Northern Nights Music Fest To Go On, In Spite Of Itself

Northern Nights Music Festival is a three-day celebration of music, art, food and local culture set to run from July 19 – 21 at California’s Cook’s Valley Campground. Host to various acclaimed music festivals for decades, thousands of visitors attend events in the area every year, making concert tourism a big part of the local economy. But some local residents don’t see it that way. They want more time between events, environmental impact studies and more control over concertgoers.

Describing the Northern Nights Music Festival as a “blowout of alcohol and drugs,” Mendocino County Board of Supervisors chairman Dan Hamburg publicized his stance. “There’s something about us welcoming in a rave that scares me,” Hamburg said in a WilItsNews report.

Still, there’s big money at stake with tickets for the three-day event selling for $160 per person and thousands expected to attend. To satisfy officials, promoters have promised to be sure the environment is respected by roaming the adjacent river for campers, educating festival goers on where and how to shower, use the toilets and park their cars.

In response to neighboring landowners and their concerns, the stage and speakers will be directed away from them and a blocking sound wall will be built. To comply with permit requirements that loud music stop at 2 a.m., concertgoers will be given wireless headphones for a “Silent Disco.”

Popular Music Festival Celebrates 75 Years This Summer

is an iconic music festival held in the Berkshires. Located in western Massachusetts and the summer home to the Boston Symphony Orchestra, Tanglewood has a variety of stars from the classical music world taking part in over 90 events between June 22-September 2 as the annual event celebrates 75 years this summer.

In addition to the Boston Symphony, Boston Pops and Tanglewood Music Center orchestras, will be performances by Emanuel Ax, Yo-Yo Ma, Anne-Sophie Mutter, Peter Serkin, James Taylor, the Tanglewood Festival Chorus and other special guests led by conductors John Williams, Keith Lockhart and Andris Nelsons.Tanglewood also features events ranging from dance performances, family and youth concerts, a relay run and open rehearsals of the Boston Symphony Orchestra.

About a two and a half hour drive from New York City and Boston, the area is also home to cultural institutions such as the Norman Rockwell Museum, Clark Art Institute and more.

New this year, the program will be made available to a worldwide audience through a series of international broadcasts – 75 free digital streams featuring many of the most memorable musical events from the orchestra’s rich archive of recorded Tanglewood performances since 1937. These streams will be available free for 24 hours on the day of the release, after which they will be available as a download for purchase.

Tickets to the 2012 Tanglewood season are priced from $9 to $117 and on sale now through or by calling SymphonyCharge at 888-266-1200. Tanglewood continues to offer free lawn tickets to young people age 17 and under and a 50 percent discount on lawn tickets to college and graduate students.

Want more on Summer Music Festivals? Check Gadling’s USA Summer Music Festivals 2012.

Photos Boston Symphony Orchestra

Sweetlife Festival to feature hot music and sustainable eats

It isn’t often you get invited to a party with a purpose. But that’s exactly what the Sweetlife Food & Music Festival at the Merriweather Post Pavilion in Columbia, Maryland, will be: an all-day extravaganza celebrating the values of “sustainability, community and fun.” Scheduled for April 28, the festival will feature a stellar lineup of musicians, including: Avicii, Kid Cudi, The Shins, Explosions in the Sky, Fitz and the Tantrums, A$AP Rocky, and Fun. In addition, the event will offer healthy, sustainably sourced food options.

The third annual Sweetlife Festival is organized by the founders of Sweetgreen, a northeast chain of eco-friendly eateries known for dishing up fresh, local ingredients and changing the way the country thinks of fast food. This year’s festival will feature twice as many music acts as well as a second stage, called The Treehouse, which will host a roster of emerging artists. Festival-goers will be able to participate in environmentally-focused interactive activities between sets and nosh on munchies from the likes of Jose Andres’s Pepe Truck, Shake Shack, Roberta’s Pizza and Smucker Farms in the Food Forest, presented in cooperation with Serious Eats.

“Our vision is to extend Sweetgreen’s hip and eco-conscious ethos from the table to all facets of the Sweetlife – including the festival fare,” said the press release.

General admission tickets went on sale today and are available for $75 on

Fun Fun Fun Fest 2011: recap

Fun Fun Fun Fest 2011 was dreamy. And I mean that. As one of Austin’s prized and annual music festivals, FFF has a lot riding on it. If I were to personify the festival, I might even find myself conjecturing about whether or not FFF feels like she’s living in the shadows of SXSW and ACL. And if she could talk, she might say ‘yes’, but after this year’s FFF, I reckon that ‘yes’ would be followed with quite a few reasons why she likes it that way. And so do I.

Which way do I like it? I like it, it being music festivals at large, precisely the way FFF 2011 happened. It happened like this.

%Gallery-139353%After having crowded Austin‘s downtown but Highway 35-hugging Waterloo Park since the festival’s inception, FFF needed a new home for 2011. I don’t know what sort of politics went on behind the scenes at the FFF headquarters. I don’t know if decision-making people at the FFF Town Hall meetings were enraged or not when Auditorium Shores was picked as the 2011 location spot. But I do know that it worked. It worked well.

As I walked over the pedestrian bridge at South 1st toward the festival’s entrance on the first night of FFF, I stopped mid-bridge and took in the sunset over the water for what felt like the first time since I’ve been spending my time in Austin. The colors, creamy and soft pastel as they nearly always tend to be, spilled over the horizon at the sun’s setting and bled into the white-blue sky like ink dropped in water. The gnats were hoovering over the water and in my face; their silhouettes darted in and out of my periphery as I stared at the calm waters of Lady Bird Lake beneath the perfect sky. And just to my left, there was the festival. All set up and fully in gear, its lights and white tent domes created a carnival-like cityscape at the place where the lapping water meets the packed Texan soil, Auditorium Shores.

Compared to Austin City Limits, FFF’s stature was much more approachable and intimate. Compared to SXSW, FFF’s personality was much less belligerent. And maybe it just means I’m getting old, but approachable, intimate, and less belligerent really works for me now and I think it really worked well for FFF 2011.

Entering FFF was easy–the lines that usually precede a good music festival weren’t there. Then again, we entered in the evening of the first day. The dust kicked up from Auditorium Shores, which is normally a waterfront dog-friendly park in Austin, let loose a haze all over the dimming festival. Festival-goers wore bandanas and other sorts of scarves over their noses and mouths; it was like a music festival shot on a wild west movie set. This may sound like a bad thing, and it certainly wasn’t a good thing, but the dust matched with the scarf-wearing presented a sort of mystique for the festival this year.

Relaxed and spacious, FFF’s crowd still warmly and eagerly embraced the main acts of the festival–Slayer, Public Enemy, Lykke Li, Passion Pit, and others. Public Enemy got into character before their set started and decided to sound check all the way through Four Tet’s set (it was kind of obnoxious). Lykke Li performed a stunning set, completely with billowing smoke, swaying black fabrics, and sporadic percussion, thanks to her affinity for carrying drumsticks in her hands while on stage, ready at any moment to pound away on the nearest drum.

I suspect Austin’s Fun Fun Fun Festival succeeded in teaching many Austinites and travelers alike that a music festival needn’t be overpopulated or over-hyped in order to be worth the ticket price, time, and energy to attend. In fact, I’d say, this one was better for the lack of those two things.

Video of the day: Austin City Limits recap

If you have never been to the Austin City Limits Music Festival, chances are you probably don’t totally understand what all of the fuss is about. In fact, let’s take that a step further. If you have never been to a music festival, chances are you probably don’t totally understand what all of the fuss is about. Not only are music festivals an honest-to-god travel destination for tens of thousands of people per festival, but there’s something electric in the air when so many talented artists are playing so near each other in such a short time frame… and the electricity doesn’t just come from the amps. There’s a sort of unity perfect strangers regularly find themselves in arms with when taking time off to enjoy a music festival.

Provided you still don’t know what I mean, or that you know exactly what I mean and want to indulge yourself for a few minutes, check out this ACL recap video that the festival recently let loose. Enjoy.