31 People Rescued As Amphibious Tour Bus Sinks

by Libby Zay on

Yellow Duckmarine promises a “splashdown” ending to each of its tours – but it looks like some passengers got a little more than they bargained for. Twenty-seven people were taken to the hospital when an amphibious tourist bus sank shortly after entering a dock in the United Kingdom, the BBC is reporting. The incident is the second involving the same company – and the same dock – in the past few months.

There were 31 people on board the Yellow Duckmarine when its landing at Liverpool’s Albert Dock went awry shortly before 4 p.m. An eyewitness tells the news outlet the vessel took about four minutes to sink, and many people – including children – had to climb out and swim to safety. More than two-dozen people were taken to the hospital to be treated, reporting injuries that ranged from cuts and bruises to shock.

The tour company told the BBC it was working with the coastguard and police to find out the root of the problem. In March, Yellow Duckmarine was banned from going into the water after one of its boats sank, forcing passengers to be moved onto a pontoon. Just last month, three vehicles were declared safe to give tours again, but obviously it seems like everything hasn’t been sorted out.

The video below shows people making their escape from the bus, including a mother holding a baby above the water.

#OnTheRoad On Instagram: Isles Of Scilly

by Alex Robertson Textor on

For the next few days on Instagram, Gadling is off to the Isles of Scilly.

The Isles of Scilly sit about 30 miles off the coast of Cornwall, which occupies the far southwest of England. The islands, just five of which are inhabited, are known for their mild Gulf Stream-enabled climate, white sand beaches, palm trees, turquoise waters and historic gardens. Tourism is the local economy’s chief motor; the islands are also known for their flower industry.

The smallest of England’s 326 districts with around 2200 inhabitants, the Isles of Scilly are an understated place popular with families and a smattering of British celebrities. Both seem to like the islands for their carefree, relaxed atmosphere. But while the islands are dotted with a few high-end properties and restaurants, they are largely devoid of the glitz and flash associated with many celebrity haunts.

I’m not headed down Scilly way for celebrities, by the way. I’ll be there for quiet walks, bicycle rides, fresh seafood and, weather willing, some spring warmth.

Do you have any photos you’d like to share with a larger audience? Mention @GadlingTravel in your own photo AND use the hashtag #gadling and your photo will be considered for a future Photo Of The Day.

[Image: Flickr | rodtuk]

Eurovision 2013: All Of Europe Under One Roof

by Alex Robertson Textor on

Launched in 1956, Eurovision is a Europe-wide music competition held every May under the auspices of the European Broadcasting Union (EBU). Participating countries select their representative songs over the course of the preceding winter and spring. Some countries – like Sweden – make their selections via televised heats held over several consecutive weeks. Others – like the U.K. (this year, at least) – make their selections by internal committee.

Eurovision is a major event in Europe, with a remarkable 125 million viewers.

Nowadays, Eurovision lasts for almost an entire week. With the end of the Cold War and the dissolution of the Soviet Union, there are now so many participating countries – 39 this year; even more in recent years – that two semi-finals are required to winnow down contestants to a manageable tally for the grand final. After semifinals on Tuesday and Thursday, this year’s final will be held later today in Malmö, Sweden. (Sweden won Eurovision last year, and with its win came the right to host this year’s contest.)Eurovision is not generally considered to be a showcase for serious music, and few global stars emerge from it. One very notable exception is ABBA, who turned their 1974 win with “Waterloo” into enormous international success. In lieu of musical seriousness, the event unleashes a kind low-impact skirmish of muted patriotisms and a massive gay following.

For many countries, participation in Eurovision is a rite of passage, a sign of progress. An Israeli friend once told me that in the late 1970s her family would dress up to watch Eurovision in their living room. This symbolic appeal of Eurovision remains especially strong in some Eastern European countries and the Caucasus today.

All members of the European Broadcasting Union can participate in Eurovision. This fact explains Israel‘s participation. Other EBU members beyond the borders of Europe include Morocco (who participated just once, in 1980) and several countries that have never participated: Algeria, Jordan, Egypt, Lebanon and Tunisia. True Eurovision nerds will tell you that Kazakhstan, Kosovo and Liechtenstein have all submitted applications for EBU membership.

So right, tonight. The odds have Denmark‘s Emmelie de Forest, Norway‘s Margaret Berger (with likely the strongest straight-up pop song, a little piece of driven magic titled “I Feed You My Love”), Ukraine‘s Zlata Ognevich, Azerbaijan‘s Farid Mammadov and Russia‘s Dina Garipova at the top of the pile.

In addition to these, Hungary, Romania and Greece have emerged as fan favorites. ByeAlex, the Hungarian entrant, sings a lush, quietly earnest song called “Kedvesem.” The singer looks like a quiet, earnest Mission District hipster; he distinguished himself in the press conference for the second semi-final winners on Thursday night by quoting Friedrich Nietzsche. Romania’s entry, sung by a countertenor opera singer named Cezar, is an instant Eurovision dance classic with a particularly over-the-top choreography. The Greek entry, by Koza Mostra featuring rebetiko singer Agathonas Iakovidis, combines folk, punk and rebetiko themes.

For those who follow Eurovision obsessively, the event itself is a kind of quasi-religious experience. The line between fandom and evangelism is imprecise for this tribe, many of whom attend Eurovision regularly. This week in Malmö, the Eurovision tribe is everywhere, sharing the gospel of playful but somehow meaningful pop music. The photo above, taken yesterday, gets at some of the gospel’s magic. It’s simple and interpersonal. Koza Mostra’s lead singer, Elias Kozas, has swapped flags with a German Eurovision fan. No negotiations. No conflict. No international frustrations. Just a snapshot of a moment within which flags don’t matter much.

In Praise Of Travel Lists

by Alex Robertson Textor on

Travel lists get a lot of grief. I’ve overheard many fellow travel writers offer the opinion that lists of various sorts are deeply inferior to any and all narrative travel writing. Others have suggested that lists are slowly crowding out real travel writing entirely.

C’mon now.

Let’s agree for a few provisional minutes that the purpose of travel writing is, very generally, to inspire people to think about travel. (Why not? This is a good goal, all things considered.) Few genres of writing are better suited to achieving this goal than travel lists – lists of destinations, hotels, beaches, restaurants and so on. A list written by an expert can feel like an extended secret, like an invitation to experience the world differently.

Lists at their best are efficient. They cover key territory and reduce unnecessary noise. They reveal their writers’ passions directly. Are they the ticket to cross-cultural understanding? Not usually, but then very few traditional travel stories, no matter how drenched they may be in self-importance, ever accomplish this end.

Let’s take this past Saturday’s print edition of Guardian Travel as an example of the value of travel lists. The section was full of inspiring ideas in list form – summer holiday recommendations, adventures in south-west England, and cool accommodations on the Isle of Wight. There’s a more bullet-point-like list of upcoming holiday festivals in the UK as well.

The summer holiday recommendations kick off with some exciting suggestions about corners of France slightly off the beaten path, written by Jacqueline Mirtelli of Atout France, the France Tourism Development Agency. Mirtelli suggests Cap Corse, the little-visited peninsula on the northern coast of Corsica, and finishes off her tip list with the inland villages of the Var, a region in Provence. Elsewhere Michael Cullen of i-escape tips the Greek island of Kastellorizo, Simon Wrench of Inntravel suggests the Danish Riviera, and Lucy Kane of Rough Guides lists Tbilisi, Palma and Montenegro as her summer travel recommendations.

In this short round-up piece the excitement of summer travel is infectious and inspiring. There is information here, and more importantly there are multiple jumping-off points for research. Could this sort of generalized excitement be achieved by one longer piece on, say, the Amalfi Coast? I’m doubtful that it could.

Like many absolutist stands that we travel writers get sidetracked into on occasion, the resistance to lists is misplaced. The wholesale replacement of narrative by lists would be a terrible development for sure; shy of that, there’s no need to attack the humble list. There is, however, as always, a need across genres for high-quality versions of all types of writing.

[Image of Cap Corse: Flickr | cremona daniel]

Victoria & Albert Museum Showcases Treasures From Royal Courts

by Sean McLachlan on


The Victoria & Albert Museum in London has just opened a new exhibition about the development of trade and official relations between Russia and the United Kingdom.

“Treasures of the Royal Courts: Tudors, Stuarts and the Russian Tsars” brings together more than 150 objects for a look at the interaction between both courts from the accession of Henry VIII in 1509. He and later Tudor monarchs were eager to expand contacts with Russia to tap into the lucrative fur trade, selling English wool and luxury items in return. The artifacts show how the courts affected one another through the reigns of two English dynasties.

Timed to coincide with the 400th anniversary of the founding of the dynasty of the Romanovs, the exhibition focuses on gifts and cultural exchanges between the two royal courts instead of the rather humble trade that financed them. Included are Shakespeare’s first folio, a little-seen portrait of Elizabeth I, Henry VIII’s suit of processional armor and royal jewelry.

The exhibition also includes objects loaned from Russian institutions, such as this odd silver basin showing a dolphin from 1635. It’s part of a collection of English and French silver given to the Tsars by the British royal family. Examples of this kind of silver are rare in England because most of it was melted down to finance the English Civil War. What’s interesting about this basin is the way the dolphin is portrayed – more like those seen in Greek and Roman art than what dolphins look like in reality. It appears the silversmith had a Classical education but not much contact with the sea!

%Gallery-180975%There’s also quite a bit about the Muscovy Company, an English firm given a monopoly on trading rights with Russia from 1555 until 1698. The company’s captains made a fortune trading with Russia and even tried to open a route to China by sailing north of Siberia. The so-called Northeast Passage was as bad of an idea as it sounds and many sailors froze to death in the attempt.

The Northeast Passage remained a dream until 1878, when the Finnish explorer Adolf Erik Nordenskiöld sailed the Vega from Europe to Japan via Siberia. Sadly for him, the Suez Canal had opened nine years before and there already was a shorter route to China.

“Treasures of the Royal Courts: Tudors, Stuarts and the Russian Tsars” runs until July 14.

[Photo courtesy Victoria and Albert Museum, London]