The animals that helped win World War Two


Animals have always been used in war, but historians tend to dismiss them as living equipment and say little about their experiences. A new exhibition at The National World War II Museum in New Orleans seeks to right that imbalance by focusing on the war effort of animals on both sides of the conflict.

Loyal Forces: Animals in WWII features life-sized mannequins of horses and mules with original harnesses and equipment to show how they did their work at the front carrying supplies and hauling artillery to places where tanks and trucks couldn’t go. There are exhibits on carrier pigeons and dogs too.

Animals had a high death rate. They were often worked to death or killed in the crossfire, and at times were even eaten by hungry soldiers. On the other hand, some were treated as pets by men desperate for some reminder of home while trying to survive in the midst of hell.

Many became heroes, like Lady Astor, a pigeon that carried a vital message from North Africa despite being wounded in action, or Smoky, a dog that ran telegraph wire for American GIs during the Pacific campaign.

The exhibition is a fitting reminder of the sacrifices animals have made for human folly, but London does one better. At Brook Gate next to Hyde Park there’s a memorial to the animals who served. The inscription reads, “This monument is dedicated to all the animals that served and died alongside British and allied forces in wars and campaigns throughout time. They had no choice.”

Loyal Forces: Animals in WWII starts this Thursday and runs until October 17.

Photo courtesy user Otasiro via Wikimedia Commons.

More Egyptian pyramids to open to the public


Visitors to Egypt have always flocked to the pyramids of Giza and Saqqara. Many people don’t realize, however, that these are only the most famous of more than a hundred pyramids in the country. In fact, there’s a whole “pyramid field” to the west of Cairo that includes Giza, Saqqara, and numerous other groupings across a long swath of desert. Egypt’s Supreme Council of Antiquities is now opening some of them to visitors for the first time.

At Dahshur, more than a dozen pyramids give an interesting lesson in pyramid construction. The largest of these were built in the Fourth Dynasty (c. 2613 to 2494 BC) just prior to those at Giza. The founder of this dynasty, the Pharaoh Sneferu, was quite the pyramid builder. His first attempt was at Meidum, 100 km (62 miles) south of Cairo. It collapsed, and he moved his workmen to Dahshur for his next try.

This was the famous Bent Pyramid, pictured above in a photo from Jon Bodsworth’s excellent collection at the Egypt Archive. Check out the gallery below for more of his work. The architects started building the pyramid at a 55 degree angle, but when the structure showed signs of weakness they chickened out and built the rest at a more stable angle of 43 degrees. This gives the pyramid unique appearance. The pyramid’s two interior passages will open for the first time to visitors in December. A third passage leads 25 meters (82 ft) to a nearby smaller pyramid of Sneferu’s queen so the two could have conjugal visits in the afterlife. His third try was the Red Pyramid, built at the safer 43 degree angle. It held up nicely and is the third largest pyramid in Egypt at 104 meters (345 ft) tall.

Other pyramids at Dahshur include smaller examples from later dynasties. They aren’t nearly as grandiose as the earlier ones, perhaps because later rulers couldn’t command as much authority or they simply had other things they needed to spend their money on. The Black Pyramid of Amenemhat III (c. 1860-1814 BC) makes for an odd photo. To save money, the architects only used stone on the outside, and when later generations stole it for other building projects, the mud brick interior was revealed. This has been weathering away for the last four thousand years and now looks a bit deflated, although it’s still impressive.

%Gallery-97617%Between Giza and Saqqara lies the royal necropolis of Abusir, home to 14 pyramids that will open to the public this month. The necropolis on the outskirts of modern-day Cairo was started in the fifth dynasty (c. 2494 to 2345 BC) after the previous dynasty had filled up Giza with pyramids and temples. Abusir’s pyramids are smaller than those at Giza, and some have all but disappeared after millennia of weathering, but the site is still worth visiting. Most are step pyramids like the famous one at Saqqara, not flat-sided “true” pyramids like those at Giza. Some have smaller pyramids next to them to house the pharaoh’s queens.

One pyramid, that of the pharaoh Neferefre, was never finished, and has given archaeologists a glimpse at the construction techniques that went into building these behemoths. Some people like to think the pyramids were built by aliens or people from Atlantis, but archaeological evidence and the Egyptians’ own written records prove they built the pyramids themselves.

These “new” pyramids are just a few of the large number of Egyptian attractions opening in the next three years. Several museums are under construction, and the area around the Pyramids of Giza has been cleaned up. This month the famous Avenue of Sphinxes between the temples of Luxor and Karnak is opening, with about 900 statues and a recently excavated Roman-era village nearby.

Note to budding Egyptologists: this article is way too short to cover all the various theories and discoveries at Abusir and Dahshur. You need a few books to cover all of them! A good start are the works of Miroslav Verner, including The Pyramids: The Mystery, Culture, and Science of Egypt´s Great Monuments and Abusir: The Realm of Osiris.

Europe’s relaxed attitude toward nudity makes American travelers uncomfortable

While the image of a naked Rick Steves getting a rubdown in a Turkish bathhouse might be a bit TMI for many of us, the seasoned traveler, guidebook author, and travel show host makes some excellent points in a recent CNN article on Europe’s cultural tolerance for nudity.

According to Steves, who starts the piece with a flashback from a 1978 trip, “if you can leave your inhibitions at home, you can better appreciate some of the amazing experiences Europe has to offer.” Like, perhaps, ogling soapy boobies on a Belgian billboard, or admiring “sunbathing grandmothers [with] no tan lines,” in southern France. Or visiting museums.

Actually, Steves himself admits to being “uncomfortable” when confronted with all the nekkidness Europe has to offer, but he’s quick to point out that the trend is often rooted in a historical, sociological context. Turkish baths, for instance, were partly designed as a gathering place, where Muslim women could socialize, celebrate the birth of a child, or search for a suitable bride for their sons (and you think your mother-in-law is bad). And, he adds, he likes “a continent where the human body is considered a divine work of art worth admiring openly.” Cheers to that.

[Via Tribune Media Services]
[Photo credit: Flickr uses historic.brussels]

Rare, really smelly Sumatran “Corpse Flower” to bloom at Houston museum

The botanical world is a fascinating thing, but fans of “Little Shop of Horrors” will be especially excited about the eminent blooming of the endangered Amorphophallus titanum, at the Cockrell Butterfly Center at Houston’s Museum of Natural Science. Nicknamed the “Corpse Flower” for the unholy stench it emits in bloom, the phallic-looking plant is one of the largest, rarest flowers in the world. Native to parts of Indonesia (I’ve seen Raffelsia, a similar flower from a different family, on a trek in Thailand’s stunning Khao Sok National Park) these suckers can reach up to 10 feet in height, with a diameter of up to six feet. Early explorers in Sumatra actually believed the flower was a man-eating plant.

“Lois,” Cockrell’s resident Corpse Flower, is about to bloom for the first time, and visitors can check it out for themselves in person, or via webcam. Lois even has her own blog, and Twitter account (not affiliated with the museum). Says Dr. Nancy Greig, director of the Center, “The Corpse Flower is unique because it’s totally unpredictable. No one really knows what triggers a given plant to flower, and [it may] flower once in its lifetime. We’ve had ours for six years and this is the first time it has bloomed-we’re very lucky. It may be the largest, smelliest flower in the world, but its beauty is unparalleled.” Lois is one of perhaps only 30 cultivated Corpse Flowers to ever bloom in the U.S..

If you want to see (and smell) Lois for yourself, she’s due to flower at any second; the museum is open 24 hours until she does. Check her blog for updates.

[Photo credit: Flickr user lornagrl]

Ghost Forest brings attention to rainforest threat


A Ghost Forest is stalking Europe.

Giant trees from Ghana have appeared in Copenhagen, Trafalgar Square in London, and now Oxford. It’s called the Ghost Forest Art Project, and it’s an innovative way to bring the plight of the world’s rainforests to public attention.

Artist Angela Palmer wanted to share her concern with the public about tropical rainforests, which are disappearing fast. An area the size of a football pitch vanishes every four seconds, and most are never replaced. Not only does this reduce biodiversity and nature’s way of absorbing atmospheric carbon, but it leads to soil erosion and long-term economic problems. Since Europe is a major consumer of rainforest wood, and there are no rainforests in Europe, Palmer decided to bring the rainforest to Europe.

She hauled a collection of stumps from the commercially logged Suhuma forest in western Ghana all the way to Europe. Ghana lost 90 percent of its forest due to overlogging before the government got serious about conservation. Now the remaining forest is being logged in a sustainable manner under strict supervision. The stumps mostly fell due to storms, but three were actually logged. To offset the carbon footprint of shipping these behemoths hundreds of miles, Palmer contributed to a project that distributes efficient stoves to Ghanaian villages. These stoves use less wood than traditional stoves and reduce the need for cutting.

First stop was Copenhagen, just in time for last year’s UN Climate Change conference. This was followed by a visit to Trafalgar Square before the trees were installed in front of Oxford University’s famous Museum of Natural History. A fitting display for 2010, which is the UN’s International Year of Biodiversity. Next year will be the Year of Forests.

I’ve seen this exhibit in person and I have to say the stumps are truly awe inspiring. Their sheer size, and the realization that they were once alive, made me think about our place in this world. My four-year-old was impressed too, and I hope that some of these giant trees will still be standing when he’s my age.


Image Courtesy Ghost Forest.

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