What is World Music? How has such a bland, vague term come to describe the rich and divergent music of thousands of cultures, from sub-Saharan Gnawa to Colombian Cumbia and Tuvan Throat Singing? For too long, it’s been the descriptor anywhere we buy or hear international music, from record stores to digital outlets like iTunes, relegating hundreds of diverse artists to a single heap because of their “otherness.” In fact, World Music is a Western term describing music outside the traditional “pop music canon:” the familiar American and European bands that long-dominated our radios and laptops. But World Music is on its way out: a hunger for the varied sounds from around the globe is rising to take its place.
The term “World Music” is a relatively recent phenomenon. Coined by a musicologist by the name of Robert E. Brown in the 1960’s, it was created to describe styles of ethnic or folk music found in more remote corners of the globe. World Music actually worked OK for much of the last 50 years, as long as the Western World remained the center of economic, political and cultural force. In the 20th Century, the West dominated the global airwaves, with icons like Michael Jackson and The Beatles winning hearts and record players from Bogota to Beijing. But by the end of the 90’s, it was clear the term was increasingly irrelevant.
As we push into the 21st Century, the Western dominance of the global music scene has waned. A new global musical consciousness springs up in its place, driven by the power of a global economy and music distribution systems where digital files and streaming videos are the norm. The hot sounds of 2010 don’t just come from New York and London – instead, rhythms ricochet across the globe, from Angola to Argentina and to Angkor Wat, finding eager listeners and receptive audiences in the farthest corners of our planet. It’s not just that music lovers are just discovering new global favorites, it’s also having a profound impact on what we listen to at home. The DNA of this global music phenomenon has worked its way into the music of our favorite singers and bands, from M.I.A. to Shakira to Vampire Weekend.
The global phenomenon of music is also tied to travel. Wherever we go, music permeates our consciousness, buzzing from tinny taxi radios, echoing off the chambers of metro tunnels and pumping from giant speakers. But alluring as it may be, discovering global music can also be confusing and intimidating. There are enough countries, artists and weird musical genres to make your head spin. What’s a traveling music-lover to do?
Today we’re unveiling a new feature here at Gadling called “Round the World in 80 Sounds.” The phenomena of global travel and music are inextricably intertwined. Each Thursday over the course of the coming weeks and months we’ll be taking a look at some of the world’s most fascinating music personalities, emerging musical trends and musically inclined destinations. We’ll introduce you to new styles of music you haven’t heard, and help you to take a fresh look at some of your old favorites with a global eye. What qualifies as World Music in 2010? Everything and nothing, it seems, all at once. Prepare to take a journey into the fascinating world of music today as we head Round the World in 80 Sounds.
Curious about the sounds of the world? Read future Round the World in 80 Sounds posts HERE.
