Anthony Bourdain creates animated web series

I’m a huge fan of Anthony Bourdain and I love No Reservations. A show that combines travel to places both exotic and familiar, pure rockstar gluttony and classic Bourdain snark – how could it go wrong? So when I heard that Bourdain was creating an animated web series for the Travel Channel (relax, it will NOT be taking the place of No Reservations) I figured it couldn’t be anything less than awesome.

Based on the sneak peak, the show looks like its going to have plenty of Bourdain’s signature sense of humor. In the first episode, “Robo Chef,” Bourdain laments how much effort it takes to create the perfect celebrity chef – all that work and then they go off and get their own talk show! – so he decides to make one himself. But when he accidentally puts in Rachel Ray’s brain instead of Alton Brown’s, things go awry.

According to Bourdain himself, future episodes won’t be all about his issues with Food Network chefs. They’re designed to be alternative versions of No Reservations – “representing things we never could have done on the actual show – or representing the way things should have gone on the show – or animated acknowledgments of what already went terribly wrong on the show.”

One of the six webisodes will be posted on the Travel Channel website each month. The first will debut November 2nd.

The mail jumpers of Lake Geneva

For the residents who live on waterfront property in Lake Geneva, Wisconsin, the daily mail delivery comes by boat. The U.S. Mailboat Walworth makes the delivery every morning at 10am from June 15 to September 15, stopping at over 60 lakefront homes. At each dock, the mail girl – or the occasional mail boy – jumps from the boat, races to the mailbox while dodging rafts and dock furniture, grabs the outgoing mail (hoping that the owners haven’t played a prank and tied the mailbox shut!), drops off the incoming envelopes, and then runs back to the boat, which – and here’s where it gets interesting – never stops moving (check out a video here). It’s a process that takes as little as ten seconds, and leaves no room for error.

The mailboat delivery began in the late 1800’s out of necessity. The roads around the Lake were not well developed, so delivering the mail by boat was quicker and more efficient. The tradition continues today, but now tourists can tag along for the delivery on daily mailboat tours run by the Lake Geneva Cruise Line. While watching the girls work, passengers listen to information and anecdotes about the area and the historic mansions on the lakefront.

The mail girls, or “mail jumpers”, are not postal employees – they work for Lake Geneva Cruise Line – but they work closely with the U.S. Post Office. The mail jumper work day begins at 7am with the sorting of the mail and ends around 1pm, after the 2.5 hour delivery tour. Of the hundreds of houses on Lake Geneva, only 60 or so receive their mail by boat because many are summer houses that are only inhabited part-time.

For young adults in Lake Geneva and the surrounding towns, being a mail jumper is a coveted job, and one that requires an unusual application process. Elle Vogt, a two-year veteran mail jumper and a sophomore at UW-Madison, said that when she first saw a video of the mail jumpers, she knew right away she wanted to try out. The tryouts are hands-on: the applicants will make several jumps, first at the pier and then out on the lake, and then give parts of the scripted tour. To get the job, applicants need to show that not only can they quickly make the jump from boat to dock, but that they can also deliver an engaging presentation to the passengers.

Elle says that she really enjoys being a mail girl, but the job isn’t without its challenges. The biggest one of course, is falling in the Lake. Captain Neal has been driving the mail boat for almost 50 years and has seen at least one mail jumper get soaked every season. It’s nearly guaranteed for each mail girl to fall in at least once in her career. Elle had her turn this summer. One wet and rainy day, she was running a little slower than usually down a particularly long and slippery pier. As she made the jump, the boat passed by and she just missed it, landing in the water with a splash. When a jumper misses the boat, they have no choice but to finish out their shift soaking wet. It’s no surprise then that jumpers also need to be strong swimmers to get the job.

The job does come with perks though. This summer, Elle met Andrew Zimmern when he visited Lake Geneva and filmed a segment of his Travel Channel show aboard the Walworth. Andrew jumped mail and received a special package from a fan, a bag of “bizarre food” left for him in a mailbox.

In addition to the mailboat tours, Lake Geneva Cruise Line offers several other lake tours, including an ice-cream social tour, champagne brunch cruise, and a full lake tour that cruises past the stately lakefront homes. Mailboat tours cost $27 for adults and are conducted every day in the summer, including Sundays when the newspaper is delivered.

Disclosure: My ride on the U.S. Mailboat Walworth was covered as part of my stay at The Abbey Resort and Spa, but my opinions of the Resort and the lake cruise are my own. Even without a gratis tour of the Lake, I’d be pretty impressed with the antics of these mail jumpers.

Andrew Zimmern’s Bizarre World, travel TV worth watching

After last Tuesday’s debut of Andrew Zimmern’s Bizarre World, Travel Channel’s expansion of Andrew Zimmern’s scope past bizarre food, I pronounced the first episode that highlighted Cuba–and the second one that was an unusual travel though Belize–a smart and successful call.

Perhaps the new Travel Channel executives will pay attention to Aaron’s post last month asking them to concentrate on travel shows that give a sense of place and not drivel, i.e, shows where the place is overshadowed by the personalities or subjects that are not travel related. Hopefully, they realize that Zimmern’s Bizarre World is a travel show done right.

Sure, Zimmern is a travel personality, but he uses himself as the vehicle to unfold a story, but doesn’t become the story. He’s everyone who has ever had interesting and captivating encounters with other cultures.

Although Zimmern is a food kind of guy, his forte is people and culture–in that order. Food is merely part of the mix of what he finds captivating by his travels. That’s what I picked up about him last January when I met him at the AAA Great Vacations Expo in Columbus, and later observed him in front of a live audience. He’s a natural when it comes to meeting strangers and feeling comfortable–plus he’s a most gracious guest. What comes through on TV shines in person.

At the AAA travel show, Zimmern was the celebrity speaker, and unlike celebrities who are more interested in their own celebrity-hood, Zimmern seemed more interested in others experiences as he is his own. After he talked about what goes into the filming of Bizarre Foods, he pulled audience members up on stage with him to taste some of the bizarre foods of central Ohio. (Yes, there are a few. Head cheese, for example.) The result was a lively interplay with the people around him that bought out the best in the room. At the end of his talk, everyone was invited up for bizarre food tasting and Zimmern happily signed autographs. It was a lovefest between Zimmern and central Ohio

Zimmern’s treatment of Cuba, the first subject of Bizarre World, was as upbeat and interesting as his talk. This was not an examination of Cuba’s underbelly, but about its vibrancy and cultural heartbeat. Politics weren’t ignored, Che Guevara and Fidel Castro were talked about for example, but dealt with in terms of how they’ve had an influence over Cubans cultural practices over the years.

As the hour progressed, Zimmern wove together details of several of Cuba’s distinctive qualities such as: vintage cars, the architecture, salsa dancing, the tobacco industry, Santeria religious rituals, and Frank Sinatra and Ava Gardner’s honeymoon stay at the Hotel Nacional in the 1950s.

Of course there were bizarre foods–tree rat, to name one, but those details were woven into a fascinating mix. Zimmern’s signature talent of incorporating experts and ordinary people as the main highlights were present throughout. One might say, there is no one Zimmern doesn’t like and everyone has knowledge worth sharing.

With any cultural trait that might seem–frankly, bizarre–Zimmern’s idea is not to show just how bizarre the trait is, but how, in the scheme of place and culture, the trait is perfectly normal. For example, there’s a reason for having warm blood of a freshly killed chicken dripped over your head. This practice is important to Santeria. Hopefully, Zimmern’s curiosity about and respect of cultural differences are catching.

Unlike a polished canned show, where the outcome is thought of beforehand, and there’s a sense of a script with each shot, Zimmern’s method is to let the place and its people tell their own stories. He’s merely along for the ride and the experience like we are.

When he’s pulling conch shells from Belize’s pristine ocean waters, for example, we’re there too. The part where he collapses into the boat from exhaustion is left in. As Zimmern gets creeped out a bit going into a cave where the Mayas made human sacrifices to appease the rain god, the feeling is catching. However, in the storytelling, the idea is not to show how freaky the Mayas were, but what conditions and belief systems influenced their practices.

The Belize episode, particularly captured aspects of the culture that tourists may not notice or discover. As I watched, I thought about what sort of stories might be told about the U.S. Yep, there are definitely stories to tell. I”m curious to see which ones might be featured in later episodes.

Zimmern’s brand of travel provides a ride worth taking, particularly since it’s one that can result in the unexpected such as what happened last week in Cuba. The boat Zimmern was on towards the end of the episode broke down after it took him on a journey of catching and eating spiny lobster. As he bobbed in the sea awaiting rescue while the sun set, he reminded viewers that a perfect day can end up just like that. But, despite the setbacks, journeys are always worth it.

An open letter to the soon-to-be new owners of the Travel Channel

Dear Soon-To-Be New Owners of the Travel Channel,

Most reports are indicating that the Travel Channel’s current owner, Cox Communications, is ready to sell the network for close to $700 million. The companies expected to submit an initial bid (due today) include NBC Universal, Scripps Network, and News Corp.

If anyone from those three corporate behemoths has stumbled across this humble travel blog, allow me to offer you some unsolicited advice for how the Travel Channel could be improved. It’s simple, and it boils down to this: Play travel programming. More precisely, play only travel programming.

As I look over the Travel Channel’s schedule of upcoming shows on its website, I find several whose presence on a travel network can only be explained by some sort of clerical error. Why, for example, is the ridiculous show Ghost Adventures featured anywhere on your schedule? Why does this Thursday evening appear to be devoted entirely to the antics of magician David Blaine? Why is the Robert Redford-Brad Pitt vehicle Spy Game playing this Saturday night? And finally, what the hell does the ubiquitous World Poker Tour have to do with travel? (Answer: “It’s got ‘World’ in the title!”)

To whomever purchases the Travel Channel: If you continue Cox Communications’ infuriating habit of scheduling these non-travel-related shows instead of original travel programming like Anthony Bourdain’s No Reservations, Bizarre Foods with Andrew Zimmern, Dhani Tackles the Globe, and, hell, even Bridget’s Sexiest Beaches, you risk alienating your core audience, people who love to travel.

Focusing on magic, poker, and the occult might attract a few channel surfers, but it isn’t worth losing your biggest fans in the process.

Regards,
Aaron Hotfelder

Confessions of a Travel Writer reviewed & rebutted

There’s an old saying that goes, “you don’t want to see how your sausage was made.” Essentially, it means that you’re better off just enjoying the final product than seeing how many hands get dirty in the process. Recently, though, television has shown a lot of metaphorical sausage making. Shows like the Discovery Channel’s Deadliest Catch and Dirty Jobs attempt to show viewers a behind-the-scenes look at how people’s jobs are done. They are not glamorous or sophisticated, but they attempt to be as real as reality television will allow. Last night, the Travel Channel aired the pilot episode of Confessions of a Travel Writer, and I was particularly interested in watching since I routinely make that sausage myself. What I saw left me embarrassed, appalled and disappointed.

Hosted by Charles Runnette, a freelance travel writer, the show focused on five journalists on a press trip to Chile. For those of you who are unfamiliar with press trips, they are sponsored tours in which journalists get shown around in hopes that they will write stories about that destination. In other words, it’s a free trip. But it is also work. I am not here to argue the merits of press trips. I am, however, here to discuss the merits of this show – or lack thereof.
Press trips are hectic affairs in which journalists are shown myriad hotels, restaurants and points of interest. It’s essentially a business trip on crack. The show did a good job of showing the frenetic energy of these trips. “I thought it was fairly representative of press trips and what it’s like being a travel journalist,” Julie Blakley of BootsnAll and WhyGo France told me. Essentially, writers get shuttled around like they are on a school field trip. The schedules are packed, the accommodations not always what we would select for ourselves and sometimes the other journalists annoy you. But, at the end of the day, it’s a job and all jobs have pros and cons.

Runnette provides the voiceover that guides the audience. He utilizes this bully pulpit to belittle his fellow writers, the trip’s host and the accommodations. From being placed in “the worst room in the hotel” to whining about being in the back row of the plane, he spends much of his time griping. He then makes a point of saying that travel writers who complain about traveling should pursue another line of business. I’m not sure if Charles is the pot or the kettle, but he’s certainly brewing up a hot cup of hypocrisy.

To a certain degree, the program fell victim to the pitfalls of any reality show in that it was beholden to the confines of the genre. Editors have to make entertaining television and their agendas are dictated by producers. David Farley, a writer whose work has been featured in several publications and whose book, An Irreverent Curiosity, is in stores now, told me that “the show would have been better suited for several episodes so that we could get to know the characters. In one episode, we can only see the archetypes they sought to parade across the screen.”

However, Runnette’s personal agenda was clearly to showcase how amazing he thinks he is. He did so at the expense of not only the other journalists featured in the episode, but to the detriment of the entire travel writing industry. His pretentious attitude, pithy asides and overall negativity highlighted the worst traits that a journalist can display.

A travel writer who has written for various nationally syndicated publications and who requested that his name not be used in this article told me that “the show focused on a small subset of the industry – the most parasitic, entitled subset. I hope my friends and family don’t think that’s what I do for a living.”

My biggest problem with the the show, though, was in regard to its intended audience. Do people want to watch a show about travel writers? Or would they prefer to watch shows about the destinations themselves? I just don’t think watching people go on a press trip is entertaining. And I say that as a narcissistic writer.

As this was a pilot episode, there is no guarantee that the show will return. If the feedback over at WorldHum is any indication, the show garnered a fair amount of attention but very few acolytes.

I hope that the show does not get picked up. I prefer to not have to overcome the negative image that others may generate about this industry. But what about you? Did you watch the show? Are you interested in what the job of a travel writer is like or do you just want to enjoy the end products? Essentially, do you really want to see how our sausage is made?

Photo by flickr user laverrue.