Travel writing: how not to do it

by Sean McLachlan on

We’ve had some interesting posts on travel writing lately, including Don George’s secret formula for writing a successful travel narrative and Pam Mandel’s report on Book Passage. While studying good writing is vital to learning how to write, it’s also important to study bad writing so you know what not to do.

Talented writer Steve Almond tackles this for us with his hilarious skewering of Toto’s 1982 pop hit Africa. I never liked this song, although it was the background theme to far too many high school memories. While this is a song and not a travel article, it includes many of the mistakes sloppy writers make when covering travel in general and Africa in particular. Watch, laugh, and learn.

Thanks to my friend Hannah for showing me this vid!

The secret formula for writing a successful travel narrative

by Don George on

For years people have been asking me for the secret formula for writing a successful travel story. I did my best to conjure this formula into my book Travel Writing, but as you know, there really isn’t any secret formula. Or is there? This year, in preparing for a spate of appearances where I was talking about travel writing – notably TBEX, a talk with Julia Cosgrove of Afar magazine, and a one-day in-the-field writing workshop that was part of the Book Passage travel writing and photography conference — I realized that I could distill what I’ve learned in three decades on both sides of the writer-editor relationship into a few pithy points.

So here’s my version of the secret formula.First of all, what is a travel story? There are many different kinds of travel stories, of course, but the kind I’m focusing on here is the travel narrative. Here’s my definition: A travel narrative is the crafted evocation of a journey, usually written in the first person, that is structured as a sequence of anecdotes/scenes, and that presents a quest that illuminates a place and culture.

Which brings us to a very important point: The narrative should have a theme – lesson, message, point, illumination – that you as the writer are trying to convey to the reader. If you don’t know what you’re writing about, then there’s no way the reader — or editor — is going to know, so don’t write your story until you know what you’re trying to say. Well, let me rephrase this: It’s fine to start writing before you know what you want to say, but at some point in the writing process, you have to figure out what you want to say – and then you need to go back and rewrite/reshape your story so that it conveys most evocatively and effectively whatever theme/lesson/point you want to make.

How should the travel narrative be organized? It goes back to the cave-and-campfire scene where one of our adventurous ancestors was describing the hunt for a Gnarly Mastodon. Like that Stone Age storyteller, you should give your narrative a beginning, a middle and an end.

To my mind, these break down like this:

The beginning introduces the place where the story is set and suggests the writer’s quest or reason for being there. (To test this notion, I recently looked through the feature stories in the current issues of three prominent travel magazines. In every one, by the end of the fifth or sixth paragraph, the writer had given one sentence that clearly articulated the reason why he/she had come to that place: the quest.)

The middle reveals the writer’s experience through a series of scenes that are ordered chronologically or thematically. (Usually, it’s easier to arrange these chronologically, but sometimes for dramatic purposes, it makes more sense to organize them thematically. You want to make sure that your anecdotes ascend in power as the story progresses, so if your best anecdotes are from the beginning of the trip, you’ll probably not want to tell your tale chronologically.) These anecdotes/incidents/encounters are the critical stepping stones that led you – and so will lead your reader – to the illumination/point/resolution that inspired your story.

The end presents the resolution of the quest and ties the story back to the situation introduced at the beginning. In the best narratives, this creates a kind of closure that gracefully sends the reader back into the world, but enhanced now with the experience and lesson your story imparted.

So, here’s what you have to do:

  1. Figure out what the lesson of your travel experience/story is.
  2. Figure out what steps led you to learn that lesson.
  3. Recreate those steps in your mind.
  4. Recreate those steps in words so the reader can live them with you.
  5. Craft your tale with a beginning, middle and end that shape and convey your lesson.

Voila! Instant travel narrative. Just add wonder.

Of course, the truth is that success in travel writing is ultimately in the execution, not in the design. But at least having the right design can get you off to a great start. The rest is up to you: First of all, to travel deeply and secondly, to choose and evoke your travel experiences in a way that transports the reader with you.

In this way, every travel narrative is the process of at least two journeys – the journey in the world and the journey in the words.

Bon voyage!

[flickr images via merrah’s and woodleywonderworks]

Books by Gadling bloggers

by Sean McLachlan on

Gadling bloggers are a busy bunch. When we’re not posting the latest travel news or accounts of our adventures, we’re writing for newspapers, magazines, and anthologies. Many of us have written books too.

David Farley takes the prize for weirdest subject matter with An Irreverent Curiosity: In Search of the Church’s Strangest Relic in Italy’s Oddest Town. So what’s Catholicism’s strangest relic? Nothing less than the foreskin of Jesus!

Some of us have jobs other than writing and this is reflected in our work. Talented photographer Karen Walrond has published the only photo book so far by a Gadlinger, The Beauty of Different: Observations of a Confident Misfit. Flight attendant Heather Poole is coming out with Cruising Attitude: Tales of Crashpads, Crew Drama, and Crazy Passengers at 35,000 Feet in March 2012. Foodie Laurel Miller is coauthoring Cheese for Dummies, coming in 2012.

Sean McLachlan will become Gadling’s first novelist when his historical novel set in Civil War Missouri, A Fine Likeness, comes out in October. When he isn’t traveling he’s writing history. His military history books for Osprey Publishing include American Civil War Guerrilla Tactics, Ride Around Missouri: Shelby’s Great Raid 1863, Armies of the Adowa Campaign 1896: the Italian Disaster in Ethiopia, and Medieval Handgonnes: The First Black Powder Infantry Weapons. He’s done three books on Missouri: Outlaw Tales of Missouri, Missouri: An Illustrated History, and It Happened in Missouri. He dipped into medieval history with Byzantium: An Illustrated History.

Given that we’re all travel writers, it’s no big shocker that we have a slew of travel guides between us. Andrew Evans wrote the Brandt guides to Iceland and Ukraine. Pam Mandel wrote the Thomas Cook guide HotSpots Hawaii. Matthew Firestone is a Lonely Planet regular. His titles include Costa Rica, and Botswana & Namibia. He’s contributed to several other titles. McLean Robbins contributed to the Forbes (formerly Mobil) Travel Guide (Mid Atlantic). Melanie Renzulli shares her love of Italy with The Unofficial Guide to Central Italy: Florence, Rome, Tuscany & Umbria and Frommer’s The Irreverent Guide to Rome. Libby Zay has coauthored three VIVA Travel Guides: Quito, Ecuador; Macchu Picchu & Cusco; and Guatemala.

Don George takes the cake for travel writing. Not only has he given us all some good tips in Lonely planet’s book on Travel Writing, but he’s edited a long list of travel anthologies such as Lonely Planet’s Lights, Camera, Travel!, A Moveable Feast, The Kindness of Strangers, By the Seat of My Pants, Tales from Nowhere, and A House Somewhere. Besides his LP titles, he’s edited Salon.com’s Wanderlust and Travelers’ Tales Japan.

So if you in the mood to read something offscreen, pick up a title from one of these talented authors!

[Image courtesy Yorck Project]

Top tips for TBEX and other writers’ conferences: What I’ve learned from 20 years of success stories at Book Passage

by Don George on

When Elaine Petrocelli conceived the idea for the first Book Passage Travel Writers and Photographers Conference 20 years ago, she didn’t know what she was getting into. “All I really knew was that I loved great travel writing and photography, and I thought it would be fascinating to bring the best writers and photographers together for a few days to talk with aspiring writers and photographers about what they do and how they do it,” says the co-owner of Book Passage bookstore in Corte Madera, California, where the conference is held for four days each August. To help realize her dream, Petrocelli contacted the then travel editor at the San Francisco Examiner and Chronicle – who, as luck would have it, was me — and I contacted legendary travel writer Jan Morris, who agreed to be the first guest of honor, and the Book Passage conference was born.

That was 20 summers ago. We certainly didn’t imagine then that two decades later conference alumni would have published hundreds of articles and photographs in national magazines and newspapers, and dozens of books that directly resulted from contacts made and lessons learned at the conference. We didn’t think that some alumni would be so successful that they would return in future years as members of the conference faculty. And we didn’t dream that we would be celebrating in 2011 with the most ambitious Book Passage Travel, Food and Photography Conference yet.

We’ve learned a lot over the past 20 years and the conference has evolved to embrace those lessons. We’ve added food writing and photography to the menu and focused more and more on writing for the web, blogging and self-publishing. We’ve included in-the-field workshops and one-on-one evaluations, expanded the faculty and fine-tuned the panels and events. And we’ve added karaoke!

Most importantly of all, we’ve learned from the successes of our participants what it takes to get the most out of attending a conference — whether it’s Book Passage or other creative conferences around the country. Thinking ahead to TBEX in June and to the many other summer gatherings now offered, I thought it would be helpful to share the top tips I’ve learned from successful students.

Fittingly enough, as I’ve put these together, I’ve realized that these tips can equally be applied to getting the most out of any journey:1) Know before you go
Do your research before your journey starts. Know everything you can about the territory: the conference schedule (when do activities start and end, when are the break times, when do you eat, when can you rest), the venue (how far is it from your hotel to the event, where is food, caffeine and cabernet available), and the faculty (what are their blogs and their books and their areas of expertise – if at all possible, read their work before you go).

2) Plan your itinerary
Know who you definitely want to meet (authors, photographers, editors, publishers, producers, participants), and what subjects you want to learn about (at TBEX, for example, this could be making money from blogging, working with pr people, maximizing technology, and/or refining your non-fiction narrative style). If you want to be sure to meet author X and learn about subject Y, mark that author X is reading on Friday at 7 pm and subject Y is being discussed at a panel on Saturday at 10 am, and map your schedule accordingly (this is especially handy when someone spontaneously asks if you want to go to dinner on Friday).

3) Be a sponge
When I’m on the road on assignment, I try to absorb everything; I pick up brochures, postcards, menus, facts. I know I’ll end up discarding 90 percent of them, but since I’m not sure at the time which 10 percent I’ll want to use, I vacuum up everything I can. Past participants say the same applies to conferences. You won’t be able to attend that reading, workshop or panel after it’s over, so do everything you can while you can (and yes, this includes karaoke).

4) Embrace serendipity
Once you’ve crafted your carefully planned itinerary, don’t be afraid to detour from it. My best travel stories always come from serendipitous connections – the artist I meet through a chance encounter, the festival I hear about along the way. I love the story of the Book Passage student who by chance sat at a table with an editor from a publishing company, started talking about his travels in Europe and ended lunch with a contract for a book. If you meet someone fascinating or stumble upon a subject you know nothing about that instantly intrigues you, go with the flow. Dozens of students’ stories affirm that the life-turning, career-changing encounters were unplanned and unforeseen. When the universe opens a door, walk through it.

5) Practice the art of vulnerability
It’s a lesson I keep re-learning in my travels: The more open you are to the world, the more the world rewards you. Open yourself to the people and lessons around you. Embrace the risk; trust in the kindness of strangers. As countless students at Book Passage have found, if you really want to talk to Tim Cahill, pluck up your courage and approach him. (You’ll find he’s remarkably friendly.) And at TBEX, Book Passage and other conferences, you take out only as much as you put in. The more you leave there, the more you’ll bring home.

6) Keep the journey alive
The road doesn’t end when the conference ends. That’s just the beginning. Follow up with the contacts you’ve made. Incorporate the lessons you’ve learned. There’s no such thing as overnight success: All success is the result of hard work and respectful persistence. Pursue your passion; follow your dream. There’s no guarantee where your journey will take you, but as I learned long ago on the Karakoram Highway, there’s only one way to get there: step by step.

Books! Travelers share what to read on the road

by Sean McLachlan on


There’s nothing like a trip for catching up on your reading. Even if you’ve filled your schedule with dawn-to-dusk sightseeing, there are still quiet moments at the hotel or by the pool, not to mention those long flights. So what’s best to read while traveling? On Saturday I’m heading to Harar, Ethiopia, for two months, so this has been on my mind. I asked a bunch of seasoned travelers what’s in their pack. Their suggestions fall into several overlapping categories.

Disposable
Most agree it’s best to bring books you don’t feel the need to bring back. Not only does this give you a chance to pick up something unexpected at a book exchange, it also frees up space for souvenirs. You can also give reading material away, as Catherine Bodry explains, “I always treat myself to magazines at the airport (People, Runners World, Oxygen, Nat Geo Traveler, etc.) and I usually stockpile a few issues of the New Yorker from the weeks prior to a trip. They also make great gifts if I’m headed to a censored country like China!”

Entertaining
Some people go for light, unchallenging reads. Annie Scott Riley says, “I’ll finish anything I’m already reading; usually fiction, but anything I start on vacation has to be just for fun. For example, the Chelsea Handler books, anything Dave Barry, Chuck Klosterman. I guess I like some pop culture commentary to assess what I’m getting away from.”

Educational
Many well-heeled travelers bring books that teach them about the places they’ll see. Mike Barish says, “While in Hawaii earlier this month, I read Blue Latitudes about Cook’s voyages in the Pacific Islands.” Laurel Kallenbach says, “It can be nice to read Yeats in Ireland, Shakespeare in England. I lived for a few weeks in the French village of Ferney-Voltaire, so I read Voltaire’s Candide there–and then toured the author’s castle.”

Variety
Many people like to have a variety of books. Mary Jo Manzanares finds her ereader handy. “Before leaving I load it up with a bunch of books from a variety of genres, then I can pick and choose what to ready while on the road. I like a variety of reading–something light for the airplane or on the beach (a mystery or chick lit), something historical when I’m on site, and I can also read blogs, magazines, and newspapers on it as well. Last year while staying in the middle of a vineyard in Tuscany I saw that one of my favorite authors had just released his new book–just a minute later I was able to download and read it. Best of all, I can take all this reading with me and take up no space at all.”Small
With ever-increasing baggage fees, it’s best to bring something small. I prefer mass-market paperbacks, leaving the hefty hardbacks at home. Like Manzanares, Gadling cruise correspondent Chris Owen saves space with ebooks. “On cruises, we read a book a day so long sailings required separate luggage just for the books. iPads changed all that, especially now that our local public library offers books online too.”

So what’s in my pack?
English language books are in limited supply where I’m going, and many tend to be foreign imports at Western prices, so I’m bringing a two-month supply. They are:

Nostromo by Joseph Conrad: A thick, fast-paced classic in a mass market edition that I can leave behind. I can always find another copy.

Eating the Flowers of Paradise: A Journey through the Drug Fields of Ethiopia and Yemen by Kevin Rushby: A fascinating study of qat, the drug of choice in the Horn of Africa. It’s impossible to understand the culture without understanding qat.

The Bible: I’m an agnostic, but as a professional historian I can’t ignore one of the most influential books ever written. I haven’t read it for more than a decade so it’s due for a reread, especially since I’ll be spending most of my time in a Muslim town. Muslims read the Bible too, and I just reread the Koran last year.

Thus Spake Prophet Muhammad: These selections from the Hadith are in a tiny little edition I picked up in India. It can’t hurt to brush up on my knowledge of Islam if I’m going to live in a Muslim town.

Existentialism from Dostoevsky to Sartre: Hararis are a philosophical bunch, and I rarely pick up this sort of heavy reading when I’m at home working. I’m sure someone over there will want it when I’m done.

The Best Stories and Tales of Leo Tolstoy: This is actually an Ethiopian edition I picked up when I was last in Harar. I’m nearly done with it but I want to give it to a friend.

Articles about Harari history and culture: I printed some of these out and have dozens of them on a thumb drive if I want to print out any at an Internet cafe. I also made copies onto two CDs for some Harari friends.

Amharic dictionary and phrasebook

Brandt Guide to Ethiopia

What do you bring to read on the road? Share your bookish habits in the comments section!