Texting While Flying Cause Of Fatal Crash

It’s likely cockpits will come under increased scrutiny after it’s been confirmed texting is to blame for a fatal crash in Missouri – a first in commercial aviation history.

A report by Bloomberg explains the pilot of an emergency medial helicopter flying over Missouri was sending and receiving text messages just before a 2011 accident. According to preliminary reports by the National Transportation Safety Board, the helicopter crashed in a field after running out of fuel.

The crash killed the pilot, a flight nurse, a paramedic and a patient who was being flown from one hospital to another. The pilot had sent and received 20 texts in flight, and another 13 were logged on his phone in the 71 minutes prior to the flight. The pilot, who also told a coworker he hadn’t slept well the night before the flight, failed to refuel the helicopter before taking off.

Although the crash is different from when a motorist takes his or her eyes off the road and causes an accident, which is commonly seen on the road, it’s still a classic example of dividing attention in a way that compromises safety.

The Colorado-based helicopter company, Air Methods, operates more than 300 air-medical bases in 48 states. According to reports, Air Methods has long prohibited the use of electronic devices by pilots, but has implemented a “zero tolerance policy” since the accident.

This use of electronic devices in the cockpit occasionally makes headlines, including a few years ago when a plane overshot the runway because the crew was on their personal laptops. But on the other hand, text messages have also been used to save lives, such as when an aircraft controller landed a small airplane that had lost electricity by texting the pilot. Pilots are allowed to use electronic devices – including laptops and iPads – when the plane is cruising.

[via Skift]

[Photo credit: Flickr user Melina Manfrinatti]

CNN Contributor Doesn’t Welcome Blades On Board Planes

The Transportation Security Administration (TSA) recently announced less restrictive rules for carrying knives on planes, a move CNN opinion columnist Bob Greene calls “insane” and “dimwitted.”

In early March, the TSA declared it would soon allow knives with blades shorter than 2.36 inches in length, and no wider than a half-inch, to be carried onto flights. The green-lighted knives cannot have a molded grip or a blade that is fixed or locked into place, meaning pocket knives are pretty much the only exception. Although, as Greene explains, there has been push back from members of Congress and aircraft crew members, the TSA has shown no sign of rescinding the decision, which should go into effect on April 25.In a press luncheon late last month, Homeland Security Secretary Janet Napolitano explained the reasoning behind the new policy: “We’re trying to prevent a bomb from getting on a plane. And if you are talking about a small knife, there are already things on a plane that somebody can convert into a small, sharp object.”

But Greene clearly disagrees, writing there is still a whole lot of risk involved in allowing knives on planes, and pointing out it was blades–not bombs–that allowed terrorists to take over planes on 9/11. However, he fails to note the many ways air travel has changed since the attacks, both at the airport and on the plane, including the creation of the TSA, increased screening processes, fortified aircraft doors and trained air marshals, not to mention a motivated passenger base willing to fight back. He also doesn’t mention that box cutters, the weapon used in the 9/11 attacks, will not be permitted to be carried on planes when the new rules go into effect later this month.

Greene’s other argument is that the move won’t speed up airport screening. He envisions TSA officers holding up the line to pull out rulers and ensure blades are falling under the 2.36 inch mark. But since small pocket knives are pretty much the only tools that will be allowed on planes, it seems pretty easy to quickly identify what is up to snuff and what’s not.

As someone who always carries a tiny Swiss Army Knife on my keychain, there’s been more than one occasion I’ve forgotten to leave it at home. I’ve had to forfeit two to airport security, and there’s been once or twice when I passed through the checkpoint with the tiny tool. It’s nice to see the TSA is implementing some concrete rules that conform to international standards, and I’ll be happy to soon travel with my knife (and screwdriver, and can opener and toothpick) in tow.

[Image credit: The Transportation Security Administration]

On The Road With NPR Music: Jeremy Petersen At OPB Portland, Oregon

Beyond travel, we’re also big music fans here at Gadling, largely because music is a great way to get to know a place. This month happens to be Public Radio Music Month and we’re teaming up with NPR to bring you exclusive interviews from NPR music specialists around the country. We’ll be learning about local music culture and up and coming new regional artists, so be sure to follow along all month.

Name: Jeremy Petersen

Member station/Regular show: OPB Music (from Oregon Public Broadcasting)
Producer/Blogger Host – “In House,” weekdays 2-5 p.m. PT

When people think of music in Portland, what do they think of?

It’s not really much of a secret – Portland is particularly noted for being a kind of indie mecca. It’s not exclusively the flavor, but the earnestly literate and melodic likes of Elliott Smith, The Decemberists and more recent transplants The Shins are some of the more recognizable names that have set the tone for many who have come after. The Rose City is also home to a number of indie labels that fortify the scene, homegrown and otherwise: Kill Rock Stars, Tender Loving Empire, Hometapes, Hush, amigo/amiga, Greyday, Badman, Dirtnap, Magic Marker, Fluff & Gravy and Marriage are but a few of those worth exploring.

How do you help curate that musical scene?

We try to shine a light on acts we’re truly excited about as fans. Of course we’re all over more established artists that people are more likely to know, and of course we try to connect the dots between what’s current and what came before it, but we also spend a large part of our time looking for what’s new and interesting and worth pointing out. That usually means some combination of airplay, presenting the music in a live showcase, and/or recording a session in our studios. These are often the kinds of artists that aren’t going to be getting air in most other outlets, either yet or ever.

How has the Portland scene evolved over the last few decades?

The history of pop music in Portland seems to begin with The Kingsmen and their party staple “Louie Louie.” That seems oddly apt given its idiosyncratic nature and unlikely combination of flavors. The local scene has been, and remains, healthily eclectic – folk, jazz, hip-hop and various strains of roots all enjoy vibrant pockets alongside the more well-documented rock variations. One thing that has definitely changed is the regard for Portland nationally and even internationally: a musician’s status as a Portlander seems to carry automatic caché in many circles.

As scrappy as the indie scene still feels here, to hear some of the old guard tell it, up-and-coming bands are generally more sophisticated now than a couple of decades ago. That means not only more performance-ready from their first show, but also more business-minded and with a better grasp on notions like self-marketing.

What would you say is the most unique thing about the Portland music scene?

I’ve heard musician after musician here talk about the camaraderie that exists in the scene, and these are often those who have lived elsewhere. You can see that kind of thing play out in a lot of different ways and it’s inspiring to see what can come of it. I think it clearly empowers creation and makes the work coming from the city that much stronger. It also makes it feel like a much smaller place.

One other thing – as a musician destination as of late, Portland is really interesting simply because of who happens to be around at any given time, whether that’s temporary, permanent or part-time. There’s always someone of note around working on a record: Other Lives, Deer Tick, Neko Case and Beth Orton are some recent examples. kd lang lives here now. Johnny Marr’s still a part-timer. Peter Buck is often around. Add names like that to the homegrowns and long-timers you’ve heard of and the ones you haven’t (yet), and it equals a rich and vibrant place for musicians to be.

What are three new up and coming bands on the Portland scene right now and what makes them distinct?

This easily could have been a list of ten.

Radiation City: I find them notable for a lot of reasons, the first of which are the vocals of Lizzie Ellison, who brings to mind Astrud Gilberto and sounds as comfortable covering Etta James as she singing the band’s own indie bossanova haze. They’re the rare young band with an ear for subtlety both on record and in performance and they’ve simply gotten better every time I’ve seen them. Look for their second full-length coming soon.

Shy Girls: It’s not often a band from the local scene can claim un-ironic influence from names like Bell Biv DeVoe, GUY and the Backstreet Boys – even less often still that they execute those cues well. Shy Girls, the band started as a one-man bedroom act by frontman Dan Vidmar, sounds transported from two decades back while still maintaining a freshness that rises well above novelty and recalibrating the notion of “neo-R&B” (it doesn’t necessarily come from 1972 anymore).

Aan: This is dynamic indie rock that succeeds largely on the pairing of lead singer Bud Wilson’s cathartic vocal gymnastics with twisting, turning, unpredictable hooks that keep the listener guessing. But it’s not chaos– the band keeps its avant-pop just avant enough while simultaneously daring you not to bob your head. Aan’s just been slated to open up for The Smashing Pumpkins on several of their dates later this spring, and have a full-length release coming later in the year.

For a Gadling playlist, what are your favorite tracks?

Elliott Smith: “Ballad of Big Nothing”

Caleb Klauder: “Can I Go Home With You”

The Thermals: “A Pillar of Salt”

Sallie Ford & the Sound Outside: “Danger”

Heatmiser: “Low Flying Jets”

Quasi: “It’s Raining”

TxE: “The Basics”

The Decemberists: “Here I Dreamt I Was an Architect”

Menomena: “Evil Bee”

Onuinu: “Happy Home”

Listen to the playlist on Spotify.

[Photo credit: Inger Klekacz]

The Wandering Writer: A Tour Through Brooklyn Heights, New York With Elisabeth Eaves

Elisabeth Eaves lives on Pineapple Street. Along with neighbors Cranberry and Orange, it’s one of only three fruit streets in Brooklyn. Eaves, a writer who has published on topics ranging from travel to politics to stripping, knows the accompanying local lore to explain its origin.

“Back when a lot of people were just moving to this neighborhood, it was dominated by old Dutch families,” she says. “The gentlemen of the neighborhood would affix their names to the streets. And there was a woman, a botanist and a horticulturalist, and she was annoyed that the men would just stick their names up on the street corners. She would take them down in the night and put up the names of plants. This went back and forth as kind of a cat and mouse battle for a while. And when the street names were finally grandfathered in by the city, she won, because she was the last person to stick up her names.”

This anonymous horticulturalist would no doubt be pleased that, more than a century later, Ms. Eaves and I are meeting for lunch at Iris Café. As if in deference to that earlier era, you’re not allowed to use computers or iPads at this restaurant that opened in 2009. Surrounded instead by folks engaged in the old-fashioned perusal of books and newspapers, we feast on delicious avocado sandwiches and talk about how Eaves, who was nomadic for years, finally settled in New York. She’s been here for four years and owns a small studio apartment. I ask if she’s found the geographic commitment difficult.

“It’s not as hard as I would have expected,” she says. “It’s partly because I love this city. As a traveler, I think many of us have a need for hyper-stimulation. I love big cities. Big, serious cities.” She doesn’t always find New York thrilling, the way she did when she first arrived. “But I still have days, and moments, where I’m like: wow.”

Eaves is, of course, one of many writers who’ve wound up in the area and she’s well aware of the borough’s literary legacy.

“As a writer, I am particularly conscious – not that I fetishize this stuff or think about it all the time – that there have been a lot of writers who lived in Brooklyn Heights,” she says. “It’s nice to know that things have been accomplished.”

Some of those things were accomplished at 142 Columbia Heights, Norman Mailer’s nautical-themed apartment. If we were lucky enough to get a glimpse of more than the exterior, a possibility when the place went on sale a few years ago, we’d see how the author installed crow’s nests, galley rooms and ladders, supposedly to overcome his fear of heights.

We do, however, spend some time taking in a foggy view of lower Manhattan by walking along the Brooklyn Heights Promenade, a popular 1/3-mile stretch along the Brooklyn-Queens Expressway. On nicer days, Eaves joins a cavalcade of joggers here who exercise to a traffic-laden soundtrack while winding towards or away from the iconic Brooklyn Bridge, the first steel-wire suspension bridge in the United States.

Not too far away we pass by another famous writer’s former homestead. Truman Capote’s brownstone, constructed at 70 Willow Place in the late 1800s, recently sold for $12 million. Maybe the buyer was a fan of “Breakfast at Tiffany’s,” which was written inside.

Thanks to long-gone reasonable real estate prices, Capote and Mailer no doubt had some version of the home offices that New York freelancers would kill for. But when you’re sharing a studio apartment, like Eaves and her husband do, it’s wise to find a laptop friendly café or two in the neighborhood. And Eaves has found just that in Vineapple Cafe on Pineapple Street, a joint run by a cadre of friendly, wrinkled-clothed college students.

The place has the laid-back feel of your college dormitory’s lounge, if that lounge served up Portland-based but New York favorite Stumptown coffee and Brooklyn’s Colson Patisserie baked goods, not to mention local wines and beers. When we enter, the roomy space is packed but quiet, some patrons happily sunk into plush couches, while a row of focused folks on laptops sit side by side at the bar like an unplanned ad for Apple products.

While we’re standing in line to order, a familiar face approaches. It’s Eaves’ husband, here to work for the afternoon. I ask Eaves if she likes having the flexibility of being a dual-freelancer couple or if she’d prefer a different arrangement.

“It would be easier financially if one of us had a steady gig but to me it’s normal now,” she says. “I’m kind of hooked on it. It would be really weird if either of us were suddenly like: no, I can’t go anywhere. Tomorrow we’re going to Vancouver for Christmas to see family. We can be very flexible. We can go as long as we want and bring work with us if we need to. And there have been a lot of work trips we’ve been able to put together and do together.”

Does she think she’s here for good?

“My fantasy is that I can keep the place we have now as a pied-à-terre,” she tells me. “If left totally to my own devices, there’s probably a good chance I’d just stay in New York.” But her husband is eager to move closer to family. The pair struck a bit of a deal when they first met: Eaves’ husband would move to Brooklyn for a stretch to be with her but he gets first dibs on the next city they relocate to.

Before we part ways, she takes me to one of the spots she might miss if she leaves New York. The sun has set by the time we enter Jack the Horse Tavern on Hicks and Cranberry Street. Eaves calls the big-windowed, brick-lined restaurant the best in Brooklyn Heights. If the happy hour cocktails are any indication, she’s onto something. We could continue our literary themed afternoon by ordering Hemingway daiquiris, but instead we both settle on gin infusions.

As we sip them, I ask Eaves about her varied career.

“My career path makes no logical sense,” she says. “You would never sit down at age 20 and say: I’m going to study international relations and then work as a stripper and then go backpacking and then have an office job.”

Despite her varied early years, Eaves knew she wanted to write but she didn’t know how to convert that desire into a career. It took a while to find her way into journalism, and along the way, she wrote about everything from moss sculptures to business. Now she’s tackling her first novel, like so many Brooklyn writers who preceded her – and like those who will, no doubt, flock here for future generations to come.

About the Wandering Writer:
Elisabeth Eaves is a writer and editor, born in Vancouver and living in New York City. Her first book, “Bare,” was about stripping, and her second book, “Wanderlust,” came out of a lifelong love of travel and trying to figure out why she felt so compelled to keep moving on. Her travel writing has also appeared in “Best American Travel Writing 2009,” “Best Women’s Travel Writing 2010,” and Lonely Planet’s “A Moveable Feast.” To read her stories, visit www.elisabetheaves.com.

[Photo Credits: Rachel Friedman]

A Traveler In The Foreign Service: Tribute To Slain Diplomat Anne Smedinghoff

The Foreign Service lost one of its own on Saturday when a suicide bomber detonated explosives that killed 25-year-old Foreign Service Officer Anne Smedinghoff and four other Americans, three soldiers and one civilian Department of Defense employee in Afghanistan. Smedinghoff was a second-tour public diplomacy officer who was part of a convoy that was delivering donated books to a new school in Zabul Province. The Taliban claimed responsibility for the attack, which also killed three Afghans and wounded four State Department employees. (Another American died in a separate incident and 18 Afghans, including a Taliban commander and women and children were also killed in a U.S. airstrike over the weekend.) She is the first State Department Foreign Service Officer (FSO) to be killed in Afghanistan. (A USAID FSO was killed in August in a suicide bombing.)

A devastating loss like this one reverberates throughout the Foreign Service community. I never met Anne but a former colleague who served with her at the embassy in Kabul and also taught a course she took in Washington said she was “heartbreakingly young, and a nice, lovely person.”

Just last week they took part in a quiz night at the embassy with questions revolving around events that happened on or near Anne’s birthday. I lived in River Forest, the beautiful town just west of Chicago where Anne grew up for three years, and after reading about her life and career, I feel certain that we lost someone who epitomized all that is good about the Foreign Service.She joined the Service right out of college and volunteered to serve in Kabul after a tour in Venezuela. According to press reports, she wasn’t the type of person who wanted to remain in the safety of the compound. She looked forward to opportunities like the one that presented itself on Saturday and hoped to make a real impact during her year in the country, which was nearly over. Reporters praised her as someone who was responsive and easy to work with.

FSOs who serve in danger posts like Kabul and Baghdad often get plumb follow-on assignments to cushy posts but Anne actively bid on Algiers, despite the tenuous security situation there and the lack of creature comforts. According to a friend who was quoted in the Chicago Tribune, she felt that the places she was needed the most were the “scary” and “dangerous” places, not the posh ones.

She had a taste for adventure. Smedinghoff biked across the U.S. (to raise money for cancer research), Australia and from the Dead Sea to the Red Sea and she loved to travel. Her neighbors in River Forest have lined the block with white ribbons and American flags to honor her and her smiling face graced the front page of both the Chicago Sun Times and the Chicago Tribune Monday. The stories are a fitting tribute to her but it’s a shame that diplomats usually only make the news under tragic circumstances.

Most Americans have at least some awareness of the tremendous sacrifices that our soldiers and their families make for their country but comparatively few are familiar with the Foreign Service and the sacrifices that FSOs and their families make. People might imagine that diplomats spend the bulk of their careers mingling at cocktail parties in Tokyo or Paris but that isn’t the reality of today’s Foreign Service. Most officers spend the bulk of their careers in places most Americans wouldn’t dream of visiting, even on a brief trip, and these days, many are also being sent unarmed into war zones, where they are separated from friends and family members for a year.

I hope that the press coverage of Anne’s life and death somehow serves to remind Americans of the sacrifices that FSOs make for their country and I hope that it inspires, rather than scares off, other young Americans who might be interested in the Foreign Service because our country needs bright, adventurous, patriotic people like Anne representing us overseas.

Inevitably, her death will lead to more debate on whether unarmed diplomats should be serving in war zones, and FSOs in danger spots around the world will now be under even greater security restrictions, making it more difficult for them to be effective. And the security officials at the embassy who approved this trip will unfortunately have to live with the consequences, which will be a very heavy burden for them to carry.

But this isn’t a time for second-guessing; it’s a time for all of Anne’s friends, family members, colleagues and the entire Foreign Service community to grieve the loss of a bright star. The Foreign Service can be something of a dysfunctional bureaucracy but when tragedies like this happen, it unites everyone who has served, past and present. God bless Anne and her family and all those who are serving their country.

On Tuesday, the military identified the three soldiers killed in the same incident as Anne Smedinghoff as 24-year-old Staff Sgt. Christopher M. Ward of Oak Ridge, Tenn.; 25-year-old Spc. Wilbel A. Robles-Santa of Juncos, Puerto Rico; and 24-year-old Spc. Delfin M. Santos Jr. of San Jose, Calif. They were deployed with the 5th Squadron, 7th Cavalry Regiment of the Army’s 3rd Infantry Division.

Read more from “A Traveler In the Foreign Service“


Read more here: http://www.sacbee.com/2013/04/09/5328844/3-ga-based-soldiers-killed-in.html#storylink=cpy

[Photo credit: Anne Smedinghoff’s Twitter]