Edgar Allan Poe Museum may close next year

by Sean McLachlan on

Baltimore’s most famous literary landmark may close next year due to budget cuts.

The Edgar Allan Poe House and Museum hasn’t received money from the city for two years. Since that time it’s managed to limp along on private contributions, but they aren’t enough to keep it afloat. Now the curator says if something isn’t done, the museum will probably close in June 2012.

Although the museum gets around 5,000 visitors a year, the money they spend doesn’t cover its $85,000 annual operating budget.

Poe lived in the house from 1832 to 1835 and wrote several stories there, including Ms. Found in a Bottle and Berenice–A Tale.

The Edgar Allen Poe Society of Baltimore gives a more detailed description of the problem and has started an online petition that already has more than 6,000 signatories, including mine. I’d be proud to have your name next to mine on the list.

The Poe house has been in danger before. Back in 1941 the Society saved the house from demolition, and now some local businesses and artists are raising money to keep the museum going. Perhaps readers will rally once again to save a piece of horror history.

[Photo courtesy Midnightdreary]

Arab American National Museum examines legacy of 9/11

by Sean McLachlan on

With the tenth anniversary of 9/11 just two days away, the Arab American National Museum in Dearborn, Michigan, is examining how the Arab-American community has been affected by the terrorist attacks.

U.S. Rising: Emerging Voices in post-9/11 America runs from September 8-11 and is a series of forums and events both in Detroit and Dearborn. On the actual anniversary of September 11, the museum will offer free entry all day.

In an interview with Art Daily, museum director Anan Ameri said the attacks were a “wake-up call” that showed just how little most people knew about the Arab-American community and how many bad stereotypes were out there. One response has been the virtual exhibit Reclaiming Identity: Dismantling Arab Stereotypes. This looks at the origins of various stereotypes and compares them to the reality.

Starting on Veterans Day, November 11, the museum will host the exhibition Patriots & Peacemakers: Arab Americans in Service to our Country. This exhibit will focus on the community’s role in the U.S. army, Peace Corps, and diplomatic service.

[Photo courtesy Wikimedia Commons]

Mona Lisa mob marvels Miami

by Sean McLachlan on

It’s the most iconic painting ever made. The Mona Lisa, painted in the early 16th century by Leonardo Da Vinci, has inspired a whole genre of painting. Perhaps the first imitation was this one by Gian Giacomo Caprotti, Da Vinci’s favorite pupil.

Since then the Mona Lisa has been reproduced on countless coffee mugs, handbags, t-shirts, mousepads, even toothpaste.

Now the Freedom Tower at Miami Dade College is examining this artistic obsession with Mona Lisa Unveiled, an exhibition that traces the influence of Mona Lisa on subsequent artists such as Marcel Duchamp, Jean Margat, and Salvador Dalì.

The painting inspired thieves too. The exhibition marks the 100th anniversary of the theft of the Mona Lisa from the Louvre. An Italian named Vincenzo Peruggia hid in a broom closet until the museum closed, and then made off with the painting. He later claimed he wanted it returned to its native Italy. He fled to Florence and kept it in his apartment for two years before trying to sell it to a local gallery. The art dealer did the right thing and called the cops. Peruggia was hailed as an Italian hero and only did a few months in prison.

Mona Lisa Unveiled runs through October 7.

[Image courtesy Wikimedia Commons]

Museum of Socialist Art to open in Bulgaria

by Sean McLachlan on

A Museum of Socialist Art is opening next month in Sofia, the capital of Bulgaria. The museum exhibits statues of Lenin, paintings of Bulgarian Communist Party leaders, and other artwork from Soviet times.

The former Eastern Bloc country is the last such nation to open a museum to its totalitarian past. The socialist government fell in 1989 and Bulgaria had its first free elections the following year.

Not all vestiges of the past are sitting in museums. Many of Bulgaria’s current ruling elite were members of the old regime, and the last-minute name change from “Museum of Totalitarian Art” to “Museum of Socialist Art” is making some Bulgarians question just what the purpose of the museum is.

I worked in Bulgaria as an archaeologist in 1994, and the country was full of Soviet art. With the economy bottoming out, grannies set up stalls in the streets to sell old medals, uniforms, and busts of Marx for next to nothing. If only I had bought more than a few mementos, I could make a bundle on eBay! Most people were glad the old regime was gone, but the dire state of the economy had many people questioning the value of a free market system. I haven’t been back in more than a decade. Can anybody out there tell me how the majority of Bulgarians feel about the transition more than a decade on?

[Photo courtesy Wikimedia Commons. This Soviet stamp from 1969 commemorates the 25th anniversary of the Socialist Revolution in Bulgaria. The text says, “The friendship between the Soviet and the Bulgarian people- indestructible for eternity.”]

Museums plan to sell collections to survive

by Sean McLachlan on


Museums in The Netherlands have received some bad news–national funding for arts and culture will drop from 900 million euros to 700 million in 2013. Now museums and other institutions are scrambling to figure out how to survive.

The Wereldmuseum in Rotterdam has come up with a controversial plan. They’re going to sell off their African and American collections in order to raise money.

While this has caused an understandable uproar, it makes sense in some ways. The Wereldmuseum’s main collections are in Asian and Pacific art, such as the Korwar figurines from New Guinea pictured above courtesy of Wikimedia Commons. These will not be sold. Other museums in the country are known for African and American art, so the Dutch and the tourists won’t be left without. It’s also a major opportunity for museums that still have decent funding for new acquisitions, assuming there are any.

There are still plenty of downsides. The Wereldmuseum and any other institution that tries this tactic will lose some of the diversity of their collections. It makes it harder for them to participate in the exchanges of artwork that help create bonds between different museums and the creation of major exhibitions. The sale will probably also see some of artifacts leave the country or go into private hands, and out of sight of the general public.

For the Wereldmuseum in particular it means losing some of its unique character. The collection is partially made up of objects brought back by Dutch traders, who in past centuries were one of the major economic powers on the high seas and traded to all corners of the globe. At the moment the collection reflects that. To secure its future, the Wereldmuseum will have to discard some of its past.

It may even undermine its own name. Wereldmuseum translates to “World Museum”.