Remembering the fallen

by Sean McLachlan on


Today is Veterans Day, also known as Remembrance Day and Armistice Day because in 1918, at the eleventh hour of the eleventh day of the eleventh month, World War One ended.

For four years the nations of the world had torn each other apart. The Austro-Hungarian Empire collapsed, the Ottoman Empire was mortally wounded, Germany’s Kaiser’s fell and so did Russia’s Czar. The world changed forever and 20 million people were dead.

There are countless monuments honoring those killed. The most powerful, I think, is this one. It’s called The Grieving Parents and was erected in 1932 by Käthe Kollwitz, a German artist. Kollwitz’s youngest son Peter was killed while serving in the German army. The monument is in the cemetery at Vladslo, Belgium, where he’s buried. The faces of the parents are those of Käthe and her husband. Her husband looks at Peter’s grave while Käthe bends over in grief. So many young men are buried in this cemetery that Peter’s name shares a tombstone with nineteen others.

Whether you’re on the road or staying at home today, there’s probably a war memorial near you where people are remembering the fallen. Take a moment to visit it, even if it’s for the “other side.” After all this time that doesn’t really matter.

Photo courtesy Wikimedia Commons.

Paris: where Picasso got his inspiration

by Sean McLachlan on

Sometimes stereotypes live up to expectations. Paris has long been known as a city of artists, where aspiring painters/poets/writers go to light the spark of creativity that will make them famous. Of course most of them fail, but some succeed, and that feeds the legend. Pablo Picasso was one of the success stories.

Picasso went to Paris in 1900, when he he was 19, unknown, and striving to find his own style. Paris was full of avant-garde artists and the galleries were displayed the work of artists such as Modigliani, Cézanne, Van Gogh, and Gauguin. Picasso got to meet many of these big names. This photo, courtesy Wikimedia Commons, shows from left to right Modigliani, Picasso, and André Salmon in front the Café de la Rotonde. Being in such creative company helped the artist grow.

A new exhibition at the Pablo Picasso Museum in Barcelona examines these formative years in the life of one of the twentieth century’s greatest artists. Feasting on Paris: Picasso 1900-1907 features sixty works by Picasso as well as twenty works from the artists whom he most admired. The juxtaposition of his and others’ art shows the sources of his inspiration, and how he turned that inspiration into a distinctive style of his own.

Feasting on Paris: Picasso 1900-1907 runs from July 1 to October 16.

Vorticism: avant-garde art at the Tate Britain, London

by Sean McLachlan on

In the years before the outbreak of World War One, European artists developed a variety of different styles to reflect the pace of change and industrialization in what used to be a traditional continent.

Cubism and Futurism were two of the biggest movements. One of the briefest and most vibrant was Vorticism. The Vorticists started around 1913 and focused on the hard lines and quick pace of the machine age.

Now the Tate Britain in London is hosting a major exhibition on the movement called The Vorticists: Manifesto for a Modern World. It brings together more than 100 Vorticist works from all the major players.

One of the leaders of the movement was Wyndham Lewis, although some Vorticists say the only reason he was popularly seen as the leader was because he gave more interviews to the press. He was certainly important, though. Lewis was the founder of the Vorticist journal Blast, the first issue of which had a hot pink cover and featured writings by T.S. Eliot and Ford Madox Ford. A whole section of the exhibition is dedicated to this journal and its groundbreaking design and typography.

Some of the rarer works on display include those from the many women welcomed into Vorticist ranks, a daring move at the time. There are also the Vorticist photos of Alvin Langdon Coburn, often hailed as the first abstract photographs. These photos will blow your mind and hurt your eyes.

%Gallery-126430%While Vorticism was mainly a British movement, this exhibition also explores its influences on the New York modern art scene. In fact, it was an American poet, Ezra Pound, who gave the movement its name.

The output of this movement was remarkably small. Blast only had two issues, and there were only two Vorticist exhibitions. World War One killed some of the Vorticists and left others embittered against the modern world. Yet Vorticism had a major impact on modern art and its works are still discussed and copied today. The two issues of Blast are still in print almost a century after they first appeared. One advantage of its brevity is that an exhibition of this size can encompass a majority of the major works, giving the visitor a full understanding of the meteoric life of one of modern art’s most intriguing avant-garde movements.

The Vorticists: Manifesto for a Modern World opened yesterday and will run until September 4.

[Image of Workshop c. 1914-5, by Wyndham Lewis courtesy of the Wyndham Lewis Memorial Trust]

Photo of the day: East Austin graffiti

by Elizabeth Seward on

Austin is my new home. I moved to Austin’s East Side in October and while the differences between New York City and Austin are ever-apparent to me, one common denominator helps to keep it real: graffiti. I’ve always been fascinated with graffiti art. When tastefully done, this art form, one that dates back to 30,000 BCE, adds personality to a city–and I like that.

This photo was snapped by local photographer, Chris Owens. Take a look at his Flickr photos and see Austin in a way you’ve never seen it before.

Interested in submitting your photos for Photo of The Day? Hop on the Gadling Flickr and start uploading.