Grantourismo blogger on guidebooks and travel writing

Last week I posted a Q & A with blogger Lara Dunston and her husband and partner Terence Carter about their travel project and blog Grantourismo. In addition to good advice about renting a vacation apartment and getting “under the skin” of a place when traveling, they had a lot of interesting things to say about guidebooks, both from their experiences writing them and how they see travelers using them wrong.

Read on for more on the guidebook writing process, how you can use them best on vacation, the changing media landscape, and which bloggers and publications offer the best content for travelers.How did this project stem from your experiences as travel writers?
Grantourismo began as a personal travel project that developed from our frustrations, firstly, with our own work as travel writers, and secondly, with how many travelers rely so much on guidebooks. Terence and I wrote, updated or contributed to around 50 guidebooks for Lonely Planet, Footprints, Rough Guides, DK, and others, and what we loved most about guidebook writing was when we worked on a city guide and rented an apartment for a month or two and really got beneath the skin of the place.

So many writers who aren’t residents of a place ‘parachute in’ to a destination for a few weeks and do crazy 18-hour days ticking off sights/bars/restaurants etc in a frenzy and leave. We didn’t start travel writing to live like that. However, what we disliked was the tedious stuff – ensuring the post office was in the right spot on the map, checking bus timetables, etc. We’d also been doing lots of feature writing, especially profiles, for magazines and newspapers, and what we loved about that was experiencing places through their people.

What’s the difference between guidebook and feature writing?

With guidebooks, unless Terence had a photography commission for the same book we were writing, we mostly traveled anonymously. As feature writers we could contact people, doors would open, and we’d have incredible experiences, and come away feeling like we’d really learnt something. For instance, for a story on Michelin-star chef Pierre Gagnaire’s Dubai restaurant, we spent a night in the kitchen, Terence cooking and me observing and notetaking and – Terence ended up cooking a dish for Pierre! Grantourismo was an attempt to develop a project that would give us the opportunity to have more of those kinds of experiences and have the best of both worlds, of guidebook and feature writing. We also wanted to inspire travelers to travel in the same way, to engage more with locals and explore their own interests when they travel. This desire grew out of a frustration with seeing how obsessed people were with their guidebooks and witnessing travellers miss out on amazing opportunities because they would only go to places their guidebooks recommended.

I’ll never forget going to a great little stand-up seafood tapas place in Barcelona and seeing a young American couple sitting on the doorstop next door frantically trying to figure out if it was in the guidebook. The place was heaving and it was full of locals! Just go in! There’s also another famous tapas bar in Barcelona which once had a great reputation but it fairly mediocre now but because it’s in every guidebook, people line up for it an hour before it opens. Yet there are 20 other better tapas bars in the surrounding streets! We’d rather see people leave their guidebooks closed occasionally, talk to locals more and pursue their interests. If you’re passionate about food and cooking, why not go to a place and do a cooking course, stay in a vacation rental and shop at the markets and cook? If you love a restaurant get tips on where to eat from the waiter, and if the restaurant is quiet, why not ask to see the kitchen and chat to the chef?

So can travelers still rely on guidebooks for basic info?
Guidebooks are great for background information on a wide variety of topics on a place. What’s the alternative? Lugging around half a dozen books on the history, politics, geography, culture etc of the destination? Or load those books onto a Kindle or iPad, although of course not all travelers can afford hi-tech gadgets or even want to take them to some destinations. The ‘front/back matter’ in guidebooks can usually be relied upon – sometimes the stuff is written by subject experts, or it’s written by authors who do a great deal of research, it’s fact-checked, and it doesn’t date quickly.

Where guidebooks can be unreliable on the other hand is in the perishable information – reviews of hotels, restaurants, shops, cafés, bars, their addresses, phone numbers, prices, opening times etc. It’s not necessarily the author’s fault. Businesses move or close down, things change. It’s the fault of the publisher and their long production schedules – sometimes a year or 18 months can pass from the time the author has done the research to the time the books hit the shops. Some places never change or change little, like small country towns, but cities like Shanghai or Dubai change constantly.

We once worked on a first edition guidebook that took two years from the time I submitted the manuscript and Terence submitted the photos to reaching the bookshops. I wrote the first edition of one guidebook and updated the second edition, but I know that book has since been reprinted twice without further updates. How can travelers rely on those books? In some cases, I think the publishers have a lot to answer for, particularly when new museums or significant sights would make a ‘Top 10’ list but haven’t been added.

Any guidebook series you do like for local recommendations?
We like niche guidebooks, such as Hedonist’s Guides, which uses authors that really know their stuff when it comes to restaurants, bars, and hotels.Hedonists also come in a cool hardcover book as well, so they don’t fall apart, and as iPhone apps that are updated much more frequently than the book.

This year, on our Grantourismo trip, we’ve been on a mission to find locally produced guidebooks in each place we’ve visited, and when we’ve tested out a book and loved it we’ve interviewed the publishers/editors and showcased the book on our site, such as the arty and rather philosophical ‘My Local Guide to Venice‘ and the straight-talking ‘Not for Tourists
in New York. We want to encourage travelers to look for these books because they bring a uniquely local flavor and multiple perspectives on their destinations, unlike the big mainstream global guidebook publishers where the authors’ personalities are never allowed to shine.


What can user-generated content like TripAdvisor offer travelers compared to traditional media?
I think user-generated content supplements books and travel features in newspapers/magazines but can never replace quality guidebook authorship or travel journalism. While user-generated content wins out in terms of currency (the reviews have dates), guidebook authors and travel journalists are professionals with expertise. It’s our job to assess hotels, restaurants, bars, sights, and so on. Having slept in thousands of hotels across all budget categories, eaten tens of thousands of meals at all kinds of restaurants, visited thousands of museums, etc, gives you a degree of experience and expertise that the average traveler who has 2 weeks (in the USA) or at most 4-8 weeks (in the UK/Australia/Europe) holiday can never hope to match. If a guidebook author tells me the XXX hotel is the best in Milan and a reviewer on Trip Advisor tells me the YYY hotel is the best, I know whose opinion I’m going to trust.

If the traveler writing on Trip Advisor focuses on describing in detail their very specific experience of a hotel or restaurant, that kind of information can be helpful when weighed up against other reviews by travelers and experts. Where it can be detrimental is when the Trip Advisor reviewer starts making claims about a certain hotel being the best in the city or the cheapest or friendliest or whatever. What I want to know is how many hotels have they stayed at or inspected to be able to compare their hotel to? A guidebook writer specializing on a destination might have stayed at a dozen hotels in that city over a number of years, and inspected 50 others. So when it comes to user-generated content, my main issue is with the authority of authorship. There are also plenty of games being played out behind the scenes with
manipulation of reviews (both positive and negative) of properties. In a recent destination we visited a local foodie who told us to simply ignore the top 10 places listed on Trip Advisor as they’re rubbish. And she was right. We’ve personally seen scathing reviews of hotels and restaurants that we know are some of our favourites in the world – so who are you going to trust? The user ‘britney_1537’ or a professional travel writer?

Where do you see travel journalism going?
I can’t see travel journalism in magazines or newspapers changing significantly because it hasn’t changed in its genre, form or structure a great deal at all. What has changed is that there are far more journalists working for broadsheets and travel magazine these days that are doing trips ‘courtesy of’ a tourism body or travel operator – and it’s apparent from the first paragraph, even if it’s not declared. There has definitely been a trend toward publications redefining and narrowing their focus and we’ve seen wonderful new niche travel publications born in the last year or so such as Wend and AFAR – a magazine after our own hearts and minds!

I can see traditional travel publications embracing more user-generated content in the way that some of the UK newspapers have been doing by incorporating reader’s travel writing and tips and linking to those on their main travel pages. I love how The Guardian in the UK engages its readers on Twitter and I dig the Twi-Trips that Benji Lanyado does, which are kind of mini-versions of that fantastic journey the Twitchhiker did that had us all engrossed in his journey halfway round the world relying totally on the hospitality of strangers.

I also think we’ll start to see more travel writers like Terence and I who have worked across traditional media platforms entering into direct relationships with companies as we have with HomeAway Holiday-Rentals and producing content on their own websites and blogs or on the company’s blog, as say, David Whitley has done for Round the World Flights in the UK. But it will only work if the writer can negotiate editorial control as we did with HomeAway Holiday-Rentals. As long as writers maintain their integrity and apply the same ethics they would to a story for a newspaper or magazine, it’s a good thing. But how many travel companies are willing to give writers this freedom? If you look at our last few posts on Cape Town and our first posts on Kenya – which are both reflective and critical – you have to ask yourself how many travel-related companies are willing to let writers produce this kind of content that doesn’t gloss over the situation on the ground?

How can travelers benefit from the changing media landscape?
Travellers can benefit by content that is more creative and less restricted by a publications editorial style or writing guidelines, by content that is more freewheeling in spirit. A perfect example is Pam Mandel who blogs at Nerd’s Eye View, who has a unique, intimate, chatty style of writing that wouldn’t work for a lot of newspapers for instance – but she’s heading off to Antarctica soon on a sponsored trip and I can’t wait to see how she brings her own singular brand of writing to that adventure. What’s important with these gigs, like Grantourismo, is that travel writers continue to be upfront, honest, critical and opinionated in their writing. They need to maintain their integrity and ethics. Travelers in turn need to expect that of the writers they’re reading – if they’re seeing ‘sponsored story’ or company widgets/logos on their blogs (both travel writers and bloggers), they need to look for an editorial policy. It’s only by writing critically that writers will win readers’ trust in the long term and projects like Grantourismo will succeed.

Check out more on Grantourismo on their blog and Twitter page.

All photos courtesy of Terence Carter.

Q & A with Grantourismo round-the-world slow travel bloggers

With all the holiday travel madness just beginning, sometimes it’s nice to take a breath and think about taking travel more slowly. I recently had a chance to meet up with blogger Lara Dunston and her photographer-writer husband, Terence Carter, of the round-the-world travel project and blog, Grantourismo while they were traveling through Istanbul. Lara and Terence hosted me at their fabulous terraced apartment with glasses of Turkish wine, travel chat, and views of nearby Taksim Square and the nostalgic tram.

Grantourismo is a yearlong grand tour of the globe to explore more enriching and ‘authentic’ (and they get how those words have been debated and abused by travel bloggers!) ways of traveling, which began in Dubai this February and will wrap up in Scotland in January. In order to slow down and immerse themselves in each place, they are staying in vacation rentals (rather than hotels) in one place for two weeks at a time.

Read on for more about their slow travel philosophy, tips about renting a holiday apartment, and how they found Austin’s best tacos.

What’s the essence of Grantourismo?
We’re attempting to get beneath the skin of the places we’re visiting and to inspire other travelers to do the same. We’re doing very little sightseeing and if we’re taking tours, we’re doing small group tours with expert local guides ran by sustainable companies, such as Context. Mostly we’re experiencing places through their food, markets, music, culture, fashion, street art, sport, etc, and doing things that locals do in their own towns rather than things tourists travel to their towns to do. We’re trying and buying local produce and products, and seeking out artisanal practices we can promote. We’re also highlighting ways in which travellers can give something back to the places they’re visiting, from planting trees in Costa Rica to kicking a football with kids in a favela in Rio. And we’re blogging about this every day at Grantourismo!

How did you make it a reality?
Our initial idea was 12 places around the world in 12 months, learning things like the original grand tourists did. Terence, who is a great musician and a terrific cook, wanted to work in a restaurant kitchen and learn a musical instrument while I was going to enroll in language classes and learn something different in each place. But we couldn’t figure out how to fund such a project. We were lucky in that I saw an ad from HomeAway Holiday-Rentals (the UK arm of HomeAway) looking for a travel journalist-photographer team to stay in their vacation rentals and blog about their experiences for a year. I presented Grantourismo to them, they loved it, and here we are! We’re in the 10th month of our yearlong trip, we’ve stayed in 27 properties in 18 countries, and we have a ski town and five cities to go! We’ve written 369 stories on our website – and only 27 of those have been about the properties, the rest have been about everything from winetasting to walking – and we’ve done loads of interviews with locals we’ve met, from musicians and chefs to fashion designers and bookbinders.

What’s the biggest difference about staying in an apartment vs. a hotel?
The biggest difference and best thing is that when you’re staying in a vacation rental you’re generally living in an everyday neighbourhood rather than a tourist area, which means you can meet people other than hotel cleaners and waiters. You can pop downstairs or down the road to a local café or pub that’s full of locals rather than other tourists. You can shop in local markets or supermarkets that are significantly cheaper. Sure if you’re staying in a hotel you can go and look at the markets, but your hotel mini-bar probably won’t hold much, whereas we go with a shopping list or we simply watch what the locals are buying, and we go home and cook.

You can generally get off the beaten track far easier than you can when you stay in a hotel. If you’re relying on the concierge for tips, you’re going to see other hotel guests eating at the restaurant he recommended. Then there’s the beauty of having lots of space, your own kitchen so you don’t have to eat out every meal, and a refrigerator you can fill that doesn’t have sensors going off when you open it. There might be shelves filled with books or a DVD library – in Cape Town we even had a piano, which Terence played every day! The privacy – we got tired of housekeeping ignoring DND signs, people coming to check the outrageously-priced mini-bar, and the phone always ringing with staff asking, when were we checking out, did we want a wake-up call, could they send a porter up. It became so tedious, especially as we were spending around 300 days a year in hotels on average. There are downsides to holiday rentals too of course. If something goes wrong the property owner/manager isn’t always around to fix it, whereas in a hotel, you phone the front desk to let them know the Internet isn’t working and they’ll send someone up.

What should travelers consider when renting a holiday apartment?
Location first. What kind of neighbourhood do you want to live in, how off the beaten track do you want to get, do you want to walk into the centre or are you happy to catch public transport or drive, what kind of facilities are in the area if you’re not hiring a car, and is there a supermarket, shops, restaurants, café, bars in walking distance? After that, the quality of accommodation – in the same way that people decide whether to opt for a budget hotel if they just want somewhere to lay their head, or a five-star if they want creature comforts, they need to think about how much time they intend spending at the property and the level of comfort they want. We stayed in a budget apartment in Manhattan, which was fine as we were out a lot. In Ceret, France and Sardinia, Italy we had big charming houses with terrific kitchens, which was perfect as we stayed in and cooked a lot. If it’s a family reunion or group of friends going away together and they want to enjoy meals in, then it’s important to ask detailed questions about the kitchen and facilities, as we’ve had some places that only had the bare basics, while others like our properties in Austin and Cape Town had dream kitchens.

Favorite destination/apartment?
We’ve been to some amazing places but my favourites have been Tokyo and Austin. We’d only visited Tokyo once before on a stopover, stayed in a cramped hotel and just did the tourist sights. This time we really saw how people lived by staying in an apartment, we discovered different corners of the city we didn’t know existed, and we made new friends. In Austin, it was all about the people, who must be the USA’s friendliest and coolest. We spent a lot of time seeing live music and met lots of musicians, and we also got into the food scene – locals take their food very seriously in Austin! We even hosted a dinner party there with Terence cooking up a multi-course tasting menu for our new friends. In terms of properties, I’m torn between the rustic traditional white trullo set amongst olive groves that we stayed at in Puglia where we had our own pizza oven and bikes to ride in the countryside, the penthouse in the historic centre of Mexico City, and the two houses in Costa Rica, one set in the jungle and the other on the beach, literally within splashing distance of the sea!

Funny story about one of your stays?
The funniest moments weren’t funny at the time but we look back at them and laugh now. At our the Puglia trullo we had terrible internet access. It barely worked in the house because the walls were so thick, yet internet is crucial to what we’re doing so we had to work outside, which wasn’t much fun in the rain. Terence discovered that he could get the best access in the middle of the olive grove next door; you can see him working here! The monkeys that visited us everyday in our houses in Costa Rica were also hilarious. One morning I was enjoying a rare moment reading in the sun when I saw a rare red-backed squirrel monkey run across the fence, and then another leapfrog that one, and then another join them! I quickly got up and raced into the kitchen to make sure there was no food left on the bench, turned around and there was a family of 30-40 monkeys trooping through the house. These guys are endangered, but it didn’t look like it from where I was standing in the kitchen in my bikinis and towel, trying to protect our food as the property manager had warned us that they know how to open the cupboards! The manager also told us to leave the lights on at night, because otherwise the bats will think the house is a cave. She wasn’t kidding.

How is social media playing a role in your travels?
We decided not to use guidebooks this year and rely on advice from locals, many of which we come in contact with through social media. We’ve met many locals via their blogs or Twitter. We use Twitter every day, as a research and networking tool, to make contacts ahead of our visit and get tips from people when we’re there. We’ve had some amazing advice from our followers, from restaurant recommendations to suggestions on things we should do. When we were in Cape Town, loads of tweeps said we had to do the Township Tour offered by Cape Capers and we did and they were right, it was life-changing.

Terence learns how to make the quintessential dish of each place we visit and often asks tweeps what he should make. We’ve had great tips from food bloggers who use Twitter such as Eating Asia and Eat Mexico. We’ve ended up meeting loads of tweeps, including a bunch of New Yorkers – bloggers, writers and travelers – we met for drinks one night, including Gadling’s own Mike Barish and David Farley, while in Austin we had lunch with ‘the Taco Mafia‘ from the Taco Journalism blog and got the lowdown on Austin’s best tacos. We also use Twitter to share our own travel experiences and let people know when we have new stories on the site and we run a monthly travel blogging competition which we promote on Twitter (with very generous prizes donated by HomeAway Holiday Rentals, AFAR, Viator, Context, Trourist, and Our Explorer); the aim of that is to get other travelers to help spread our messages about the kind of traveling we’re doing.

What’s next?
As far as Grantourismo goes, we just left Istanbul (where we were delighted to meet another fascinating Gadling contributor!) and are in Budapest. After this it’s Austria for some fun in the snow, then Krakov for Christmas, Berlin for New Year’s Eve, and our last stop is Edinburgh end of January. After that? We’ve been invited to speak at an international wine tourism conference in Porto, Portugal, about Grantourismo and wine, as we’ve explored places through their wine as much as their food, doing wine courses, wine tastings, wine walks, and wine tours, and really trying to inspire people to drink local rather than imported wine. Then we’re going to write a book about Grantourismo and our year on the road, and later in the year – after we’re rested and energised – we’re going to take Grantourismo into a slightly different direction.

All photos courtesy of Terence Carter.

TripAdvisor picks the top ten most expensive vacation rentals in North America

You think finding a sub-$200 hotel in the summer is a challenge? Consider the challenges for the rich and famous – do you go with a 12 bedroom mansion, or can you settle for a mere 10? Will the kitchen be large enough to feed all 250 guests at your poolside soirée?

And then there is the pool itself – is one pool going to be enough, and will the fitness room be large enough? Yes – the world of luxury vacation rentals provides a level of luxury not found at many hotels, which is why their rates are as high as $150,000 for a single week.

Our friends at TripAdvisor put together a list of the most expensive rentals in North America – but if they seem to be a little above your budget, check out their entire list, with many more affordable options.

  1. Aguajito Rd – Carmel, California Weekly Peak Season Rate: $150,000
  2. MIT PED – Punta de Mita, Mexico Weekly Peak Season Rate: $112,000
  3. 17 Mile Drive at the Lodge – Pebble Beach, California Weekly Peak Season Rate: $100,000
  4. Casa Fryzer – Cabo San Lucas, Mexico Weekly Peak Season Rate: $70,000
  5. Over the Edge – Steamboat Springs, Colorado Weekly Peak Season Rate: $50,365
  6. Highlands Manor – Telluride, Colorado Weekly Peak Season Rate: $52,500
  7. Camelback Vista – Phoenix, Arizona Weekly Peak Season Rate: $21,000
  8. Admiral’s Treasure – Key West, FloridaWeekly Peak Season Rate: $11,760
  9. The Bellagio – Myrtle Beach, South Carolina Weekly Peak Season Rate: $9,320
  10. Kona Shangrila – Kailua, HawaiiWeekly Peak Season Rate: $7,700

[Images and property descriptions courtesy of TripAdvisor]

Want more luxury news? Get your daily dose of pampering right here.

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7 day vacation rentals for $199 through Wyndham Worldwide

Looking to vacation on a budget? Wyndham Worldwide has some hot deals on 7-day vacation rentals for just $199. The availability is obviously limited, and there is a bit of fine print involved, but I was able to find several properties for the advertised price.

To clarify – the $199 price is for 7 days – and since many hotels retail for the same price for just one night, you’ll understand why this is a real bargain. There are even several properties in the Orlando area, though given their high demand, you’ll be paying $399 for a 2 bedroom for the 7 day period.

Vacation rentals are perfect for families – because they come with their own kitchen, and most properties have a decent assortment of on-site amenities. So – browse through their properties and see whether you can find yourself a hot $199 deal on your own vacation rental for the week. The locations, promotion details and rules can be found here.

Vacation homes and social media worth a million dollars

Did someone mention a travel slump? Second Porch, up in Portland, Oregon, must not have received the memo.

Damned memos.

The new company just picked up $1 million in A-round financing (an early round, for those not of the finance world) which was led by the Oregon Angel Fund. Translation: a few people are making a seven-figure bet on a travel company in a shitty market. And I think it’s pure genius. Now is the time to make a play in the travel market, as there’s nowhere to go but up. Also, Second Porch has a nice social media connection which is not only all the rage with the kids right now (and the Baby Boomers and everyone else, for that matter) but has demonstrated continued potential for the travel and tourism industry.

The premise behind Second Porch is straightforward: these guys want to harness the power of social media to make it easier for you to book a vacation home. The company has put together a free Facebook application – a portal into the vacation home rental process. End-user ease, however, is only part of the plan. Second Porch CEO Brent Hieggelke says, “The typical Facebook personal network comprised of ‘friends of friends’ reaches almost 17,000 people, all of whom can be vouched for by a friend in common. For a homeowner, this is an obvious opportunity to find prospective guests to rent to with a higher level of comfort and peace of mind.”

Right now, Second Porch has only 1,100 fans and 2,450 users … but give it time. A million dollars buys a lot of friends.