Sparta: Greece’s ancient warrior city

by Sean McLachlan on

After having seen Athens and Corinth, I couldn’t resist visiting one of the other great city-states of ancient Greece: Sparta.

Sparta needs no introduction. It’s a star player on the History and Discovery channels and that schlocky pseudo-historical film 300. While I wanted to see the ancient ruins where brave warriors once strode, my main reason for going was to explore nearby Mistra, a Byzantine ghost town with a castle that rivals Acrocorinth. I’ll get to that in my next post.

Sparta is a three-and-a-half hour bus ride from Athens. The route passes along the Aegean shore, through the Isthmus of Corinth, and into the Peloponnese, the peninsula that makes up southwestern Greece. Passing Corinth, the road ascends into rough hills that were being buffeted by a snowstorm.

Luckily the roads were in good condition and I made it on time. The clouds were breaking over the Vale of Sparta although it remained bitterly cold. My first stop was at the Fifth Ephorate of Byzantine Antiquities to learn more about how the economic crisis was affecting archaeologists’ ability to explore and preserve Greece’s past. The Ephorates are divided by region, in this case Lakonia, roughly the central and southern Peloponnese, and also by period. There’s a Fifth Ephorate of Prehistoric and Classical Antiquities too.

Archaeologists Lygeri Nikolakaki and Ageliki Mexia greeted me in their cramped office overflowing with books, reports, and maps. They spread out several maps in front of me to demonstrate just how rich their area was in medieval remains. Castles, churches, monasteries, and medieval towns dotted the landscape. This area was called the Morea in late Byzantine times and was one of the few centers of wealth, art, and learning during the waning days of the empire in the 14th and 15th centuries.

One region caught my eye–the Mani peninsula. The Ephorate has recorded some 2,000 Byzantine and post-Byzantine monuments on the peninsula, and the map showed hiking trails crisscrossing the area. The Maniots were always semi-independent, fierce fighters and pirates who never fully submitted to the Greeks, Romans, Crusaders, or Byzantines. Their culture remains distinct even today. As I was researching this trip I was already planning another one.

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Don’t miss the rest of my series: Our Past in Peril, Greek tourism faces the economic crisis.

Coming up next: Mistra: a Byzantine ghost town in Greece!Nikolakaki and Mexia explained that Mistra, the Byzantine city outside Sparta, is their department’s star attraction and one of the top ten most visited historical sites in Greece. Numbers are generally down, however. There was a surge in visitors in 2005 and 2006 after the Olympics, and then a steady decline. They blame the economy and competition from more famous attractions in Greece.

Despite this, funding from the Greek Ministry of Culture and the European Union in recent years has led to improvement at many sites. At Mistra, the Ephorate had installed new signs in Greek and English to explain the remains, and the museum there has been reorganized and improved. The palace of the Despots (local rulers) is being restored. They hope to open a gift shop this summer.

Another Byzantine fortress city, Geraki, is being prepared for visitors and will open in two years, funding permitting. The Ephorate hadn’t received approval for their 2012 budget when I visited, and they’ve been told to “reduce expectations”. At the same time, they’ve been asked to increase the number of visitors.

The Fifth Ephorate of Byzantine Antiquities may lose its independence under a new scheme by the Ministry of Culture. It’s proposing to merge the Ephorates of each region into one, so that prehistoric, Classical, and Byzantine antiquities will all be handled by one office. Nikolakaki and Mexia are cautiously optimistic about this move, saying that it may help cut waste and improve the ability of the Ephorates to manage Greek’s heritage. After all, many sites, Sparta included, have remains from several different periods.

I hope they’re correct. Mergers generally mean layoffs, and I wouldn’t want to see these dedicated researchers join Greece’s large ranks of the unemployed.

The Archaeological Museum of Sparta is worth seeing to get some background on the city and its history. Despite the cold, only the front room where the ticket seller sat was heated. The rest of the heating had been turned off to save money.

I kept my coat on as I browsed the few rooms in this small but well-stocked museum. Funerary stelae, statues of the gods, and a remarkable bust of an ancient warrior showed that while Sparta was famous for its martial skill, it produced good art as well. Some of the best artifacts are a series of mosaics discovered in Roman-period houses in the area. Check out the photo gallery for some of the best displays from this interesting museum.

Chats with archaeologists and visits to museums, however informative, can’t compete with seeing the ruins themselves. That evening, with the sun peeking through the clouds, I took the short stroll to the edge of town to see ancient Sparta.

While not nearly as impressive as the ruins of Corinth or Athens, the remains of ancient Sparta are alluring. Soon the town of modern Sparta is left behind and you enter olive groves. There were almost no other visitors when I went and the place as quiet except for birdsong. From the old acropolis you can look out over the theater and the remains of a temple to Athena. Nearby lie the foundations of a Byzantine church. The ancient stones were taking on a golden hue from the evening light.

As I stood in an olive grove looking out over Sparta’s ancient theater, a shepherd grazed his flock nearby. A ray of sunlight broke through the clouds to shine on the medieval town of Mistra in the distance. Beyond that rose the snowy peaks and gorges of Taygetus mountains. Perfect.

A friend who has traveled extensively in Greece says that the country’s scenery “does tend to sneak up on you like that.”

Greece sneaked up on me several times during my trip.

Don’t miss the rest of my series: Our Past in Peril, Greek tourism faces the economic crisis.

Coming up next: Mistra!

Greek museums face the economic crisis

by Sean McLachlan on

It’s not easy being the caretaker of Greece’s heritage these days. Greek museums are facing budget cuts, strikes, reduced staff, even loss of visitors due to riots. The National Archaeological Museum had many rooms closed during the peak tourist season last summer due to budget cuts, and strikes are regularly closing all publicly owned museums.

Take the Byzantine and Christian Museum in Athens. It collects the nation’s Medieval heritage, focusing especially on the glory days of Byzantium. When the Roman Empire split into western and eastern halves in 395 AD, the West fell apart within a century, but the East, known as Byzantium, survived for another thousand years. Byzantium produced a distinct and beautiful artistic style and preserved many Classical works that then became the inspiration for the Renaissance.

The museum was founded in 1914 in the palace of a French noble. For most of the twentieth century the displays didn’t change much and visitors tended to pass it by for the more famous Classical sights.

“It was a place only for scholars,” said Nikolas Constantios, an archaeologist and museologist who works there and showed me around the recently revamped permanent exhibition.

And what an exhibition! Some four hundred icons are on display. Richly embroidered church vestments stand next to colorfully painted manuscripts, gold coins, and day-to-day objects. It’s all laid out in an open, well-lit fashion that reminded me of the new Ashmolean in Oxford. This modern style replaced the old “cases filled with stuff” museum design and helps combat museum fatigue.

This ten-year revitalization project almost came too late. The money, half of which came from the Ministry of Culture and half from the European Union, was already earmarked when the crisis hit.

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“We were safe because we were almost finished,” Constantios said. “If the crisis had happened five years ago we would have had a lot of problems.

The final touches are due to be completed by May and include a public garden, gift shop, and cafe.

While the present looks rosy for this museum, there are some serious challenges ahead. Museum director Anastasia Lazaridou said the Ministry of Culture has cut the museum’s budget by 20 percent. She has had to let some of the staff go, especially short-term contractors whose work is important for their well-known conservation department, which remains the biggest in Greece.

“We will try to find money from the private sector and create a bigger network of collaborations with foreign museums to share expenses,” Lazaridou said.

With the recession, though, the museum has found getting large donations to be more difficult than it used to be. Tickets help–with the renovation visitors numbers are ten times what they were a decade ago–yet many of these visitors get in for free.

When I visited there was a typical crowd for the low season: three other tourists and several school groups. Entrance is free for under-18s. Luckily this situation reverses in the high season. Check out the photo gallery and you’ll see why the Byzantine and Christian Museum is getting on the map.

The Museum of the City of Athens is facing even greater challenges. Housed in the former royal palace of King Otto, the first monarch after independence from the Ottoman Empire, it’s situated close to the municipal government buildings. Several riots have occurred right outside their door and now many tourists avoid the entire neighborhood. Museum director Aglaia Archontidou-Argiri told me visitor numbers dropped 70 percent last year.

Luckily the museum is a private foundation so they are in no danger of closing, yet they’re scrambling to find money for extra programs. Last year they ran a free program teaching Greek culture and history to immigrants. It ran for six months and included students from the Roma, Georgian, Bulgarian, and other communities. Now they have no money to continue, but Archontidou-Argiri remains optimistic they’ll find the money somewhere.

Like with the Byzantine museum, many visitors are school groups, who come to see the displays illustrating the development of their city. While the museum charges them, it lets in kids for free if their families can’t afford the €2 ($2.63) entry fee. With the crisis worsening, this is becoming increasingly common. There is also a popular music and lecture series that attracts many locals, but it is also free.

So far these two museums are doing fairly well. Both have been lucky in their funding, but with the crisis tightening wallets all over Europe, the caretakers of Greek heritage have a tough job ahead.

Don’t miss the rest of my series: Our Past in Peril, Greek tourism faces the economic crisis.

Coming up next: Athens day trip: Acrocorinth!

Training shuttle to be displayed in Seattle’s Museum of Flight

by Sean McLachlan on


It looks like the Space Shuttle, but it isn’t. It’s made of plywood, for one thing, and it can’t fly.

Yet it’s a piece of aeronautics history and will soon grace Seattle’s Museum of Flight. This training shuttle, more properly called the Full Fuselage Trainer, is a full-scale mockup that astronauts have used for practice since the 1970s. The museum originally hoped to get one of the four actual Space Shuttles, but those went to other museums. The advantage of the training shuttle, however, is that visitors will be able to climb aboard and get a feel of what it must have been like to go on a mission.

The shuttle will be flown to Seattle in five segments starting in May and should be open to the public sometime in June, the Seattle Times reports.

The Space Shuttles are going to four different museums. The Atlantis will go to the Kennedy Space Center Visitor Center in Florida. The Endeavour will go to the California Science Center in Los Angeles. The Discovery is earmarked for the Smithsonian National Air and Space Museum’s Udvar-Hazy Center in northern Virginia. The Smithsonian will transfer the shuttle prototype Enterprise to the Intrepid Sea, Air and Space Museum in New York City.

Photo courtesy Wikimedia Commons.

Henry Ford Museum to unveil new exhibition of classic cars

by Sean McLachlan on


Workers at the Henry Ford Museum are busy setting up a major new exhibition of 130 historically significant cars and trucks.

Driving America opens on January 29 and focuses on the effect of the automobile on American culture through interactive touchscreen displays, artifacts, and personal accounts. There’s even a mobile diner from 1946 that will be serving classic American diner food.

Of course it’s the cars that are the main attraction. Ranging from the 1890s to the early 2000s, they include numerous innovative designs such as the Model T, the 1907 Rocket Stanley Steamer, and the 1973 Chrysler Newport, which at 19 feet long makes it look like a tank next to some of the miniature cars of today. Driving America doesn’t just look at Ford products; several cars are on loan from other collections and include rival companies such as Honda.

For more on the Henry Ford Museum, check out this article by Gadling’s very own Paul Brady.

Steamer photo courtesy Richard H. LeSesne.

London’s Estorick Collection of Modern Italian Art opens Alberto Burri retrospective

by Sean McLachlan on

The Estorick Collection of Modern Italian Art is one of London’s best small art museums. Housed in an elegant Georgian mansion on a quiet street in the London borough of Islington, it has the best collection of modern Italian art in the city and perhaps the nation.

Its latest exhibition is Alberto Burri: Form and Matter, a retrospective of one of the leading Italian figures in modern art. Burri (1915-1995) started painting while interned in Texas as a prisoner of war during WWII. By the 1950s he was experimenting with common materials such as sacking, plastic, and tar, breaking out of the two-dimensions dictated by traditional painting.

His effect on modern art was huge and spawned many imitators. This exhibition brings together works from a number of museums and rarely seen examples from private collections. Aficionados of modern art won’t want to miss this one.

Alberto Burri: Form and Matter runs until April 7.

Photo courtesy Alex Sarteanesi.