Auction of Hitler family portraits raises questions about Nazi memorabilia

Family portraits of Hitler’s parents are going up for auction.

Craig Gottlieb Militaria, a leading auction house in California, will be auctioning off paintings of Alois and Klara Hitler via Gottlieb’s website from September 1 to 17. Gottlieb is also selling Hitler’s desk set. The shop is open to prospective buyers by appointment.

The subject of Hitler and Nazi memorabilia comes up regularly here on Gadling. An article about a Hitler tour around Germany started a flame war, and my discussion about the other meanings of the swastika got some interesting and somewhat more level-headed responses. More than sixty years after the fall of the Third Reich, these symbols still elicit strong reactions.

This raises all sorts of questions about how we portray the past, and what should and shouldn’t be included. In Germany and Austria, for example, it’s illegal to display the swastika expect in specific historical contexts. My article on swastikas probably couldn’t get published in a German magazine because it skirts the edge of the law. Other countries display these items freely. At the Imperial War Museum in London you can see a variety of Nazi items. An Orthodox Jewish friend commented that such a context is OK. It makes her wince to see it, but it’s part of history and needs to be discussed.

On the spectrum of what’s acceptable and what’s not, museum displays are on pretty safe ground, although it took many years before a Hitler exhibition was allowed in Germany. But what about selling Nazi memorabilia? Gottlieb’s store is full of SS items. He’s even written a book on SS Totenkopf (“Death’s Head”) rings and currently has 44 such rings up for auction. Some countries ban selling Nazi memorabilia, as does eBay, yet an article in Forbes estimates the sale of these items to be in the hundreds of millions.

%Gallery-129938%I’m a military historian and collector myself. I’m also a struggling writer with a kid to feed, so my collection is pretty small. We collectors buy these things because they give us an immediate connection to history. Yet the thrill I feel when reading a postcard from the Western Front or holding a Civil War bullet is far different than what I feel when I see a swastika flag covering a coffee table. Yes, that’s an example taken from experience. I don’t have any Nazi items in my collection and I’m not interested in buying any.

London is my favorite place to shop for militaria. Provincial Booksellers Fairs take place all over England and offer up lots of rare books on military and other subjects. Shops in places like Grays Antique Markets and Camden Passage Islington offer a huge variety of medals, weapons, and uniforms. One thing I’ve noticed is that there are two types of shops: those that sell Nazi memorabilia and those that don’t. Those that do often have a lot of it. In one shop I saw an entire set of instruments from an SS marching band.

I asked a shopkeeper who didn’t stock Nazi items why he made that decision.

“Because I don’t having those people in here,” he said.

“Perhaps they’re just interested in history?” I offered.

He shook his head and replied, “That’s not why they buy it.”

While I won’t go as far as to suspect anyone fascinated with the Third Reich as being a closet Nazi, I do have to wonder what they get from it, and shake my head in amazement at how much power Hitler and his goons still have over our emotions sixty years on.

Attached is a gallery of the kind of Nazi memorabilia prized by some collectors. What do you feel when you see them? Do you think they should be for sale? Would you accept one as a gift? Is it OK to have them in museums? Tell us what you think in the comments section!

[Photo of Klara Hitler courtesy Wikimedia Commons]

Syria unrest: will there be another massacre in Hama?

Syrian army tanks ‘moving towards Hama’.

Just another headline about unrest in the Middle East. I’ve read so many, but this one made me shudder. One thing travel does for you is make the world more than just a headline. I’ve been to Hama.

I visited Syria back in 1994 as a young college graduate with a backpack, a bit of Arabic, and no responsibilities. I spent a month exploring archaeological sites, chatting in smoky cafes, and debating religion in the cool shade of mosque courtyards. Syria is a fascinating and welcoming place, and if the regime of Bashar al-Assad gets ousted and peace returns, I highly recommend you go.

I marveled at the beautiful Umayyad Mosque in Damascus before going to a nearby cafe to listen to a hakawati, a traditional storyteller, recite his tales to a rapt audience. I looked out over the green hills of Lebanon from the turrets of Crac des Chevaliers castle and took a dusty bus ride to the oasis of Palmyra. And for two days I stayed in Hama to see the famous noria, or waterwheels, as seen here in this Wikimedia Commons photo.

There was something strange about Hama. It was supposed to be an old city yet most of the buildings looked new. Plus the tourist map on the wall of my hotel lobby was wrong. I’d copied parts of it into my notebook to help me get around but soon found the names of the streets had changed. Even their layout had changed. It was like a map of a different city.

Then I saw the same map in the lobby of another hotel, and in an antique shop. One night I asked the manager what was going on. He looked around to make sure nobody was within earshot and whispered, “This map shows Hama before the massacre.”I’d heard of that. The Muslim Brotherhood had been fighting against the Syrian government for several years and Hama was their main base. They attacked government targets and the government hauled away anyone who seemed suspicious. Most victims were innocent people caught in the crossfire.

One night in 1982 a Syrian army patrol discovered the local Muslim Brotherhood headquarters and a firefight broke out. The Brotherhood called for a general uprising. Fighting flared up all over the city. Hafez al-Assad, then Prime Minister and father of the current Prime Minister, ordered the armed forces to surround Hama. The air force dropped bombs while tanks and artillery shelled the city. Then the troops went in, shooting anything that moved. Nobody knows how many people died. Estimates range from 10,000 to 40,000, and all sources agree that most were civilians.

Now the Syrian army is moving towards Hama again. The son is continuing the work of his father.

This morning I flipped through my old travel diary, reliving the time I spent in Hama and Syria: the conversations, the hikes, the sense of wonder of a young man on his first year-long travel adventure. One thing that struck me was that of all the Syrians that diary mentions, none of them have entirely faded from my memory.

I remember the kindly old man who nursed me back to health after my first bad case of food poisoning. And the artist who drew a sketch of me that I still have. Then there was that wisecracking tailor who changed money at black market rates, building a nest egg of hard currency for reasons he’d never divulge. And the metalheads who introduced me to Syria’s underground music scene. It’s strange to think of those headbangers as forty-something fathers, but I suppose, like me, they are.

Or maybe they’ve been slaughtered.

None of those people liked the regime. The business owners hung a picture of Hafez al-Assad on the walls, just like they have a picture of Bashar nowadays. In a dictatorship that’s the price of doing business. But once the customers left and it was just us in a back room chatting over tea, their voices would lower and they’d complain about how the al-Assad family had a stranglehold on power.

The metalheads were louder in their protests and suffered regular police harassment. Since even their concerts were illegal they felt they had nothing to lose. They wanted to live life the way they chose. A few beatings and nights in jail was the price of a few hours of freedom.

I traveled all over the Middle East back then–Egypt, Jordan, Turkey, Palestine, Iran–and heard the same stories of frustration and anger in dozens of cities. The only thing that surprised me about the so-called Arab Revolution of 2011 was that it took so long.

In some places it’s succeeded; in Syria it looks like it will fail. Syria doesn’t have much oil so besides a few feeble sanctions, it’s doubtful the West will do much. Bashar al-Assad will imprison or kill anyone who speaks out against him and the protests will be suppressed.

Hama may be leveled again. Thousands may die–they may already be dying–and the city destroyed. After a time new shops and new hotels will open. Their owners will grit their teeth and hang a photo of Prime Minister Bashar al-Assad behind the counter. Then, I hope, they’ll pull out a worn old map of Hama the way it looked before 1982, and hang it right next to him.

The Old Leather Man: controversy over digging up a legend

Investigators in Connecticut are planning to uncover a local legend, but they’re facing a backlash of public sentiment.

An archaeological team will open the grave of The Old Leather Man, a mysterious wanderer who from 1883 to 1889 walked a 365 mile loop from the lower Hudson River Valley into Connecticut and back. It took him 34 days to make the journey and he was so punctual that well-wishers used to to have meals ready for him when he showed up. He spoke French but little English, slept only in caves and rock shelters, and never revealed information about himself. He got his name from his homemade, 60 lb. suit of leather.

His grave in Ossining’s Sparta Cemetery brings a regular flow of the curious, but local officials are afraid it’s too close to the street and is a safety hazard. They plan to dig up The Old Leather Man and move him to a different part of the cemetery. They also want to take a DNA sample. Legend claims he was a heartbroken Frenchman named Jules Bourglay, but Leather Man biographer Dan W. DeLuca says this is an invention of a newspaper of the time.

The DNA might prove a clue to who he really was and that’s where the controversy starts. History teacher Don Johnson has set up a website called Leave the Leatherman Alone, saying that his privacy should be respected. Judging from all the comments on his site, he seems to have a fair amount of backing.

As a former archaeologist I love unraveling a good mystery but I have to agree with Mr. Johnson on this one. The Old Leather Man obviously wanted his identity to remain unknown, and just because he was a homeless man why should his wishes be ignored? He never committed any crime besides vagrancy, he died of natural causes, and there are no known inheritance issues, so what’s the need?

As a teenager growing up in the Hudson Valley, I loved the mysteries of New England and the Mid-Atlantic states–the strange rock constructions, the Revolutionary War ghosts, Mystery Hill, and, of course, The Old Leather Man. Most of this is the stuff of imagination, but The Old Leather Man was real, living person.

And because of that, we should let his mystery remain buried.

[Image courtesy Wikimedia Commons]

It’s time travel writers stopped stereotyping Africa

Pop quiz: where was this photo taken?

OK, the title of this post kind of gives it away, but if I hadn’t written Africa, would you have guessed? It was taken in Dar es Salaam, the capital of Tanzania. This isn’t the view of Africa you generally get from the news or travel publications–a modern city with high rises and new cars. A city that could be pretty much anywhere. That image doesn’t sell.

And that’s the problem.

An editorial by Munir Daya for the Tanzanian newspaper The Citizen recently criticized Western media coverage of Africa, saying it only concentrated on wars, AIDS, corruption, and poverty. Daya forgot to mention white people getting their land stolen. If black people get their land stolen, you won’t hear a peep from the New York Times or the Guardian. If rich white ranchers get their land stolen, well, that’s international news. And look how many more articles there are about the war in Somalia than the peace in Somaliland.

Daya was objecting to an in-flight magazine article about Dar es Salaam that gave only superficial coverage of what the city has to offer and was peppered with statements such as, “Dar es Salaam’s busy streets are bustling with goats, chickens, dust-shrouded safari cars, suit-clad office workers and traders in colourful traditional dress.”

Daya actually lives in the city and says you won’t find many goats and chickens on the streets. But that wouldn’t make good copy, would it?

Travel writing has an inherent bias in favor of the unfamiliar, the dangerous. Some travel writers emphasize the hazards of their journey in order to make themselves look cool, or focus on the traditional and leave out the modern. Lonely Planet Magazine last year did a feature on Mali and talked about the city of Bamako, saying, “Though it is the fastest-growing city in Africa, Bamako seems a sleepy sort of place, lost in a time warp.” On the opposite page was a photo of a street clogged with motorcycle traffic. If Bamako is in a sleepy time warp, where did the motorcycles come from?

I’m not just picking on Lonely Planet; this is a persistant and widespread problem in travel writing and journalism. Writers, and readers, are more interested in guns than concerts, slums rather than classrooms, and huts rather than skyscrapers. In most travel writing, the coverage is simply incomplete. In its worst extremes, it’s a form of racism. Africa’s problems need to be covered, but not to the exclusion of its successes.

As Daya says, “there is more to Africa than famine and genocide.” There are universities, scientific institutes, music, fine cuisine, economic development, and, yes, skyscrapers.

And if you think Dar es Salaam is the exception rather than the rule, check out Skyscrapercity.com’s gallery of African skyscrapers.

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