Portland’s International Cryptozoology Museum to get a bigger home

by Sean McLachlan on


One of Maine’s most offbeat attractions is about to get five times the space.

The International Cryptozoology Museum in Portland will be moving from its current home in the back of the Green Hand Bookshop at 661 Congress St over to 11 Avon Street, where it will have much more room to show off its collection of Bigfoot print casts, monster photos, movie props, and thousands of other strange items. The move, according to the Portland Daily Sun, is to give the museum a more visible location and attract more visitors.

Cryptozoology is the study of animals thought by science not to exist. The Loch Ness Monster, Bigfoot, and the Mothman all qualify. Sometimes animals thought extinct, like the coelacanth, turn out to be still alive and move from cryptozoology into mainstream biology.

Museum founder Loren Coleman hopes this success will be repeated with other monsters. Coleman was born in 1947 (the same year the term “flying saucer” was coined) and has dedicated much of his life to studying strange sightings of things that shouldn’t exist. His books show a skeptical eye, an open mind, and most importantly a sense of humor. He probably wouldn’t be impressed by this purported photo of the Mothman. Considering that it was uploaded by someone whose Wikimedia Commons handle is Mostlymade, I have to say I’m skeptical too.

Despite being a skeptic I love museums like this. Once while hiking in the Himalayas I found some Yeti footprints that turned out to be from a normal animal, but I have had a strange experience with the legendary Thunderbird.

The museum’s “Grand Monster Reopening” is scheduled for noon to 6 p.m. on October 30.

Ivory Coast national museum ransacked

by Sean McLachlan on

During the civil war earlier in the year, the national museum in Abidjan, capital of the Ivory Coast, was nearly stripped bare by looters, Art Daily reports.

An estimated $8.5 million worth of art and artifacts were taken while the city suffered bitter warfare between political factions. Some of the most severe fighting swirled around the museum itself, which was used as a sniper’s nest.

Once famous among African museums for its fine collection of art, it is now a pale semblance of its former self, with all the most valuable artifacts gone. The Ivory Coast is home to a rich variety of cultures and a long history of ancient civilizations. A wide variety of arts are practiced there, including making masks like the one shown in this photo courtesy Guérin Nicolas. Luckily, this particular mask is in the Museum Rietberg in Zurich where it remains safe.

Civil unrest and cultural looting go hand in hand. In places like Iraq and Afghanistan, criminals have taken advantage of the chaos and lack of law enforcement to steal their own heritage and sell it on the international antiquities market. By doing so, they take away evidence of their common history, thus making it easier for factions to emphasize their differences and renew the cycle of violence.

National Slavery Museum goes bankrupt without ever opening

by Sean McLachlan on

The National Slavery Museum in Fredericksburg, Virginia, has filed for bankruptcy.

This will make little difference to potential visitors, however, since the museum doesn’t actually exist.

Former Virginia governor Douglas Wilder, shown here in this U.S. Government photo, founded a nonprofit organization in 2001 to create the museum. It was supposed to open in 2004 but never did. A small memorial sculpture garden was opened in 2007.

Since 2008, the organization has owed taxes on the property, which have now risen to $215,000. The city has stepped in and is now trying to sell the land. The museum’s filing for bankruptcy is aimed at stopping this from happening. Its bankruptcy paperwork says the organization has more than $3 million in debts.

The museum is also embroiled in a legal battle with Therbia and Marva Parker, who donated almost 100 historic artifacts with the understanding that they’d be put on display. Since it’s obvious that’s not going to happen, they want their artifacts back.

New exhibit sheds light on Antonine Wall, the Roman Empire’s northernmost border

by Sean McLachlan on

There’s not much left of it now, just a deep swale in the earth and a few stones jutting out of the grass. Almost two thousand years ago, though, it was the northernmost boundary of the Roman Empire.

The Antonine Wall protected a narrow part of Scotland between the Firth of Forth and the Firth of Clyde, from the 140s to 160s AD. After the Emperor Hadrian built Hadrian’s Wall across what is now the border of England and Scotland, his successor Antoninus Pius decided to move 100 miles further north to gain a military and propaganda victory and add more land to the empire. The wall was built of turf on a stone foundation and stretched 39 miles, as opposed to the stone Hadrian’s Wall that ran 73 miles. Forts placed at regular intervals strengthened the both walls.

Now a new permanent exhibit at the Hunterian Museum in Glasgow brings together numerous artifacts from the wall to show what life was like for the soldiers living up there. Included are several elaborate sculptures commissions by Antoninus Pius to show off his great victory.

The Antonine Wall was only used from 142 to 162, and briefly again around 208. Later emperors decided it wasn’t worth the expense and effort and instead used Hadrian’s Wall as the northernmost boundary. Despite this short lifespan, several communities sprang up around it and there were at least two Roman baths. Excavations have yielded some interesting artifacts such as preserved sandals and a gravestone that shows someone from the Middle East lived there.

I’ve walked the length of Hadrian’s Wall along the Hadrian’s Wall Path and would love to do the same with the Antonine Wall, but sadly there is not yet a trail going along this important remnant of the glory of Rome.

[Wall photo courtesy Wikimedia Commons. Photo of coin of Antoninus Pius also courtesy Wikimedia Commons]

Amsterdam art exhibit focuses on the Antwerp school

by Sean McLachlan on


The Hermitage Amsterdam starts an important exhibition tomorrow focusing on the Antwerp school of Flemish art.

Rubens, Van Dyck & Jordaens: Flemish paintings from the Hermitage runs until 16 March 2012 and features almost a hundred paintings and drawings from some of the great names in Flemish art. Peter Paul Rubens is especially well covered, including his famous work Venus and Adonis, painted around 1614 and shown above. Rubens was hugely influential, teaching Anthony van Dyck and inspiring Jacob Jordaens. Both of these masters have several works in the exhibition, as do many lesser-known names.

Hermitage Amsterdam is a branch of the St. Petersburg Hermitage and the works all come from there. Since its opening two years ago, it has been one of the major art destinations in Amsterdam.

While Amsterdam attracts a lot of tourists for its legal pot and prostitution, it’s so much more than Sin City. Amsterdam one of the art capitals of the world and a good base for many daytrips to places like Delft and several Dutch castles. I will be exploring Amsterdam and hopefully Antwerp next month in a miniseries right here on Gadling.