New Civil War museum at Appomattox features General Lee’s sword and uniform

by Sean McLachlan on

As we reported a year ago, a new Civil War museum has been under construction at Appomattox, Virginia. It is a branch of Richmond’s Museum of the Confederacy and will commemorate the surrender of General Robert E. Lee’s Army of Northern Virginia and the aftermath of the Civil War.

Now the Museum of the Confederacy-Appomattox is almost complete and will open March 31. Among the displays are General Lee’s uniform and gold ceremonial sword — the very same he wore and carried on April 9, 1865 when he met General Ulysses S. Grant to surrender.

More than 450 items will be on display in an exhibition space spanning 11,700 square feet. It’s located near Appomattox Court House National Historical Park, which includes the McLean House where Grant and Lee met.

The Museum of the Confederacy is planning more regional museums in order to make their large collection more accessible. Satellite museums are planned for Fredericksburg and Hampton Roads, Virginia.

Photo courtesy Wikimedia Commons.

The art of William S. Burroughs on display in Germany

by Sean McLachlan on

William S. Burroughs is most famous for his experimental novels about heroin and gay sex, yet he was active in many arts. Now a new exhibition at the Center for Art and Media (ZKM) in Karlsruhe, Germany, is focusing on his lesser-known artistic output.

The exhibition, “the name is BURROUGHS — Expanded Media,” highlights the author’s film, photography, collage and audio experiments. Much of this work reflects the style of his writing. Burroughs developed what he called the “CUT-UP method” in which he wrote a text, cut the pages into pieces and rearranged them. What’s interesting about this technique is that the sense, style and tone still come through. Try it on a political speech and you’ll see what I mean.

The CUT-UP method is especially evident in his film work, which looks like it was edited with a paper shredder. Like his books, much of Burroughs’ art is more emotionally experienced than intellectually understood. His photography is often more straightforward and includes some interesting self-portraits from various periods of his life.

The exhibition runs from March 23 and does not yet have a scheduled end date.

Photo courtesy Wikimedia Commons.

The Art Newspaper reveals most popular exhibitions and museums of 2011

by Sean McLachlan on


The folks over at the Art Newspaper have just released some interesting stats about the art world of 2011. Collecting a huge amount of data from hundreds of museums and galleries, they’ve discovered some important trends.

First off, the big shows are getting bigger. The top ten most popular art shows back in 1996, the first year they gathered figures, averaged 3,000 visitors a day. Last year’s top ten shows averaged almost 7,000 visitors a day.

For total attendance in 2011, the Louvre in Paris was way ahead with 8,880,000 visitors. Number two was the Met in New York City with slightly over 6,000,000 visitors. Paris and London dominated the top ten. Three Parisian museums made the top ten: the Louvre (#1), Centre Pompidou (#8), and Musée D’Orsay (#10), with a combined total of 15.2 million visitors. London boasts the British Museum (#3), National Gallery (#4), and Tate Modern (#5), with a combined total of 16 million.

For top exhibitions, last year had several blockbusters, with “The Magical World of Escher” coming out on top with 573,691 visitors. It was free at the Centro Cultural Banco do Brasil. The most popular paid exhibition was “Kukai’s World: The Art of Esoteric Buddhism” at the Tokyo National Museum with 550,399 tickets sold.

There’s a lot more data in the report giving lots of insight into the booming world of major art exhibitions. It should be interesting to see what trends this year’s figures show.

Photo of the Louvre courtesy Ivo Jansch.

‘Egyptomania’ grips Houston

by Sean McLachlan on

The Museum of Fine Arts in Houston, Texas, has just opened a new exhibition exploring the West’s fascination with ancient Egypt.

“Egyptomania” collects forty objects from the Egyptian revivals of the 17th, 18th and 19th centuries. This was the time when the West became widely aware of the great civilization of Egypt and started excavating there. Cutting open mummies became popular entertainment, the rich collected Egyptian artifacts, and it seemed like everyone wanted to own something in the Egyptian style — like this Art Deco perfume bottle shown here in a photo courtesy MFAH. It was designed by Baccarat c. 1930. Other items on display are Egyptian-style furniture, garden sphinxes (much cooler than garden gnomes) and even Egyptian asparagus tongs.

Visitors to the museum can get a double dose of ancient Egypt right now because the traveling exhibition “Tutankhamun: The Golden King and the Great Pharaohs” is on display through April 15. This exhibition features more than a hundred artifacts, most of which have never been shown in the U.S. prior to this tour.

If this isn’t enough to stave off your Egyptomaniacal cravings, I suggest a trip to the Rosicrucian Egyptian Museum & Planetarium in San Jose, California. This place is a strange hybrid of serious museum and cultish quackery founded by a modern spiritual group inspired by ancient Egypt.

“Egyptomania” runs from March 18 through July 29.

Major Goya exhibition in Barcelona, Spain

by Sean McLachlan on

The CaixaForum art gallery in Barcelona, Spain, has just opened a major exhibition on the famous Spanish artist Francisco de Goya.

Best known for his dark paintings of witches and Napoleon’s brutal invasion of Spain, Goya actually produced a broad range of work during a career that spanned almost seventy years and included paintings, drawings, prints and tapestries. He was very popular with royalty and produced many royal portraits.

Goya lived from 1746 to 1828, an era that straddled the transition from the Old Masters to a more modern style. The exhibition, which brings together almost a hundred works from all phases of his career, tracks his development as an artist.

The exhibition is a collaboration between the Caixa Foundation and Madrid’s El Prado art museum. The works are from the Prado’s collection and the Caixa Foundation is funding their stay in Barcelona as part of four planned collaborations.The artist is unusual in that he produced self-portraits throughout his life, sometimes even including himself in portraits of royal families. One of the most interesting self-portraits was done in the final years of Goya’s life and shows him as an old, feeble, but still spirited man. It’s titled I am Still Learning. That’s a good attitude for anyone to have.

Goya: Lights and Shadows runs from March 16 to June 24.

Photo courtesy Wikimedia Commons.