A new exhibit in London is dedicated to Marilyn Monroe, the icon of beauty from an era when “beauty” meant something other than “built like a fourteen-year-old anorexic junkie.”
Marilyn opens today at the Getty Images Gallery and will feature iconic photographs and original dresses from Monroe’s many films. It also tells the story of how she rose as an aspiring actress to become one of Hollywood’s most unforgettable faces.
London’s Getty Images Gallery is one of the largest image archives in the world, with a collection ranging from the very earliest days of photography in the 1850s right up to the latest news stories of today. Their gift shop has an amazing variety of books on photography and high-quality photographic prints. In honor of the exhibition, numerous images of Marilyn Monroe will be for sale.
Marilyn runs from today until Sunday, May 26, 2012. Admission is free.
“Maya 2012: Lords of Time” at the University of Pennsylvania Museum of Archaeology and Anthropology will explain the Mayan civilization’s complex interlocking calendar systems through interactive displays and a rich collection of art and artifacts. These calendars developed out of an advanced knowledge of astronomy and an obsession with the cyclical nature of astronomical events such as the solar and lunar years, eclipses, and the movements of the planets.
One of these calendar systems is the so-called Long Count, which starts a new cycle every 1,872,000 days, or approximately 5,125 solar years. The current cycle ends on December 21 or 23, depending on which scholar you believe. Most scholars say the Long Count doesn’t actually end on this date, it merely starts another cycle. The other Mayan calendars keep going too. No Mayan text says the world is supposed to end this year. In fact, some Mayan inscriptions actually mention dates later than 2012. They don’t mention anything about cosmic vibrations, visiting UFOs, or any of the other bullshit theories being bandied about either.
Dr. Sandra Noble, executive director of the Foundation for the Advancement of Mesoamerican Studies, said in an interview that the ancient Maya felt the end of a cycle was cause for celebration. Anthropologist and Maya specialist Dr. Judith Maxwell did what the New Agers didn’t bother to do and actually asked the Maya what they thought. While the ancient civilization is gone, the Mayan culture is alive and well in Mesoamerica and Mayan shamans, called daykeepers, told Maxwell that the end is not coming.
Apparently the exhibition organizers agree there’s nothing to fear. The exhibition runs from May 5, 2012 to January 13, 2013.
So the world isn’t going to end in 2012.
This ranks top on my list of “unsurprising news of the week.” I’m 42, and I have a hard time remembering a year that the world wasn’t supposed to end. Some hack writer or religious conman is always trying to scare us into thinking the world is going to end. The sad thing is, people embrace this nonsense. The world is not ending this year. You still have to deal with the consequences of your actions and you still have to shoulder your responsibilities. Chances are you will have to do that for many years to come. Chances are you will grow old and live through many more of life’s ups and downs.
A new exhibition at the Field Museum in Chicago spotlights the world’s greatest conqueror.
Genghis Khan brings together the largest collection of 13th century Mongol artifacts ever. The exhibition traces the career of Genghis Khan from his birth in 1162, to a noble but obscure family, through his conquest of an empire that was larger than the Roman Empire. In fact, it was the largest ever, stretching from the Pacific Ocean to the gates of Vienna, and he built it in just 25 years.
More than 200 objects are on display including a Mongolian house, silk robes, weapons, and even the mummy of a Mongolian noblewoman.
The exhibition shows that while Genghis Khan was a bloodthirsty warrior, he was a clever statesman too. He established a complex and efficient form of government, a postal system, paper currency, diplomatic immunity, even wilderness preserves and laws against littering. His conquests had a profound impact on the development of Asia and Europe.
This year, several major exhibitions and new galleries are focusing on Islamic art.
The biggest news comes from Paris, where the Louvre is building a new wing dedicated to Islamic art. This is the biggest expansion to the museum since the famous glass pyramid. The new wing will have room to display more than 2500 artifacts from the Louvre’s permanent collection as well as notable loans. It will open at an as-yet undetermined date this summer.
Islamic art is also facing some challenges this year. Looting and selling national treasures on the international art market always happens in times of political unrest. It happened in Iraq and Afghanistan and now it’s happening in Libya, where the death of Qaddafi did little to stabilize the situation. Syria is another country to watch. Sadly, unscrupulous “collectors” take advantage of civil wars and poverty to grab historic treasures for cheap.
Photo of eleventh century crystal ewer with birds in the Louvre collection courtesy Wikimedia Commons.
A new wing of Albania’s National Museum in Tirana opened yesterday that’s dedicated to the abuses of its former Communist government.
Under the harsh rule of Enver Hoxha, shown here in a photo courtesy Forrásjelölés Hasonló, some 100,000 Albanians were executed or sent to prison or forced labor camps, this in a country of only three million people. Torture and intimidation were rife and a network of informers made everyone paranoid.
For a disturbing look at the surreal daily life in this regime, read The Country Where No One Ever Dies by Albanian author Ornela Vorpsi. The last days of Communist rule are seen through the eyes of an adolescent girl whose main dream is simply to be left alone.
That was the dream of a lot of Albanians. The new wing to the museum displays photographs and artifacts documenting the torture and extermination of dissidents. People lived in fear of disappearing into a jail or camp. Hopefully this exhibition will go a small way towards helping Albania come to terms with its past and heal some open wounds.
Visible evidence of the old regime is everywhere in Albania. While Tirana is undergoing a beautification program and the countless statues of Hoxha have been pulled down, thousands of bunkers still litter the country’s beaches, fields, and neighborhoods. The paranoid regime put up an estimated 700,000 of the ugly things despite needing roads and adequate housing for its citizens. One set of them can be seen in the photo below courtesy the Concrete Mushrooms Project.
