully run for various political offices.

[Photo courtesy U.S. Government]

Amsterdam’s Stedelijk Museum Reopens, Adding To City’s Reputation As A Major Art Destination

by Sean McLachlan on

Amsterdam is famous, and infamous, for its many attractions appealing to all types of traveler. One of the best reasons to visit is for the world-class art museums such as the Rijksmuseum, the Van Gogh Museum and the Hermitage.

Now another can be added to the list. The Stedelijk Museum reopens to the public this Sunday after a long remodel that has created more gallery space, allowing the first comprehensive display of the museum’s world-renowned collection of modern and contemporary art. Queen Beatrix presided over the opening ceremony on Saturday.

The museum is especially strong with works from the many art movements of the early 20th century like Expressionism, Bauhaus and Suprematism. One important work is “Woodcutter,” painted in 1912 or 1913 by Kazimir Malevich, shown here courtesy Wikimedia Commons. The museum also has a major collection dedicated to 20th century industrial and graphic design.

To mark the reopening, a temporary exhibition, “Beyond Imagination,” is on display until November 11. This exhibition brings together 20 international artists, active in the Netherlands, to give their views on the boundaries between reality and imagination.

The new design reorients the entire museum to face onto Amsterdam’s Museumplein (Museum Plaza), which it shares with the Rijksmuseum, the Van Gogh Museum and the Concertgebouw.

Civil War New York Subject Of New Exhibition

by Sean McLachlan on


During the Civil War, New York was the wealthiest and most populous state on either side of the conflict. A new exhibition at the New York State Museum in Albany examines the important role New York played in preserving the Union.

“An Irrepressible Conflict: The Empire State in the Civil War” features more than two hundred artifacts, documents and images centering around the themes of Antebellum New York, the Civil War, and Reconstruction and Legacy. Artifacts on display include a Lincoln life mask from 1860, the earliest photograph of Frederick Douglass, and the only known portrait of Dred Scott. There’s also a slave collar from c.1806 to point out the often-overlooked fact that slavery was once common in this northern state.

The exhibition examines various aspects of the war and home front and has a section dedicated to the Elmira Prison Camp, dubbed “Hellmira” by the Confederate soldiers interned there. Nearly 25 percent of them died from malnutrition, exposure and disease.

In a press release, the museum stated that the exhibition’s title was inspired by an 1858 quote from then U.S. Senator William H. Seward, who disagreed with those who believed that the prospect of war between the North and South was the work of “fanatical agitators.” He understood that the roots of conflict went far deeper, writing, “It is an irrepressible conflict, between opposing and enduring forces.”

“An Irrepressible Conflict: The Empire State in the Civil War” starts today and runs until September 22, 2013.

[Photo of noncommissioned officers’ mess of Co. D, 93d New York Infantry courtesy Library of Congress]