Flickr adds video


If you’ve spent more than two minutes on the Internet recently, you already know and love photo-sharing site Flickr. Today the site is breaking some interesting new functionality, allowing pro users to post videos of up to 90 seconds. Rumors of video have apparently been floating around on site’s message boards for some time now, though today marked the feature’s official launch. Users haven’t wasted any time pulling together video-focused sharing groups to take advantage of the new feature.

Some people are questioning the wisdom of Flickr’s decision. Why, they point out, would Flickr launch video sharing when sites like YouTube already dominate most online video attention? I tend to disagree with this view because I think Flickr video can occupy an interesting niche for photographers. If you consider the way most people capture travel video these days, it tends to be short snippets from point-and-shoot digital cameras. When you upload these files, computers don’t really distinguish between photo and video – everything is usually lumped into the same folder. Thus there’s an interesting opportunity to allow users to share their photos and videos all in one place. Flickr is also limiting their video size to 150 megabytes or 90 seconds, which to me also emphasizes they’re looking to capture short camera clips, not your three hour long wedding ceremony (as heartwarming as it might be).

Only paying pro users can use Flickr Video for now, but perhaps they will open it up to others in the near future. Check out the help page to get started.

Spring photography roundup

Travel photography enthusiasts will be pleased to hear about the flurry of recent product launches and news floating around the web. Perhaps everything was timed to the warm weather and extra daylight of Spring? Those tricky camera manufacturers – how diabolical. Anyway, here’s a quick rundown of some of the more interesting news.

Panasonic’s Lumix DMC-LZ10

Engadget has the scoop on Panasonic’s new 10-megapixel Lumix DMC-LZ10. I’m not the biggest fan of Panasonic’s digital cameras, but Engadget and Photography Blog both give it high marks, calling it “one of the most versatile compacts in its class.” They were particularly impressed with the camera’s manual controls and image quality. Considering it retails for less than $250, it could be a nice model to snap up for those family vacation photos. Remember, if you’re in the market for a point and shoot digital camera, don’t get too caught up with the number of megapixels. A better optical zoom and a quick startup/shutter speed are much better indicators of quality.

Hacking your Canon digital camera

Enterprising Canon camera owners should also head over to Wired, where they’re offering a cool Wiki on how to modify your camera’s software. Why would you do such a thing, you might ask? Because digital camera hardware can often do much more than is allowed by its standard software. For instance, Canon only allows shutter speeds up to 1/1,600 of a second, but the camera is actually capable of up to 1/60,000! Once you’ve installed the hack, you’ll unlock all manner of cool functions like super-long exposure shots, RAW file format and battery readout. I tried it last night on my Canon SD630 and it worked like a charm. It’s worth noting that the process can get a bit technical – make sure you know what you’re doing and that you have a compatible Canon camera before giving it a try. Jump over to Wired for full instructions and FAQ.

The Ultra-fast Casio Exilim EX-F1 SLR

Meanwhile, New York Times gadget guru David Pogue reviews Casio’s speedy new semipro Exilim EX-F1 digital camera. A typical digital camera snaps about one picture per second, but the Exilim, which is billed as the world’s fastest camera, can take up to sixty. Remember that shot of the cheetah chasing the antelope you missed on safari because you couldn’t get your camera snapping in time? This is the model you’re looking for. It also has a motion detector which will wait, for hours if necessary, until motion is detected and then automatically snap a rapid fire of 60 shots. Pretty awesome. The Exilim retails for $1,000.

Seeing old things in new ways

I’m currently taking an advanced photography class. It’s not the best timing because the class requires a lot of work and my life is quite busy right now, but I enjoy it and that’s what matters. Our first assignment was to take photos of a landmark that my hometown is known for: The Calgary Tower.

It is the most recognized building in our city’s skyline, and the focal point of many postcards. Taking a photo of it would be a snap. But there’s a catch: It has the be photo you wouldn’t see anywhere else. In other words? A non-postcard photo. Hmm. That would be like taking an original photo of the Eiffel Tower. Is it even possible? Are there any angles of the Eiffel tower that haven’t been shot a gazillion times?

I think the art of taking photos lies not just in capturing something usual well, but in capturing something usual in a way that stands out, a way that is unusual but still visually appealing. So I headed out with my camera gear and stalked an object that I’ve seen a million and one times before. And? It was fun, interesting even.

If you’re into photography, I suggest doing something like this: Head to a touristy photography spot with the intent of making your photos different from the rest. Not only will it teach you about photography but it helps you appreciate the ordinary attractions all over again.

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One for the Road: Evidence of My Existence

Jim Lo Scalzo has been a staff photographer for US News & World Report since 1994. His new memoir is a moving look at the life of a photojournalist who has traveled the world. Evidence of My Existence tells the story Lo Scalzo’s 17 years on the job as an “obsessive wanderlust” — He handled assignments in over 60 countries, capturing important news stories, while jeopardizing his relationships and his very own life, for the sake of his career.

Eventually, Lo Scalzo had to make a choice, as this recent book review explains: He had to make a decision about what was the most important to him: his profession or his family. It is a decision that many photojournalists have to make but rarely talk about in the direct way that Lo Scalzo does.

Be sure to watch the compelling trailer for the book, which begins with the question, “How to stop moving?” Whether we’re taking photos or not, it’s a question that all travelers are faced with. This book explores how one man answered the question for himself.

One for the Road: Instant Gratification

Gadling goddess Adrienne Wilson hasn’t written here in awhile, because she’s been super busy traveling the world and…making a book! As she explains in detail on her personal blog, Instant Gratification is a first volume of photographs from Adrienne’s growing collection of global snapshots, many taken during her travels over the past seven years.

In her own words, Adrienne explains the project: In its simplest form, Instant Gratification: Photos for your Coffee Table in Exchange for Money in my Pocket, can be described as a travel catalog comprised of a spirited mixture of color, B&W, film, digital, and lomo shots from around the globe. Feel gratified at once for once!

But there’s a hook! She then goes on to explain the super-cool generosity behind the creation of this book: Additionally, there won’t be any money placed into my pocket from your purchase of this book. Since I don’t bake cookies, I’m using this book as a fund raising tool. All the profit will be donated to a charitable organization that seeks to eliminate poverty housing and homelessness from the world, and to make decent shelter a matter of conscience and action.

Actually, all profit from book sales will go towards a Global Village build Adrienne is planning to lead next year with Habitat for Humanity. To raise funds for the service experience, she used her smarts to create a fundraising tool that puts a beautiful book in the hands of those who give. A creative masterpiece that benefits more than the buyer — instant gratification for all, and a wonderful idea. Kudos and congrats to Adrienne on her do-good self-publishing venture. (By the way, she used Blurb, and has lots of great things to say about them too.)